(Re)Claiming Cultural Identity

In the 1970s, the Animation Department of the National Film Board (NFB) of Canada produced Eskimo Legends , a series of animated short films based on Inuit legends and handicrafts. Concurrently, the NFB’s Wolf Koenig initiated an animation workshop in Cape Dorset that resulted in seventeen films by...

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Main Author: Buchan, Suzanne
Other Authors: Marchessault, Janine, Straw, Will
Format: Book Part
Language:unknown
Published: Oxford University Press 2019
Subjects:
Online Access:http://dx.doi.org/10.1093/oxfordhb/9780190229108.013.6
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spelling croxfordunivpr:10.1093/oxfordhb/9780190229108.013.6 2023-05-15T15:51:47+02:00 (Re)Claiming Cultural Identity The NFB’s Eskimo Legends and Inuit Animation from Cape Dorset Buchan, Suzanne Marchessault, Janine Straw, Will 2019 http://dx.doi.org/10.1093/oxfordhb/9780190229108.013.6 unknown Oxford University Press The Oxford Handbook of Canadian Cinema page 82-104 reference-entry 2019 croxfordunivpr https://doi.org/10.1093/oxfordhb/9780190229108.013.6 2022-08-05T10:32:02Z In the 1970s, the Animation Department of the National Film Board (NFB) of Canada produced Eskimo Legends , a series of animated short films based on Inuit legends and handicrafts. Concurrently, the NFB’s Wolf Koenig initiated an animation workshop in Cape Dorset that resulted in seventeen films by Inuit youths. The social and political contexts of Indigenous handicraft and art are essential for understanding the origins of the animated materials used in these films. Key historical, political, and cultural events and debates establish a context for exploring a set of linkages between economic and sociopolitical institutions that drove the development of Indigenous crafts and cooperatives. Considered alongside NFB documentaries and CBC news broadcasts from the 1960s and 1970s, this chapter demonstrates the relation between these developments and NFB animation studio filmmaking. The focus on Inuit animators’ films compiled in Animation from Cape Dorset recontextualizes, contemporizes and reclaims their culture’s arts, storytelling, and identity. Book Part Cape Dorset eskimo* inuit Oxford University Press (via Crossref) Canada Cape Dorset ENVELOPE(-76.482,-76.482,64.179,64.179) 82 104
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description In the 1970s, the Animation Department of the National Film Board (NFB) of Canada produced Eskimo Legends , a series of animated short films based on Inuit legends and handicrafts. Concurrently, the NFB’s Wolf Koenig initiated an animation workshop in Cape Dorset that resulted in seventeen films by Inuit youths. The social and political contexts of Indigenous handicraft and art are essential for understanding the origins of the animated materials used in these films. Key historical, political, and cultural events and debates establish a context for exploring a set of linkages between economic and sociopolitical institutions that drove the development of Indigenous crafts and cooperatives. Considered alongside NFB documentaries and CBC news broadcasts from the 1960s and 1970s, this chapter demonstrates the relation between these developments and NFB animation studio filmmaking. The focus on Inuit animators’ films compiled in Animation from Cape Dorset recontextualizes, contemporizes and reclaims their culture’s arts, storytelling, and identity.
author2 Marchessault, Janine
Straw, Will
format Book Part
author Buchan, Suzanne
spellingShingle Buchan, Suzanne
(Re)Claiming Cultural Identity
author_facet Buchan, Suzanne
author_sort Buchan, Suzanne
title (Re)Claiming Cultural Identity
title_short (Re)Claiming Cultural Identity
title_full (Re)Claiming Cultural Identity
title_fullStr (Re)Claiming Cultural Identity
title_full_unstemmed (Re)Claiming Cultural Identity
title_sort (re)claiming cultural identity
publisher Oxford University Press
publishDate 2019
url http://dx.doi.org/10.1093/oxfordhb/9780190229108.013.6
long_lat ENVELOPE(-76.482,-76.482,64.179,64.179)
geographic Canada
Cape Dorset
geographic_facet Canada
Cape Dorset
genre Cape Dorset
eskimo*
inuit
genre_facet Cape Dorset
eskimo*
inuit
op_source The Oxford Handbook of Canadian Cinema
page 82-104
op_doi https://doi.org/10.1093/oxfordhb/9780190229108.013.6
container_start_page 82
op_container_end_page 104
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