The Postmodern Novel and the Post-Boom in Latin America
Abstract The modern, postmodern, and post-Boom roots are found in various avant-garde Latin American fiction manifestations in the 1920s and 1930s. More specifically, scholars have pointed to the Semana de Arte Moderna in Brazil, as well as the fiction of Gilberto Owen and Jaime Torres Bodet in Mexi...
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croxfordunivpr:10.1093/oxfordhb/9780197541852.013.8 2024-02-11T10:06:33+01:00 The Postmodern Novel and the Post-Boom in Latin America Medrano, José Manuel Williams, Raymond L. 2022 http://dx.doi.org/10.1093/oxfordhb/9780197541852.013.8 https://academic.oup.com/edited-volume/41985/chapter/355422530 unknown Oxford University Press The Oxford Handbook of the Latin American Novel page 144-162 ISBN 9780197541852 9780197541883 book-chapter 2022 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780197541852.013.8 2024-01-12T09:35:21Z Abstract The modern, postmodern, and post-Boom roots are found in various avant-garde Latin American fiction manifestations in the 1920s and 1930s. More specifically, scholars have pointed to the Semana de Arte Moderna in Brazil, as well as the fiction of Gilberto Owen and Jaime Torres Bodet in Mexico and Vicente Huidobro in Chile, in addition to a host of others who were the forerunners to the modern and postmodern novel in Latin America, which was produced from 1945 to 2015. The key connectors between the vanguardias and the rise of the modern novel were Jorge Luis Borges’s short story collection Ficciones (1944) and Miguel Ángel Asturias’s novel El señor presidente (The President, 1946). The Latin American postmodern novel follows common patterns associated with the 1970s and 1980s North Atlantic postmodernism: disruption, discontinuity, decentering, dislocation, indeterminacy, and antilocalization. On the other hand, the novel of the post-Boom was a reaction precisely against the modern novel in Latin American associated with the 1960s Boom. Unlike the Boom writers in the late 1960s and the postmodern writers of the 1970s and 1980s, post-Boom writers rejected these novelists’ hyper-experimentation. After briefly reviewing the avant-gardes, as well as the terms “modern,” “postmodern,” and “post-Boom,” this essay covers Latin American fiction from Asturias and Agustín Yáñez in the 1940s, to Roberto Bolaño, to Cristina Rivera Garza, and Isabel Allende in the twentieth century, as well as their respective contemporaries. Book Part North Atlantic Oxford University Press Rivera ENVELOPE(-61.017,-61.017,-64.267,-64.267) Yáñez ENVELOPE(-65.417,-65.417,-67.317,-67.317) Huidobro ENVELOPE(-62.987,-62.987,-64.314,-64.314) 144 162 |
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Oxford University Press |
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Abstract The modern, postmodern, and post-Boom roots are found in various avant-garde Latin American fiction manifestations in the 1920s and 1930s. More specifically, scholars have pointed to the Semana de Arte Moderna in Brazil, as well as the fiction of Gilberto Owen and Jaime Torres Bodet in Mexico and Vicente Huidobro in Chile, in addition to a host of others who were the forerunners to the modern and postmodern novel in Latin America, which was produced from 1945 to 2015. The key connectors between the vanguardias and the rise of the modern novel were Jorge Luis Borges’s short story collection Ficciones (1944) and Miguel Ángel Asturias’s novel El señor presidente (The President, 1946). The Latin American postmodern novel follows common patterns associated with the 1970s and 1980s North Atlantic postmodernism: disruption, discontinuity, decentering, dislocation, indeterminacy, and antilocalization. On the other hand, the novel of the post-Boom was a reaction precisely against the modern novel in Latin American associated with the 1960s Boom. Unlike the Boom writers in the late 1960s and the postmodern writers of the 1970s and 1980s, post-Boom writers rejected these novelists’ hyper-experimentation. After briefly reviewing the avant-gardes, as well as the terms “modern,” “postmodern,” and “post-Boom,” this essay covers Latin American fiction from Asturias and Agustín Yáñez in the 1940s, to Roberto Bolaño, to Cristina Rivera Garza, and Isabel Allende in the twentieth century, as well as their respective contemporaries. |
format |
Book Part |
author |
Medrano, José Manuel Williams, Raymond L. |
spellingShingle |
Medrano, José Manuel Williams, Raymond L. The Postmodern Novel and the Post-Boom in Latin America |
author_facet |
Medrano, José Manuel Williams, Raymond L. |
author_sort |
Medrano, José Manuel |
title |
The Postmodern Novel and the Post-Boom in Latin America |
title_short |
The Postmodern Novel and the Post-Boom in Latin America |
title_full |
The Postmodern Novel and the Post-Boom in Latin America |
title_fullStr |
The Postmodern Novel and the Post-Boom in Latin America |
title_full_unstemmed |
The Postmodern Novel and the Post-Boom in Latin America |
title_sort |
postmodern novel and the post-boom in latin america |
publisher |
Oxford University Press |
publishDate |
2022 |
url |
http://dx.doi.org/10.1093/oxfordhb/9780197541852.013.8 https://academic.oup.com/edited-volume/41985/chapter/355422530 |
long_lat |
ENVELOPE(-61.017,-61.017,-64.267,-64.267) ENVELOPE(-65.417,-65.417,-67.317,-67.317) ENVELOPE(-62.987,-62.987,-64.314,-64.314) |
geographic |
Rivera Yáñez Huidobro |
geographic_facet |
Rivera Yáñez Huidobro |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
The Oxford Handbook of the Latin American Novel page 144-162 ISBN 9780197541852 9780197541883 |
op_doi |
https://doi.org/10.1093/oxfordhb/9780197541852.013.8 |
container_start_page |
144 |
op_container_end_page |
162 |
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1790604353497726976 |