Music and Landscape in Iceland

This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including natio...

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Bibliographic Details
Main Author: Mitchell, Tony
Other Authors: Holt, Fabian, Kärjä, Antti-Ville
Format: Book
Language:unknown
Published: Oxford University Press 2017
Subjects:
Online Access:http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8
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spelling croxfordunivpr:10.1093/oxfordhb/9780190603908.013.8 2024-01-21T10:07:14+01:00 Music and Landscape in Iceland Mitchell, Tony Holt, Fabian Kärjä, Antti-Ville 2017 http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8 unknown Oxford University Press Oxford Handbooks Online book 2017 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780190603908.013.8 2023-12-22T09:47:21Z This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including national identity, ecology, and cultural imagination, and they are culturally and politically complex. The main examples are two Icelandic films: The 2009 documentary Draumlandið (Dreamland) about the Kárahnjúkar Hydropower Project and its environmental impact, the 2003 feature film Nói Albínói (Nói the Albino), and the films of Friðrik Þór Friðriksson. These are discussed in reference to the edited volume of essays on Icelandic landscape Conversations with Landscape (2010) and Kristin Shranmm’s concept of Borealism (2011) as it applies to Icelandic music and cinema. Book Iceland Oxford University Press (via Crossref) Kárahnjúkar ENVELOPE(-15.768,-15.768,64.946,64.946)
institution Open Polar
collection Oxford University Press (via Crossref)
op_collection_id croxfordunivpr
language unknown
description This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including national identity, ecology, and cultural imagination, and they are culturally and politically complex. The main examples are two Icelandic films: The 2009 documentary Draumlandið (Dreamland) about the Kárahnjúkar Hydropower Project and its environmental impact, the 2003 feature film Nói Albínói (Nói the Albino), and the films of Friðrik Þór Friðriksson. These are discussed in reference to the edited volume of essays on Icelandic landscape Conversations with Landscape (2010) and Kristin Shranmm’s concept of Borealism (2011) as it applies to Icelandic music and cinema.
author2 Holt, Fabian
Kärjä, Antti-Ville
format Book
author Mitchell, Tony
spellingShingle Mitchell, Tony
Music and Landscape in Iceland
author_facet Mitchell, Tony
author_sort Mitchell, Tony
title Music and Landscape in Iceland
title_short Music and Landscape in Iceland
title_full Music and Landscape in Iceland
title_fullStr Music and Landscape in Iceland
title_full_unstemmed Music and Landscape in Iceland
title_sort music and landscape in iceland
publisher Oxford University Press
publishDate 2017
url http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8
long_lat ENVELOPE(-15.768,-15.768,64.946,64.946)
geographic Kárahnjúkar
geographic_facet Kárahnjúkar
genre Iceland
genre_facet Iceland
op_source Oxford Handbooks Online
op_doi https://doi.org/10.1093/oxfordhb/9780190603908.013.8
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