Indigenous Voices on the Web: Folksonomies and Endangered Languages
Abstract Examining categories created by Sami users on Twitter, this article investigates the advantages and limits of global social media for a small localized group. Folksonomies illustrate the empowering potential of Twitter as a site of performance for continuity of cultural practices, vernacula...
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University of Illinois Press
2015
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Online Access: | http://dx.doi.org/10.5406/jamerfolk.128.509.0273 https://scholarlypublishingcollective.org/uip/jaf/article-pdf/128/509/273/1892789/jamerfolk.128.509.0273.pdf |
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crunivillinoispr:10.5406/jamerfolk.128.509.0273 2024-01-07T09:46:23+01:00 Indigenous Voices on the Web: Folksonomies and Endangered Languages Cocq, Coppélie 2015 http://dx.doi.org/10.5406/jamerfolk.128.509.0273 https://scholarlypublishingcollective.org/uip/jaf/article-pdf/128/509/273/1892789/jamerfolk.128.509.0273.pdf en eng University of Illinois Press Journal of American Folklore volume 128, issue 509, page 273-285 ISSN 0021-8715 1535-1882 Arts and Humanities (miscellaneous) Cultural Studies journal-article 2015 crunivillinoispr https://doi.org/10.5406/jamerfolk.128.509.0273 2023-12-10T14:56:34Z Abstract Examining categories created by Sami users on Twitter, this article investigates the advantages and limits of global social media for a small localized group. Folksonomies illustrate the empowering potential of Twitter as a site of performance for continuity of cultural practices, vernacular expressions, and "artistic communication in small groups" (Ben-Amos 1971). Article in Journal/Newspaper sami sami UI Press - University of Illinois Press (via Crossref) Journal of American Folklore 128 509 273 285 |
institution |
Open Polar |
collection |
UI Press - University of Illinois Press (via Crossref) |
op_collection_id |
crunivillinoispr |
language |
English |
topic |
Arts and Humanities (miscellaneous) Cultural Studies |
spellingShingle |
Arts and Humanities (miscellaneous) Cultural Studies Cocq, Coppélie Indigenous Voices on the Web: Folksonomies and Endangered Languages |
topic_facet |
Arts and Humanities (miscellaneous) Cultural Studies |
description |
Abstract Examining categories created by Sami users on Twitter, this article investigates the advantages and limits of global social media for a small localized group. Folksonomies illustrate the empowering potential of Twitter as a site of performance for continuity of cultural practices, vernacular expressions, and "artistic communication in small groups" (Ben-Amos 1971). |
format |
Article in Journal/Newspaper |
author |
Cocq, Coppélie |
author_facet |
Cocq, Coppélie |
author_sort |
Cocq, Coppélie |
title |
Indigenous Voices on the Web: Folksonomies and Endangered Languages |
title_short |
Indigenous Voices on the Web: Folksonomies and Endangered Languages |
title_full |
Indigenous Voices on the Web: Folksonomies and Endangered Languages |
title_fullStr |
Indigenous Voices on the Web: Folksonomies and Endangered Languages |
title_full_unstemmed |
Indigenous Voices on the Web: Folksonomies and Endangered Languages |
title_sort |
indigenous voices on the web: folksonomies and endangered languages |
publisher |
University of Illinois Press |
publishDate |
2015 |
url |
http://dx.doi.org/10.5406/jamerfolk.128.509.0273 https://scholarlypublishingcollective.org/uip/jaf/article-pdf/128/509/273/1892789/jamerfolk.128.509.0273.pdf |
genre |
sami sami |
genre_facet |
sami sami |
op_source |
Journal of American Folklore volume 128, issue 509, page 273-285 ISSN 0021-8715 1535-1882 |
op_doi |
https://doi.org/10.5406/jamerfolk.128.509.0273 |
container_title |
Journal of American Folklore |
container_volume |
128 |
container_issue |
509 |
container_start_page |
273 |
op_container_end_page |
285 |
_version_ |
1787428155599880192 |