Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling
Tracing the critical biography of Pedal to the Meddle (2007) – a Haida Manga intervention, originated by Michael Nicoll Yahgulanaas – this article explores the biography of indigenized artworks that are generated as a site-specific form of institutional critique but later dislocated, mobilized and r...
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crsagepubl:10.1177/1359183513486231 2023-05-15T16:16:13+02:00 Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling Levell, Nicola 2013 http://dx.doi.org/10.1177/1359183513486231 http://journals.sagepub.com/doi/pdf/10.1177/1359183513486231 http://journals.sagepub.com/doi/full-xml/10.1177/1359183513486231 en eng SAGE Publications http://journals.sagepub.com/page/policies/text-and-data-mining-license Journal of Material Culture volume 18, issue 2, page 93-116 ISSN 1359-1835 1460-3586 Arts and Humanities (miscellaneous) Archeology Anthropology journal-article 2013 crsagepubl https://doi.org/10.1177/1359183513486231 2022-04-14T04:41:41Z Tracing the critical biography of Pedal to the Meddle (2007) – a Haida Manga intervention, originated by Michael Nicoll Yahgulanaas – this article explores the biography of indigenized artworks that are generated as a site-specific form of institutional critique but later dislocated, mobilized and rearticulated in other disciplinary spaces. In its original context, Pedal to the Meddle was conceptualized and created to critique museum practices, the politics of ownership and First Nations’ dispossession on the Northwest Coast. However, when this artwork was dislocated from its site of origin and re-curated in other exhibitionary spaces, its indigenized critique, relational aesthetics and locational meanings were inevitably altered. It is these retellings, through the artist’s practice, different spaces, material configurations, collaborative processes and curatorial voices that constitute the subject of this article. Article in Journal/Newspaper First Nations SAGE Publications (via Crossref) Journal of Material Culture 18 2 93 116 |
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Open Polar |
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SAGE Publications (via Crossref) |
op_collection_id |
crsagepubl |
language |
English |
topic |
Arts and Humanities (miscellaneous) Archeology Anthropology |
spellingShingle |
Arts and Humanities (miscellaneous) Archeology Anthropology Levell, Nicola Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling |
topic_facet |
Arts and Humanities (miscellaneous) Archeology Anthropology |
description |
Tracing the critical biography of Pedal to the Meddle (2007) – a Haida Manga intervention, originated by Michael Nicoll Yahgulanaas – this article explores the biography of indigenized artworks that are generated as a site-specific form of institutional critique but later dislocated, mobilized and rearticulated in other disciplinary spaces. In its original context, Pedal to the Meddle was conceptualized and created to critique museum practices, the politics of ownership and First Nations’ dispossession on the Northwest Coast. However, when this artwork was dislocated from its site of origin and re-curated in other exhibitionary spaces, its indigenized critique, relational aesthetics and locational meanings were inevitably altered. It is these retellings, through the artist’s practice, different spaces, material configurations, collaborative processes and curatorial voices that constitute the subject of this article. |
format |
Article in Journal/Newspaper |
author |
Levell, Nicola |
author_facet |
Levell, Nicola |
author_sort |
Levell, Nicola |
title |
Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling |
title_short |
Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling |
title_full |
Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling |
title_fullStr |
Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling |
title_full_unstemmed |
Site-specificity and dislocation: Michael Nicoll Yahgulanaas and his Haida Manga Meddling |
title_sort |
site-specificity and dislocation: michael nicoll yahgulanaas and his haida manga meddling |
publisher |
SAGE Publications |
publishDate |
2013 |
url |
http://dx.doi.org/10.1177/1359183513486231 http://journals.sagepub.com/doi/pdf/10.1177/1359183513486231 http://journals.sagepub.com/doi/full-xml/10.1177/1359183513486231 |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Journal of Material Culture volume 18, issue 2, page 93-116 ISSN 1359-1835 1460-3586 |
op_rights |
http://journals.sagepub.com/page/policies/text-and-data-mining-license |
op_doi |
https://doi.org/10.1177/1359183513486231 |
container_title |
Journal of Material Culture |
container_volume |
18 |
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2 |
container_start_page |
93 |
op_container_end_page |
116 |
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1766002069861302272 |