‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay
In 1933, Aleksandr Rodchenko travelled to the White Sea‐Baltic Canal, one of the first Gulags. Shortly after, his photomontages were published in the propaganda journal USSR in Construction . This photoessay largely abandons Rodchenko's earlier modernist practices, and espousal of medium‐specif...
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2019
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Online Access: | http://dx.doi.org/10.1111/1467-8365.12437 https://onlinelibrary.wiley.com/doi/pdf/10.1111/1467-8365.12437 https://onlinelibrary.wiley.com/doi/full-xml/10.1111/1467-8365.12437 |
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croxfordunivpr:10.1111/1467-8365.12437 2024-04-07T07:56:25+00:00 ‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay Glebova, Aglaya 2019 http://dx.doi.org/10.1111/1467-8365.12437 https://onlinelibrary.wiley.com/doi/pdf/10.1111/1467-8365.12437 https://onlinelibrary.wiley.com/doi/full-xml/10.1111/1467-8365.12437 en eng Oxford University Press (OUP) http://onlinelibrary.wiley.com/termsAndConditions#vor Art History volume 42, issue 2, page 332-361 ISSN 0141-6790 1467-8365 Visual Arts and Performing Arts journal-article 2019 croxfordunivpr https://doi.org/10.1111/1467-8365.12437 2024-03-08T03:09:22Z In 1933, Aleksandr Rodchenko travelled to the White Sea‐Baltic Canal, one of the first Gulags. Shortly after, his photomontages were published in the propaganda journal USSR in Construction . This photoessay largely abandons Rodchenko's earlier modernist practices, and espousal of medium‐specificity, instead downplaying its photographic qualities, and gesturing to other media as visual indemnity. Nonetheless, Rodchenko's Canal images display the constructed and conflicted nature of representation. This essay probes how the radically expanded, albeit incoherent, visual language of the Soviet avant‐garde in the early 1930s could function not only to reinforce, but also potentially to question, the state's dictates. Article in Journal/Newspaper White Sea Oxford University Press White Sea Art History 42 2 332 361 |
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Open Polar |
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Oxford University Press |
op_collection_id |
croxfordunivpr |
language |
English |
topic |
Visual Arts and Performing Arts |
spellingShingle |
Visual Arts and Performing Arts Glebova, Aglaya ‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay |
topic_facet |
Visual Arts and Performing Arts |
description |
In 1933, Aleksandr Rodchenko travelled to the White Sea‐Baltic Canal, one of the first Gulags. Shortly after, his photomontages were published in the propaganda journal USSR in Construction . This photoessay largely abandons Rodchenko's earlier modernist practices, and espousal of medium‐specificity, instead downplaying its photographic qualities, and gesturing to other media as visual indemnity. Nonetheless, Rodchenko's Canal images display the constructed and conflicted nature of representation. This essay probes how the radically expanded, albeit incoherent, visual language of the Soviet avant‐garde in the early 1930s could function not only to reinforce, but also potentially to question, the state's dictates. |
format |
Article in Journal/Newspaper |
author |
Glebova, Aglaya |
author_facet |
Glebova, Aglaya |
author_sort |
Glebova, Aglaya |
title |
‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay |
title_short |
‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay |
title_full |
‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay |
title_fullStr |
‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay |
title_full_unstemmed |
‘No Longer an Image, Not Yet a Concept’: Montage and the Failure to Cohere in Aleksandr Rodchenko's Gulag Photoessay |
title_sort |
‘no longer an image, not yet a concept’: montage and the failure to cohere in aleksandr rodchenko's gulag photoessay |
publisher |
Oxford University Press (OUP) |
publishDate |
2019 |
url |
http://dx.doi.org/10.1111/1467-8365.12437 https://onlinelibrary.wiley.com/doi/pdf/10.1111/1467-8365.12437 https://onlinelibrary.wiley.com/doi/full-xml/10.1111/1467-8365.12437 |
geographic |
White Sea |
geographic_facet |
White Sea |
genre |
White Sea |
genre_facet |
White Sea |
op_source |
Art History volume 42, issue 2, page 332-361 ISSN 0141-6790 1467-8365 |
op_rights |
http://onlinelibrary.wiley.com/termsAndConditions#vor |
op_doi |
https://doi.org/10.1111/1467-8365.12437 |
container_title |
Art History |
container_volume |
42 |
container_issue |
2 |
container_start_page |
332 |
op_container_end_page |
361 |
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1795674294655647744 |