Sámi Festivals and Indigenous Sovereignty

This chapter is a contribution to the literatures on Sámi cultural history, Nordic postcolonial studies, and music festivals. Drawing inspiration from social theory, the chapter explores how the proliferation of festivals has helped in the formation of local and transnational Sámi publics in the Nor...

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Main Author: Hilder, Thomas R.
Other Authors: Holt, Fabian, Kärjä, Antti-Ville
Format: Book
Language:unknown
Published: Oxford University Press 2017
Subjects:
Online Access:http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.20
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spelling croxfordunivpr:10.1093/oxfordhb/9780190603908.013.20 2023-05-15T17:01:46+02:00 Sámi Festivals and Indigenous Sovereignty Hilder, Thomas R. Holt, Fabian Kärjä, Antti-Ville 2017 http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.20 unknown Oxford University Press Oxford Handbooks Online book 2017 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780190603908.013.20 2022-07-22T11:05:00Z This chapter is a contribution to the literatures on Sámi cultural history, Nordic postcolonial studies, and music festivals. Drawing inspiration from social theory, the chapter explores how the proliferation of festivals has helped in the formation of local and transnational Sámi publics in the Nordic region. It argues that festivals help foster a sense of transnational Sámi community and work toward cultural self-determination at three levels: the local, the Nordic, and the global. In showing how resistance to nation-states is performed and how sovereignty is enabled in festivals, the chapter highlights the significance of Sámi culture for reconsidering broader political issues of transnationalism and globalization in the Nordic countries today. The main case studies are the Kautokeino Easter Festival and the Riddu Riđ đu Festival. Book Kautokeino Oxford University Press (via Crossref) Kautokeino ENVELOPE(23.048,23.048,69.003,69.003)
institution Open Polar
collection Oxford University Press (via Crossref)
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language unknown
description This chapter is a contribution to the literatures on Sámi cultural history, Nordic postcolonial studies, and music festivals. Drawing inspiration from social theory, the chapter explores how the proliferation of festivals has helped in the formation of local and transnational Sámi publics in the Nordic region. It argues that festivals help foster a sense of transnational Sámi community and work toward cultural self-determination at three levels: the local, the Nordic, and the global. In showing how resistance to nation-states is performed and how sovereignty is enabled in festivals, the chapter highlights the significance of Sámi culture for reconsidering broader political issues of transnationalism and globalization in the Nordic countries today. The main case studies are the Kautokeino Easter Festival and the Riddu Riđ đu Festival.
author2 Holt, Fabian
Kärjä, Antti-Ville
format Book
author Hilder, Thomas R.
spellingShingle Hilder, Thomas R.
Sámi Festivals and Indigenous Sovereignty
author_facet Hilder, Thomas R.
author_sort Hilder, Thomas R.
title Sámi Festivals and Indigenous Sovereignty
title_short Sámi Festivals and Indigenous Sovereignty
title_full Sámi Festivals and Indigenous Sovereignty
title_fullStr Sámi Festivals and Indigenous Sovereignty
title_full_unstemmed Sámi Festivals and Indigenous Sovereignty
title_sort sámi festivals and indigenous sovereignty
publisher Oxford University Press
publishDate 2017
url http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.20
long_lat ENVELOPE(23.048,23.048,69.003,69.003)
geographic Kautokeino
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genre Kautokeino
genre_facet Kautokeino
op_source Oxford Handbooks Online
op_doi https://doi.org/10.1093/oxfordhb/9780190603908.013.20
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