Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection

Abstract The most well-known representation of the globe, the Mercator Projection, often provokes surprise for its considerable distortions: despite appearances, Greenland is almost five times smaller than Canada, and Russia is, in fact, approximately half the size it appears. Since the oldest civil...

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Main Author: Reitz, Talitta
Format: Book Part
Language:unknown
Published: Springer International Publishing 2021
Subjects:
Online Access:http://dx.doi.org/10.1007/978-3-030-84248-2_11
https://link.springer.com/content/pdf/10.1007/978-3-030-84248-2_11
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spelling crspringernat:10.1007/978-3-030-84248-2_11 2024-03-10T08:35:05+00:00 Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection Reitz, Talitta 2021 http://dx.doi.org/10.1007/978-3-030-84248-2_11 https://link.springer.com/content/pdf/10.1007/978-3-030-84248-2_11 unknown Springer International Publishing https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0 Co-Creativity and Engaged Scholarship page 323-355 ISBN 9783030842475 9783030842482 book-chapter 2021 crspringernat https://doi.org/10.1007/978-3-030-84248-2_11 2024-02-13T23:45:12Z Abstract The most well-known representation of the globe, the Mercator Projection, often provokes surprise for its considerable distortions: despite appearances, Greenland is almost five times smaller than Canada, and Russia is, in fact, approximately half the size it appears. Since the oldest civilizations, maps have relied on shifting knowledges to become more accurate and efficient, a process accelerated with science and technological development. But the unrealistic proportions of the Mercator map point to a critical reflection: maps show no absolute truths, nor are they neutral. Maps tell stories; they represent ideas as much as spaces, and exactitude is no synonym for neutrality. On the contrary, mapping is a cultural and political act. In the 1990s, geographers started to defy the power relationships of mapmaking with critical cartography . This critique, strongly supported by activists, opened new debates and representational possibilities in which scientific principles started to matter less than social and environmental justice, political participation, and storytelling. Within this framework, this chapter reflects on two alternative mapping methods used in the humanities and social sciences: social cartography and deep mapping. Each section introduces origins, theoretical frameworks, reception, and applications. Because these methods aim to rectify the abuse of power often enabled by scientific mapping, they use non-prescriptive mapmaking to legitimize neglected perspectives. Social Cartography is intrinsically participatory and uses mapping as a collaborative and critical practice. It challenges the role of traditional cartography in socio-political spheres, creating opportunities for new narratives and communities to be heard and understood. Deep maps represent abstract characteristics of a place. They can transcend the boundaries of bi-dimensional and pictorial representation, and consequently, reach different publics. The method is flexible, combining literature and immersive experiences to convey ... Book Part Greenland Springer Nature Canada Greenland 323 355 Cham
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op_collection_id crspringernat
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description Abstract The most well-known representation of the globe, the Mercator Projection, often provokes surprise for its considerable distortions: despite appearances, Greenland is almost five times smaller than Canada, and Russia is, in fact, approximately half the size it appears. Since the oldest civilizations, maps have relied on shifting knowledges to become more accurate and efficient, a process accelerated with science and technological development. But the unrealistic proportions of the Mercator map point to a critical reflection: maps show no absolute truths, nor are they neutral. Maps tell stories; they represent ideas as much as spaces, and exactitude is no synonym for neutrality. On the contrary, mapping is a cultural and political act. In the 1990s, geographers started to defy the power relationships of mapmaking with critical cartography . This critique, strongly supported by activists, opened new debates and representational possibilities in which scientific principles started to matter less than social and environmental justice, political participation, and storytelling. Within this framework, this chapter reflects on two alternative mapping methods used in the humanities and social sciences: social cartography and deep mapping. Each section introduces origins, theoretical frameworks, reception, and applications. Because these methods aim to rectify the abuse of power often enabled by scientific mapping, they use non-prescriptive mapmaking to legitimize neglected perspectives. Social Cartography is intrinsically participatory and uses mapping as a collaborative and critical practice. It challenges the role of traditional cartography in socio-political spheres, creating opportunities for new narratives and communities to be heard and understood. Deep maps represent abstract characteristics of a place. They can transcend the boundaries of bi-dimensional and pictorial representation, and consequently, reach different publics. The method is flexible, combining literature and immersive experiences to convey ...
format Book Part
author Reitz, Talitta
spellingShingle Reitz, Talitta
Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection
author_facet Reitz, Talitta
author_sort Reitz, Talitta
title Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection
title_short Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection
title_full Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection
title_fullStr Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection
title_full_unstemmed Back to the Drawing Board: Creative Mapping Methods for Inclusion and Connection
title_sort back to the drawing board: creative mapping methods for inclusion and connection
publisher Springer International Publishing
publishDate 2021
url http://dx.doi.org/10.1007/978-3-030-84248-2_11
https://link.springer.com/content/pdf/10.1007/978-3-030-84248-2_11
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Greenland
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Greenland
genre Greenland
genre_facet Greenland
op_source Co-Creativity and Engaged Scholarship
page 323-355
ISBN 9783030842475 9783030842482
op_rights https://creativecommons.org/licenses/by/4.0
https://creativecommons.org/licenses/by/4.0
op_doi https://doi.org/10.1007/978-3-030-84248-2_11
container_start_page 323
op_container_end_page 355
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