Implicit polyphony: A framework for understanding cultural complexity
Musical terms like ‘polyphony’ are often applied in psychology and other disciplines in a more or less metaphorical way. However, this article investigates how polyphony can be applied in a non-metaphorical manner, i.e. in the same way, as it is understood in musicology. The fundamental hypothesis i...
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crsagepubl:10.1177/1354067x17716390 2023-05-15T18:14:47+02:00 Implicit polyphony: A framework for understanding cultural complexity Klempe, Sven Hroar 2017 http://dx.doi.org/10.1177/1354067x17716390 http://journals.sagepub.com/doi/pdf/10.1177/1354067X17716390 http://journals.sagepub.com/doi/full-xml/10.1177/1354067X17716390 en eng SAGE Publications http://journals.sagepub.com/page/policies/text-and-data-mining-license Culture & Psychology volume 24, issue 1, page 60-79 ISSN 1354-067X 1461-7056 Sociology and Political Science Anthropology Cultural Studies Social Psychology journal-article 2017 crsagepubl https://doi.org/10.1177/1354067x17716390 2022-08-12T11:29:52Z Musical terms like ‘polyphony’ are often applied in psychology and other disciplines in a more or less metaphorical way. However, this article investigates how polyphony can be applied in a non-metaphorical manner, i.e. in the same way, as it is understood in musicology. The fundamental hypothesis is that music represents a basic capacity of the human mind, and that this has impact on other human capacities, like language. If so, this should be traceable in different ways in different cultures. To investigate this, ‘implicit polyphony’ is launched as a term that refers to music, which is melodic, but at the same time reveals a more or less hidden polyphonic structure. This musical phenomenon is demonstrated by examples from Bach and Ravel. It is demonstrated that polyphony is at the core of music, not only in Western classical music, but also African and other ethnical music. Implicit polyphony defined as two voices condensed into one is also found in Norwegian Sámi music. The latter leads to a conclusion, which says that continuity in music is related to verticality. Investigations in linguistics show that the oral use of language is highly comparable with implicit polyphony in music. The same is modernistic literature where the aim has been to turn language into music, as in parts of James Joyce’s novel Ulysses. By bringing in examples of lexical and conceptual blending, the final conclusion is that ‘implicit polyphony’ may serve as a tool for understanding the complexity in human thinking and culture. Article in Journal/Newspaper Sámi SAGE Publications (via Crossref) Ravel ENVELOPE(-71.310,-71.310,-69.908,-69.908) Culture & Psychology 24 1 60 79 |
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Open Polar |
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SAGE Publications (via Crossref) |
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crsagepubl |
language |
English |
topic |
Sociology and Political Science Anthropology Cultural Studies Social Psychology |
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Sociology and Political Science Anthropology Cultural Studies Social Psychology Klempe, Sven Hroar Implicit polyphony: A framework for understanding cultural complexity |
topic_facet |
Sociology and Political Science Anthropology Cultural Studies Social Psychology |
description |
Musical terms like ‘polyphony’ are often applied in psychology and other disciplines in a more or less metaphorical way. However, this article investigates how polyphony can be applied in a non-metaphorical manner, i.e. in the same way, as it is understood in musicology. The fundamental hypothesis is that music represents a basic capacity of the human mind, and that this has impact on other human capacities, like language. If so, this should be traceable in different ways in different cultures. To investigate this, ‘implicit polyphony’ is launched as a term that refers to music, which is melodic, but at the same time reveals a more or less hidden polyphonic structure. This musical phenomenon is demonstrated by examples from Bach and Ravel. It is demonstrated that polyphony is at the core of music, not only in Western classical music, but also African and other ethnical music. Implicit polyphony defined as two voices condensed into one is also found in Norwegian Sámi music. The latter leads to a conclusion, which says that continuity in music is related to verticality. Investigations in linguistics show that the oral use of language is highly comparable with implicit polyphony in music. The same is modernistic literature where the aim has been to turn language into music, as in parts of James Joyce’s novel Ulysses. By bringing in examples of lexical and conceptual blending, the final conclusion is that ‘implicit polyphony’ may serve as a tool for understanding the complexity in human thinking and culture. |
format |
Article in Journal/Newspaper |
author |
Klempe, Sven Hroar |
author_facet |
Klempe, Sven Hroar |
author_sort |
Klempe, Sven Hroar |
title |
Implicit polyphony: A framework for understanding cultural complexity |
title_short |
Implicit polyphony: A framework for understanding cultural complexity |
title_full |
Implicit polyphony: A framework for understanding cultural complexity |
title_fullStr |
Implicit polyphony: A framework for understanding cultural complexity |
title_full_unstemmed |
Implicit polyphony: A framework for understanding cultural complexity |
title_sort |
implicit polyphony: a framework for understanding cultural complexity |
publisher |
SAGE Publications |
publishDate |
2017 |
url |
http://dx.doi.org/10.1177/1354067x17716390 http://journals.sagepub.com/doi/pdf/10.1177/1354067X17716390 http://journals.sagepub.com/doi/full-xml/10.1177/1354067X17716390 |
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ENVELOPE(-71.310,-71.310,-69.908,-69.908) |
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Ravel |
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Ravel |
genre |
Sámi |
genre_facet |
Sámi |
op_source |
Culture & Psychology volume 24, issue 1, page 60-79 ISSN 1354-067X 1461-7056 |
op_rights |
http://journals.sagepub.com/page/policies/text-and-data-mining-license |
op_doi |
https://doi.org/10.1177/1354067x17716390 |
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Culture & Psychology |
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24 |
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1 |
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60 |
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79 |
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