An Artist Unpacks the Archives
Abstract This chapter tells the story of my encounters as an artist with archives and the ideas and artworks they inspired. It begins inside the archives of the London School of Economics, where I made The Gatekeepers, a film about the archivists and other works exploring institutional archives and...
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croxfordunivpr:10.1093/oxfordhb/9780198829324.013.0030 2024-06-09T07:44:00+00:00 An Artist Unpacks the Archives Maclennan, Ruth 2023 http://dx.doi.org/10.1093/oxfordhb/9780198829324.013.0030 https://academic.oup.com/edited-volume/55354/chapter/430292176 en eng Oxford University Press https://creativecommons.org/licenses/by-nc-nd/4.0/ Archives page 397-419 ISBN 9780198829324 9780191980145 book-chapter 2023 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780198829324.013.0030 2024-05-10T13:14:27Z Abstract This chapter tells the story of my encounters as an artist with archives and the ideas and artworks they inspired. It begins inside the archives of the London School of Economics, where I made The Gatekeepers, a film about the archivists and other works exploring institutional archives and performance in the workplace. The chapter discusses films that draw on archival images to speak to contemporary concerns around corporate workplaces and genetics. It then moves on to experiments with archives as containers for circulating ideas, and as documents of live events. Leaving institutions behind, it shifts focus to landscapes as living archives, repositories of occluded lives in the Scottish Highlands, the Kazakh steppes, Crimea, and the Russian Arctic. The chapter concludes with reflections on the climate emergency and the uses of archives for ecological thinking. Book Part Arctic Oxford University Press Arctic 397 419 |
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Open Polar |
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Oxford University Press |
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croxfordunivpr |
language |
English |
description |
Abstract This chapter tells the story of my encounters as an artist with archives and the ideas and artworks they inspired. It begins inside the archives of the London School of Economics, where I made The Gatekeepers, a film about the archivists and other works exploring institutional archives and performance in the workplace. The chapter discusses films that draw on archival images to speak to contemporary concerns around corporate workplaces and genetics. It then moves on to experiments with archives as containers for circulating ideas, and as documents of live events. Leaving institutions behind, it shifts focus to landscapes as living archives, repositories of occluded lives in the Scottish Highlands, the Kazakh steppes, Crimea, and the Russian Arctic. The chapter concludes with reflections on the climate emergency and the uses of archives for ecological thinking. |
format |
Book Part |
author |
Maclennan, Ruth |
spellingShingle |
Maclennan, Ruth An Artist Unpacks the Archives |
author_facet |
Maclennan, Ruth |
author_sort |
Maclennan, Ruth |
title |
An Artist Unpacks the Archives |
title_short |
An Artist Unpacks the Archives |
title_full |
An Artist Unpacks the Archives |
title_fullStr |
An Artist Unpacks the Archives |
title_full_unstemmed |
An Artist Unpacks the Archives |
title_sort |
artist unpacks the archives |
publisher |
Oxford University Press |
publishDate |
2023 |
url |
http://dx.doi.org/10.1093/oxfordhb/9780198829324.013.0030 https://academic.oup.com/edited-volume/55354/chapter/430292176 |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic |
genre_facet |
Arctic |
op_source |
Archives page 397-419 ISBN 9780198829324 9780191980145 |
op_rights |
https://creativecommons.org/licenses/by-nc-nd/4.0/ |
op_doi |
https://doi.org/10.1093/oxfordhb/9780198829324.013.0030 |
container_start_page |
397 |
op_container_end_page |
419 |
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1801372811155996672 |