Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners

In this paper, we highlight the centrality of process in Indigenist community-based participatory research in music education to offer new methodological insights, using a recent investigation that employed conference as research method as a case study. From our perspective as university researchers...

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Published in:International Journal of Qualitative Methods
Main Authors: Prest, Anita, Goble, Scott, Vazquez-Cordoba, Hector
Other Authors: Social Sciences and Humanities Research Council of Canada
Format: Article in Journal/Newspaper
Language:English
Published: SAGE Publications 2024
Subjects:
Online Access:http://dx.doi.org/10.1177/16094069241282870
https://journals.sagepub.com/doi/pdf/10.1177/16094069241282870
https://journals.sagepub.com/doi/full-xml/10.1177/16094069241282870
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spelling crsagepubl:10.1177/16094069241282870 2024-09-30T14:35:08+00:00 Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners Prest, Anita Goble, Scott Vazquez-Cordoba, Hector Social Sciences and Humanities Research Council of Canada 2024 http://dx.doi.org/10.1177/16094069241282870 https://journals.sagepub.com/doi/pdf/10.1177/16094069241282870 https://journals.sagepub.com/doi/full-xml/10.1177/16094069241282870 en eng SAGE Publications https://creativecommons.org/licenses/by-nc/4.0/ International Journal of Qualitative Methods volume 23 ISSN 1609-4069 1609-4069 journal-article 2024 crsagepubl https://doi.org/10.1177/16094069241282870 2024-09-17T04:38:33Z In this paper, we highlight the centrality of process in Indigenist community-based participatory research in music education to offer new methodological insights, using a recent investigation that employed conference as research method as a case study. From our perspective as university researchers who are non-Indigenous or Indigenous but not to the land now known as Canada, we describe in detail the process of co-creating a conference grounded in local First Nations Protocols as a research method for our most recent study with Indigenous partners, also showing how the process is related to ceremony. This knowledge creation and sharing conference involved more than 200 Knowledge Keepers, School District Indigenous leaders, and music educators in British Columbia endeavouring to effectively embed Indigenous knowledge in K-12 music classes. We highlight ways we found to be relationally accountable, including providing adequate time to arrive at consensus in all decisions; developing and maintaining trust throughout pandemic lockdowns and restrictions; and locating additional sources of funding to facilitate all Protocols, which led Indigenous participants to report feeling that the conference was a culturally safe place and non-Indigenous participants to report that they found it to be a culturally immersive experience. We became more aware that the very process of discussion and decision making that took place at the many committee and subcommittee meetings leading up to the conference was part and parcel of the ceremonial aspect of this research. Indigenous participants deemed the outcomes and effects of the research/conference credible and trustworthy because they emerged from a planning process that was culturally informed and that had been deemed ethical, legitimate, and appropriate by all planning parties through consensus. Article in Journal/Newspaper First Nations SAGE Publications Canada British Columbia ENVELOPE(-125.003,-125.003,54.000,54.000) International Journal of Qualitative Methods 23
institution Open Polar
collection SAGE Publications
op_collection_id crsagepubl
language English
description In this paper, we highlight the centrality of process in Indigenist community-based participatory research in music education to offer new methodological insights, using a recent investigation that employed conference as research method as a case study. From our perspective as university researchers who are non-Indigenous or Indigenous but not to the land now known as Canada, we describe in detail the process of co-creating a conference grounded in local First Nations Protocols as a research method for our most recent study with Indigenous partners, also showing how the process is related to ceremony. This knowledge creation and sharing conference involved more than 200 Knowledge Keepers, School District Indigenous leaders, and music educators in British Columbia endeavouring to effectively embed Indigenous knowledge in K-12 music classes. We highlight ways we found to be relationally accountable, including providing adequate time to arrive at consensus in all decisions; developing and maintaining trust throughout pandemic lockdowns and restrictions; and locating additional sources of funding to facilitate all Protocols, which led Indigenous participants to report feeling that the conference was a culturally safe place and non-Indigenous participants to report that they found it to be a culturally immersive experience. We became more aware that the very process of discussion and decision making that took place at the many committee and subcommittee meetings leading up to the conference was part and parcel of the ceremonial aspect of this research. Indigenous participants deemed the outcomes and effects of the research/conference credible and trustworthy because they emerged from a planning process that was culturally informed and that had been deemed ethical, legitimate, and appropriate by all planning parties through consensus.
author2 Social Sciences and Humanities Research Council of Canada
format Article in Journal/Newspaper
author Prest, Anita
Goble, Scott
Vazquez-Cordoba, Hector
spellingShingle Prest, Anita
Goble, Scott
Vazquez-Cordoba, Hector
Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners
author_facet Prest, Anita
Goble, Scott
Vazquez-Cordoba, Hector
author_sort Prest, Anita
title Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners
title_short Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners
title_full Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners
title_fullStr Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners
title_full_unstemmed Conference is Ceremony: The Centrality of Process in Community-Based Participatory Research in Music Education With Indigenous Partners
title_sort conference is ceremony: the centrality of process in community-based participatory research in music education with indigenous partners
publisher SAGE Publications
publishDate 2024
url http://dx.doi.org/10.1177/16094069241282870
https://journals.sagepub.com/doi/pdf/10.1177/16094069241282870
https://journals.sagepub.com/doi/full-xml/10.1177/16094069241282870
long_lat ENVELOPE(-125.003,-125.003,54.000,54.000)
geographic Canada
British Columbia
geographic_facet Canada
British Columbia
genre First Nations
genre_facet First Nations
op_source International Journal of Qualitative Methods
volume 23
ISSN 1609-4069 1609-4069
op_rights https://creativecommons.org/licenses/by-nc/4.0/
op_doi https://doi.org/10.1177/16094069241282870
container_title International Journal of Qualitative Methods
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