Music and Landscape in Iceland
This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including natio...
Main Author: | |
---|---|
Other Authors: | , |
Format: | Book |
Language: | unknown |
Published: |
Oxford University Press
2017
|
Subjects: | |
Online Access: | http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8 |
id |
croxfordunivpr:10.1093/oxfordhb/9780190603908.013.8 |
---|---|
record_format |
openpolar |
spelling |
croxfordunivpr:10.1093/oxfordhb/9780190603908.013.8 2024-01-21T10:07:14+01:00 Music and Landscape in Iceland Mitchell, Tony Holt, Fabian Kärjä, Antti-Ville 2017 http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8 unknown Oxford University Press Oxford Handbooks Online book 2017 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780190603908.013.8 2023-12-22T09:47:21Z This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including national identity, ecology, and cultural imagination, and they are culturally and politically complex. The main examples are two Icelandic films: The 2009 documentary Draumlandið (Dreamland) about the Kárahnjúkar Hydropower Project and its environmental impact, the 2003 feature film Nói Albínói (Nói the Albino), and the films of Friðrik Þór Friðriksson. These are discussed in reference to the edited volume of essays on Icelandic landscape Conversations with Landscape (2010) and Kristin Shranmm’s concept of Borealism (2011) as it applies to Icelandic music and cinema. Book Iceland Oxford University Press (via Crossref) Kárahnjúkar ENVELOPE(-15.768,-15.768,64.946,64.946) |
institution |
Open Polar |
collection |
Oxford University Press (via Crossref) |
op_collection_id |
croxfordunivpr |
language |
unknown |
description |
This chapter brings much nuance to the constant representation of Icelandic music through landscape, seascape, and icescape, drawing from longitudinal field research and interdisciplinary cultural research on landscape. The narratives of landscape in Iceland have multiple dimensions, including national identity, ecology, and cultural imagination, and they are culturally and politically complex. The main examples are two Icelandic films: The 2009 documentary Draumlandið (Dreamland) about the Kárahnjúkar Hydropower Project and its environmental impact, the 2003 feature film Nói Albínói (Nói the Albino), and the films of Friðrik Þór Friðriksson. These are discussed in reference to the edited volume of essays on Icelandic landscape Conversations with Landscape (2010) and Kristin Shranmm’s concept of Borealism (2011) as it applies to Icelandic music and cinema. |
author2 |
Holt, Fabian Kärjä, Antti-Ville |
format |
Book |
author |
Mitchell, Tony |
spellingShingle |
Mitchell, Tony Music and Landscape in Iceland |
author_facet |
Mitchell, Tony |
author_sort |
Mitchell, Tony |
title |
Music and Landscape in Iceland |
title_short |
Music and Landscape in Iceland |
title_full |
Music and Landscape in Iceland |
title_fullStr |
Music and Landscape in Iceland |
title_full_unstemmed |
Music and Landscape in Iceland |
title_sort |
music and landscape in iceland |
publisher |
Oxford University Press |
publishDate |
2017 |
url |
http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.8 |
long_lat |
ENVELOPE(-15.768,-15.768,64.946,64.946) |
geographic |
Kárahnjúkar |
geographic_facet |
Kárahnjúkar |
genre |
Iceland |
genre_facet |
Iceland |
op_source |
Oxford Handbooks Online |
op_doi |
https://doi.org/10.1093/oxfordhb/9780190603908.013.8 |
_version_ |
1788697773522026496 |