From The Ashes
Over the last decade, a series of publications - such as, most notably, Steve Jones's Rock Formations (1992), 1 Michael Chanan's Repeated Takes (1995) 2 and Paul Théberge's Any Sound You Can Imagine (1997) 3 - have offered accounts of the impact of various technological innovations on...
Published in: | Convergence: The International Journal of Research into New Media Technologies |
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1999
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Online Access: | http://dx.doi.org/10.1177/135485659900500306 http://journals.sagepub.com/doi/pdf/10.1177/135485659900500306 |
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crsagepubl:10.1177/135485659900500306 2023-05-15T17:32:54+02:00 From The Ashes A Case Study of the Re-development of Local Music Recording in Rabaul (Papua New Guinea) Following the 1994 Volcanic Eruptions Crowdy, Denis Hayward, Philip 1999 http://dx.doi.org/10.1177/135485659900500306 http://journals.sagepub.com/doi/pdf/10.1177/135485659900500306 en eng SAGE Publications http://journals.sagepub.com/page/policies/text-and-data-mining-license Convergence: The International Journal of Research into New Media Technologies volume 5, issue 3, page 67-82 ISSN 1354-8565 1748-7382 Arts and Humanities (miscellaneous) Communication journal-article 1999 crsagepubl https://doi.org/10.1177/135485659900500306 2022-04-14T04:49:59Z Over the last decade, a series of publications - such as, most notably, Steve Jones's Rock Formations (1992), 1 Michael Chanan's Repeated Takes (1995) 2 and Paul Théberge's Any Sound You Can Imagine (1997) 3 - have offered accounts of the impact of various technological innovations on contemporary music culture. Almost without exception, they have advanced their analyses with near-total reliance on examples drawn from the North Atlantic core of the Western music industry. To date, the impact of various technologies on the music cultures and industries of the rest of the planet have been little examined. While these cultures and industries may 'lag behind' their better-facilitated western counterparts in terms of provision of new equipment and associated creative and industrial practices, the impact of new technologies on these territories is just as marked and complex as it is in the West. Article in Journal/Newspaper North Atlantic SAGE Publications (via Crossref) Convergence: The International Journal of Research into New Media Technologies 5 3 67 82 |
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Open Polar |
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SAGE Publications (via Crossref) |
op_collection_id |
crsagepubl |
language |
English |
topic |
Arts and Humanities (miscellaneous) Communication |
spellingShingle |
Arts and Humanities (miscellaneous) Communication Crowdy, Denis Hayward, Philip From The Ashes |
topic_facet |
Arts and Humanities (miscellaneous) Communication |
description |
Over the last decade, a series of publications - such as, most notably, Steve Jones's Rock Formations (1992), 1 Michael Chanan's Repeated Takes (1995) 2 and Paul Théberge's Any Sound You Can Imagine (1997) 3 - have offered accounts of the impact of various technological innovations on contemporary music culture. Almost without exception, they have advanced their analyses with near-total reliance on examples drawn from the North Atlantic core of the Western music industry. To date, the impact of various technologies on the music cultures and industries of the rest of the planet have been little examined. While these cultures and industries may 'lag behind' their better-facilitated western counterparts in terms of provision of new equipment and associated creative and industrial practices, the impact of new technologies on these territories is just as marked and complex as it is in the West. |
format |
Article in Journal/Newspaper |
author |
Crowdy, Denis Hayward, Philip |
author_facet |
Crowdy, Denis Hayward, Philip |
author_sort |
Crowdy, Denis |
title |
From The Ashes |
title_short |
From The Ashes |
title_full |
From The Ashes |
title_fullStr |
From The Ashes |
title_full_unstemmed |
From The Ashes |
title_sort |
from the ashes |
publisher |
SAGE Publications |
publishDate |
1999 |
url |
http://dx.doi.org/10.1177/135485659900500306 http://journals.sagepub.com/doi/pdf/10.1177/135485659900500306 |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
Convergence: The International Journal of Research into New Media Technologies volume 5, issue 3, page 67-82 ISSN 1354-8565 1748-7382 |
op_rights |
http://journals.sagepub.com/page/policies/text-and-data-mining-license |
op_doi |
https://doi.org/10.1177/135485659900500306 |
container_title |
Convergence: The International Journal of Research into New Media Technologies |
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5 |
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3 |
container_start_page |
67 |
op_container_end_page |
82 |
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1766131230700470272 |