In conversation with Olaf Otto Becker

Since the late 1990s, Olaf Otto Becker (b. 1959- ) has been photographing landscape scenery in Iceland and Greenland with the intention to document how these landscapes are changing. Becker's photography captures the changes wrought by anthropogenically driven climate change, most notably by ca...

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Main Author: Peck, Julia
Format: Book Part
Language:unknown
Published: transcript Verlag 2020
Subjects:
Online Access:http://dx.doi.org/10.14361/9783839449509-003
https://transcript.degruyter.com/view/book/9783839449509/10.14361/9783839449509-003.xml
https://www.degruyter.com/document/doi/10.14361/9783839449509-003/xml
https://www.degruyter.com/document/doi/10.14361/9783839449509-003/pdf
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spelling crtranscript:10.14361/9783839449509-003 2024-03-31T07:53:06+00:00 In conversation with Olaf Otto Becker Peck, Julia 2020 http://dx.doi.org/10.14361/9783839449509-003 https://transcript.degruyter.com/view/book/9783839449509/10.14361/9783839449509-003.xml https://www.degruyter.com/document/doi/10.14361/9783839449509-003/xml https://www.degruyter.com/document/doi/10.14361/9783839449509-003/pdf unknown transcript Verlag Proximity and Distance in Northern Landscape Photography Image page 19-34 ISSN 2365-1806 2702-9557 ISBN 9783837649505 9783839449509 book-chapter 2020 crtranscript https://doi.org/10.14361/9783839449509-003 2024-03-05T05:24:31Z Since the late 1990s, Olaf Otto Becker (b. 1959- ) has been photographing landscape scenery in Iceland and Greenland with the intention to document how these landscapes are changing. Becker's photography captures the changes wrought by anthropogenically driven climate change, most notably by capturing the retreat of glaciers. Becker's practice, which foregrounds an aesthetic response to place, also photographs agricultural and urban landscapes, situating nature as part of our global economy. Images of living spaces contextualise human dwellings and living patterns for many people across the globe. This narrative is further elaborated upon in Becker's later projects, and discussed in the interview, which explores primary forests, deforestation, and the planting of urban spaces, but also situating his output within the context of global economies. This first in-depth interview with Becker discusses the evolution of his practice, his commitment to climate and environmental issues, and how this relates to the way the developed world treats nature as a resource in both the global north and the global south. The interview also investigates Becker's process of making images and engages with both the documentary and constructed strands of his photographs. New insights, such as the images' relationship to time (both in terms of photography, and the deep time of geology) and the uncanny nature of some of the re-photographed sites emerges, offering new insights into Becker's practice. Book Part Greenland Iceland transcript Verlag Greenland 19 34
institution Open Polar
collection transcript Verlag
op_collection_id crtranscript
language unknown
description Since the late 1990s, Olaf Otto Becker (b. 1959- ) has been photographing landscape scenery in Iceland and Greenland with the intention to document how these landscapes are changing. Becker's photography captures the changes wrought by anthropogenically driven climate change, most notably by capturing the retreat of glaciers. Becker's practice, which foregrounds an aesthetic response to place, also photographs agricultural and urban landscapes, situating nature as part of our global economy. Images of living spaces contextualise human dwellings and living patterns for many people across the globe. This narrative is further elaborated upon in Becker's later projects, and discussed in the interview, which explores primary forests, deforestation, and the planting of urban spaces, but also situating his output within the context of global economies. This first in-depth interview with Becker discusses the evolution of his practice, his commitment to climate and environmental issues, and how this relates to the way the developed world treats nature as a resource in both the global north and the global south. The interview also investigates Becker's process of making images and engages with both the documentary and constructed strands of his photographs. New insights, such as the images' relationship to time (both in terms of photography, and the deep time of geology) and the uncanny nature of some of the re-photographed sites emerges, offering new insights into Becker's practice.
format Book Part
author Peck, Julia
spellingShingle Peck, Julia
In conversation with Olaf Otto Becker
author_facet Peck, Julia
author_sort Peck, Julia
title In conversation with Olaf Otto Becker
title_short In conversation with Olaf Otto Becker
title_full In conversation with Olaf Otto Becker
title_fullStr In conversation with Olaf Otto Becker
title_full_unstemmed In conversation with Olaf Otto Becker
title_sort in conversation with olaf otto becker
publisher transcript Verlag
publishDate 2020
url http://dx.doi.org/10.14361/9783839449509-003
https://transcript.degruyter.com/view/book/9783839449509/10.14361/9783839449509-003.xml
https://www.degruyter.com/document/doi/10.14361/9783839449509-003/xml
https://www.degruyter.com/document/doi/10.14361/9783839449509-003/pdf
geographic Greenland
geographic_facet Greenland
genre Greenland
Iceland
genre_facet Greenland
Iceland
op_source Proximity and Distance in Northern Landscape Photography
Image
page 19-34
ISSN 2365-1806 2702-9557
ISBN 9783837649505 9783839449509
op_doi https://doi.org/10.14361/9783839449509-003
container_start_page 19
op_container_end_page 34
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