The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions
Abstract The "chop" is a percussive string instrument technique pioneered by bluegrass fiddler Richard Greene in the 1960s and adopted into contemporary string styles by Darol Anger in the 1980s. This article traces the diffusion of the chop through a number of North Atlantic fiddling trad...
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University of Illinois Press
2013
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crunivillinoispr:10.5406/ethnomusicology.57.3.0428 2023-05-15T17:27:45+02:00 The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions Risk, Laura 2013 http://dx.doi.org/10.5406/ethnomusicology.57.3.0428 https://scholarlypublishingcollective.org/uip/etm/article-pdf/57/3/428/1211544/ethnomusicology.57.3.0428.pdf en eng University of Illinois Press Ethnomusicology volume 57, issue 3, page 428-454 ISSN 0014-1836 2156-7417 Music Anthropology Cultural Studies journal-article 2013 crunivillinoispr https://doi.org/10.5406/ethnomusicology.57.3.0428 2022-04-11T14:03:33Z Abstract The "chop" is a percussive string instrument technique pioneered by bluegrass fiddler Richard Greene in the 1960s and adopted into contemporary string styles by Darol Anger in the 1980s. This article traces the diffusion of the chop through a number of North Atlantic fiddling traditions in the 1990s and 2000s. It also considers the circumstances and implications of musicians’ decisions to adopt, adapt, or reject the chop. Drawing on both sociological research on the diffusion of innovations and genre theory, this article demonstrates that the diffusion trajectory of a musical innovation depends on the innovation itself, on the sites of transmission, and on the interplay of the lived and imagined musical worlds within which musicians play, work, and study. It concludes by suggesting that, when studying North Atlantic fiddling, both regional divisions and generational trends should be taken into consideration. Article in Journal/Newspaper North Atlantic UI Press - University of Illinois Press (via Crossref) Greene ENVELOPE(168.233,168.233,-72.100,-72.100) Ethnomusicology 57 3 428 |
institution |
Open Polar |
collection |
UI Press - University of Illinois Press (via Crossref) |
op_collection_id |
crunivillinoispr |
language |
English |
topic |
Music Anthropology Cultural Studies |
spellingShingle |
Music Anthropology Cultural Studies Risk, Laura The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions |
topic_facet |
Music Anthropology Cultural Studies |
description |
Abstract The "chop" is a percussive string instrument technique pioneered by bluegrass fiddler Richard Greene in the 1960s and adopted into contemporary string styles by Darol Anger in the 1980s. This article traces the diffusion of the chop through a number of North Atlantic fiddling traditions in the 1990s and 2000s. It also considers the circumstances and implications of musicians’ decisions to adopt, adapt, or reject the chop. Drawing on both sociological research on the diffusion of innovations and genre theory, this article demonstrates that the diffusion trajectory of a musical innovation depends on the innovation itself, on the sites of transmission, and on the interplay of the lived and imagined musical worlds within which musicians play, work, and study. It concludes by suggesting that, when studying North Atlantic fiddling, both regional divisions and generational trends should be taken into consideration. |
format |
Article in Journal/Newspaper |
author |
Risk, Laura |
author_facet |
Risk, Laura |
author_sort |
Risk, Laura |
title |
The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions |
title_short |
The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions |
title_full |
The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions |
title_fullStr |
The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions |
title_full_unstemmed |
The Chop: The Diffusion of an Instrumental Technique across North Atlantic Fiddling Traditions |
title_sort |
chop: the diffusion of an instrumental technique across north atlantic fiddling traditions |
publisher |
University of Illinois Press |
publishDate |
2013 |
url |
http://dx.doi.org/10.5406/ethnomusicology.57.3.0428 https://scholarlypublishingcollective.org/uip/etm/article-pdf/57/3/428/1211544/ethnomusicology.57.3.0428.pdf |
long_lat |
ENVELOPE(168.233,168.233,-72.100,-72.100) |
geographic |
Greene |
geographic_facet |
Greene |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
Ethnomusicology volume 57, issue 3, page 428-454 ISSN 0014-1836 2156-7417 |
op_doi |
https://doi.org/10.5406/ethnomusicology.57.3.0428 |
container_title |
Ethnomusicology |
container_volume |
57 |
container_issue |
3 |
container_start_page |
428 |
_version_ |
1766120036863311872 |