“Everything Is Not Awesome”
Abstract In 2014, Greenpeace released a new installment of their “Save the Arctic” campaign, which promotes environmental stewardship and advertises the international nongovernmental organization. The music video “LEGO: Everything Is Not Awesome” reinterprets Tegan and Sara/The Lonely Island’s exube...
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croxfordunivpr:10.1093/oxfordhb/9780190691240.013.37 2024-04-07T07:49:11+00:00 “Everything Is Not Awesome” Playful Adaptation and the Aurality of Ecoconscious Media in Greenpeace’s “Save the Arctic” Campaign Galloway, Kate 2021 http://dx.doi.org/10.1093/oxfordhb/9780190691240.013.37 https://academic.oup.com/edited-volume/38632/chapter/335306075 unknown Oxford University Press The Oxford Handbook of Music and Advertising page 541-566 ISBN 9780190691240 9780190691257 book-chapter 2021 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780190691240.013.37 2024-03-08T03:06:28Z Abstract In 2014, Greenpeace released a new installment of their “Save the Arctic” campaign, which promotes environmental stewardship and advertises the international nongovernmental organization. The music video “LEGO: Everything Is Not Awesome” reinterprets Tegan and Sara/The Lonely Island’s exuberant anthem “Everything Is Awesome” from The LEGO Movie (2014) as a melancholy lament, using musical parody to pressure the LEGO corporation to end its marketing link with Royal Dutch Shell in response to Shell’s plans to drill in the Arctic. The video features an Arctic entirely made of LEGO with cameo appearances by characters from The LEGO Movie, depicting the slow violence of an oil spill decimating the Arctic ecosystem. This advertisement, among others, was released in the context of public protest and political controversy over the environmental and social risks associated with the oil industry. It is one of many examples of Greenpeace’s use of audiovisual communication strategies to sell environmental issues and brand the organization as a leader in the environmental movement. This chapter analyzes a collection of Greenpeace advertisement videos from their “Save the Arctic” campaign, sketching the sonic choices and processes of musical adaptation used to communicate environmental risk and progressive environmental policy. Book Part Arctic Oxford University Press Arctic 540 566 |
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Abstract In 2014, Greenpeace released a new installment of their “Save the Arctic” campaign, which promotes environmental stewardship and advertises the international nongovernmental organization. The music video “LEGO: Everything Is Not Awesome” reinterprets Tegan and Sara/The Lonely Island’s exuberant anthem “Everything Is Awesome” from The LEGO Movie (2014) as a melancholy lament, using musical parody to pressure the LEGO corporation to end its marketing link with Royal Dutch Shell in response to Shell’s plans to drill in the Arctic. The video features an Arctic entirely made of LEGO with cameo appearances by characters from The LEGO Movie, depicting the slow violence of an oil spill decimating the Arctic ecosystem. This advertisement, among others, was released in the context of public protest and political controversy over the environmental and social risks associated with the oil industry. It is one of many examples of Greenpeace’s use of audiovisual communication strategies to sell environmental issues and brand the organization as a leader in the environmental movement. This chapter analyzes a collection of Greenpeace advertisement videos from their “Save the Arctic” campaign, sketching the sonic choices and processes of musical adaptation used to communicate environmental risk and progressive environmental policy. |
format |
Book Part |
author |
Galloway, Kate |
spellingShingle |
Galloway, Kate “Everything Is Not Awesome” |
author_facet |
Galloway, Kate |
author_sort |
Galloway, Kate |
title |
“Everything Is Not Awesome” |
title_short |
“Everything Is Not Awesome” |
title_full |
“Everything Is Not Awesome” |
title_fullStr |
“Everything Is Not Awesome” |
title_full_unstemmed |
“Everything Is Not Awesome” |
title_sort |
“everything is not awesome” |
publisher |
Oxford University Press |
publishDate |
2021 |
url |
http://dx.doi.org/10.1093/oxfordhb/9780190691240.013.37 https://academic.oup.com/edited-volume/38632/chapter/335306075 |
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Arctic |
geographic_facet |
Arctic |
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Arctic |
genre_facet |
Arctic |
op_source |
The Oxford Handbook of Music and Advertising page 541-566 ISBN 9780190691240 9780190691257 |
op_doi |
https://doi.org/10.1093/oxfordhb/9780190691240.013.37 |
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540 |
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566 |
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