Green Shadows, White Whale

In 1991 Bradbury was able to combine his various stories of Ireland with bridges that told the tale of his Irish adventures writing the Moby Dick screenplay for John Huston in 1953-1954 to form the autobiographical novel Green Shadows, White Whale. Chapter 29 describes how Bradbury was able to merge...

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Main Author: Eller, Jonathan R.
Format: Book Part
Language:unknown
Published: University of Illinois Press 2020
Subjects:
Online Access:http://dx.doi.org/10.5622/illinois/9780252043413.003.0030
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spelling crunivillinoispr:10.5622/illinois/9780252043413.003.0030 2024-04-07T07:56:25+00:00 Green Shadows, White Whale Eller, Jonathan R. 2020 http://dx.doi.org/10.5622/illinois/9780252043413.003.0030 unknown University of Illinois Press Bradbury Beyond Apollo page 203-209 ISBN 9780252043413 9780252052293 book-chapter 2020 crunivillinoispr https://doi.org/10.5622/illinois/9780252043413.003.0030 2024-03-08T03:47:38Z In 1991 Bradbury was able to combine his various stories of Ireland with bridges that told the tale of his Irish adventures writing the Moby Dick screenplay for John Huston in 1953-1954 to form the autobiographical novel Green Shadows, White Whale. Chapter 29 describes how Bradbury was able to merge these complex projects by revisiting the rough winter he spent under Huston’s demanding direction. In the process, Bradbury was able to capture the defining spirit of the Ireland he knew with good humor and only a touch of satire. Bradbury loved the beauty of the countryside and the people, but he would never return. The chapter analyzes this ambivalence through Bradbury’s reflective poem “To Ireland,” and concludes with the comments that Bradbury offered at the 1991 memorial service for his friend Gene Roddenberry. Book Part White whale UI Press - University of Illinois Press 203 209
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collection UI Press - University of Illinois Press
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description In 1991 Bradbury was able to combine his various stories of Ireland with bridges that told the tale of his Irish adventures writing the Moby Dick screenplay for John Huston in 1953-1954 to form the autobiographical novel Green Shadows, White Whale. Chapter 29 describes how Bradbury was able to merge these complex projects by revisiting the rough winter he spent under Huston’s demanding direction. In the process, Bradbury was able to capture the defining spirit of the Ireland he knew with good humor and only a touch of satire. Bradbury loved the beauty of the countryside and the people, but he would never return. The chapter analyzes this ambivalence through Bradbury’s reflective poem “To Ireland,” and concludes with the comments that Bradbury offered at the 1991 memorial service for his friend Gene Roddenberry.
format Book Part
author Eller, Jonathan R.
spellingShingle Eller, Jonathan R.
Green Shadows, White Whale
author_facet Eller, Jonathan R.
author_sort Eller, Jonathan R.
title Green Shadows, White Whale
title_short Green Shadows, White Whale
title_full Green Shadows, White Whale
title_fullStr Green Shadows, White Whale
title_full_unstemmed Green Shadows, White Whale
title_sort green shadows, white whale
publisher University of Illinois Press
publishDate 2020
url http://dx.doi.org/10.5622/illinois/9780252043413.003.0030
genre White whale
genre_facet White whale
op_source Bradbury Beyond Apollo
page 203-209
ISBN 9780252043413 9780252052293
op_doi https://doi.org/10.5622/illinois/9780252043413.003.0030
container_start_page 203
op_container_end_page 209
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