Echoes of the Colonial Past in Discourse on North Atlantic Popular Music
This chapter brings a postcolonial perspective into the study of popular music in Iceland and the North Atlantic. The argument is that the fascination with Icelandic culture and nature, in which popular music plays a key role, evolves from a sense of “discovery” in the 1980s in Anglophone media that...
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Online Access: | http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.11 |
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croxfordunivpr:10.1093/oxfordhb/9780190603908.013.11 2024-09-15T18:13:48+00:00 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music Cannady, Kimberly Holt, Fabian Kärjä, Antti-Ville 2017 http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.11 unknown Oxford University Press Oxford Handbooks Online book 2017 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780190603908.013.11 2024-08-27T04:17:48Z This chapter brings a postcolonial perspective into the study of popular music in Iceland and the North Atlantic. The argument is that the fascination with Icelandic culture and nature, in which popular music plays a key role, evolves from a sense of “discovery” in the 1980s in Anglophone media that echoes a longer colonial history. The fascination with the present is grounded in the familiar myth of an isolated culture and nature untouched by modernity. Iceland’s authenticity is thus inseparable from the country’s mythical status as a deep freeze for Old Norse heritage and its location at the margins of Scandinavian modernity. The argument is demonstrated through analysis of the “discovery” motif in international media and in Icelandic record shops, festivals, and tourism marketing. The analysis opens up for a more nuanced understanding of the North Atlantic, looking beyond late twentieth-century dichotomies. Book Iceland North Atlantic Oxford University Press |
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Oxford University Press |
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croxfordunivpr |
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unknown |
description |
This chapter brings a postcolonial perspective into the study of popular music in Iceland and the North Atlantic. The argument is that the fascination with Icelandic culture and nature, in which popular music plays a key role, evolves from a sense of “discovery” in the 1980s in Anglophone media that echoes a longer colonial history. The fascination with the present is grounded in the familiar myth of an isolated culture and nature untouched by modernity. Iceland’s authenticity is thus inseparable from the country’s mythical status as a deep freeze for Old Norse heritage and its location at the margins of Scandinavian modernity. The argument is demonstrated through analysis of the “discovery” motif in international media and in Icelandic record shops, festivals, and tourism marketing. The analysis opens up for a more nuanced understanding of the North Atlantic, looking beyond late twentieth-century dichotomies. |
author2 |
Holt, Fabian Kärjä, Antti-Ville |
format |
Book |
author |
Cannady, Kimberly |
spellingShingle |
Cannady, Kimberly Echoes of the Colonial Past in Discourse on North Atlantic Popular Music |
author_facet |
Cannady, Kimberly |
author_sort |
Cannady, Kimberly |
title |
Echoes of the Colonial Past in Discourse on North Atlantic Popular Music |
title_short |
Echoes of the Colonial Past in Discourse on North Atlantic Popular Music |
title_full |
Echoes of the Colonial Past in Discourse on North Atlantic Popular Music |
title_fullStr |
Echoes of the Colonial Past in Discourse on North Atlantic Popular Music |
title_full_unstemmed |
Echoes of the Colonial Past in Discourse on North Atlantic Popular Music |
title_sort |
echoes of the colonial past in discourse on north atlantic popular music |
publisher |
Oxford University Press |
publishDate |
2017 |
url |
http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.11 |
genre |
Iceland North Atlantic |
genre_facet |
Iceland North Atlantic |
op_source |
Oxford Handbooks Online |
op_doi |
https://doi.org/10.1093/oxfordhb/9780190603908.013.11 |
_version_ |
1810451570604638208 |