The Twelfth and Thirteenth Centuries

This chapter is concerned with the vernacular poetry of Europe in the twelfth and thirteenth centuries. Side-by-side with the monastic production and preservation of poetry, the castles and courts of the nobility became centres of culture. France, in particular, saw extensive poetic activity, notabl...

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Main Author: Attridge, Derek
Format: Book Part
Language:unknown
Published: Oxford University Press 2019
Subjects:
Online Access:http://dx.doi.org/10.1093/oso/9780198833154.003.0009
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spelling croxfordunivpr:10.1093/oso/9780198833154.003.0009 2023-05-15T16:49:36+02:00 The Twelfth and Thirteenth Centuries Performing Genres Attridge, Derek 2019 http://dx.doi.org/10.1093/oso/9780198833154.003.0009 unknown Oxford University Press The Experience of Poetry page 177-205 book-chapter 2019 croxfordunivpr https://doi.org/10.1093/oso/9780198833154.003.0009 2022-08-05T10:28:57Z This chapter is concerned with the vernacular poetry of Europe in the twelfth and thirteenth centuries. Side-by-side with the monastic production and preservation of poetry, the castles and courts of the nobility became centres of culture. France, in particular, saw extensive poetic activity, notably in the genres of the chanson de geste and the troubadour lyric. Other French genres of the time include saints’ lives, romances, lais , and fabliaux the use of the octosyllabic line for these poems is examined. Poetry in the Germanic languages, notably the Middle High German courtly epics and Minnesänger lyrics and the Old Norse eddic and skaldic poetry of Iceland, is discussed, as is the lyric poetry of Italy. The evidence for the experience of poetry in Dante’s Vita nuova is considered. The rhythmic variety of Middle English verse, it is argued, suggests some uncertainty in the adoption of French metres. Book Part Iceland Oxford University Press (via Crossref) 177 205
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collection Oxford University Press (via Crossref)
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description This chapter is concerned with the vernacular poetry of Europe in the twelfth and thirteenth centuries. Side-by-side with the monastic production and preservation of poetry, the castles and courts of the nobility became centres of culture. France, in particular, saw extensive poetic activity, notably in the genres of the chanson de geste and the troubadour lyric. Other French genres of the time include saints’ lives, romances, lais , and fabliaux the use of the octosyllabic line for these poems is examined. Poetry in the Germanic languages, notably the Middle High German courtly epics and Minnesänger lyrics and the Old Norse eddic and skaldic poetry of Iceland, is discussed, as is the lyric poetry of Italy. The evidence for the experience of poetry in Dante’s Vita nuova is considered. The rhythmic variety of Middle English verse, it is argued, suggests some uncertainty in the adoption of French metres.
format Book Part
author Attridge, Derek
spellingShingle Attridge, Derek
The Twelfth and Thirteenth Centuries
author_facet Attridge, Derek
author_sort Attridge, Derek
title The Twelfth and Thirteenth Centuries
title_short The Twelfth and Thirteenth Centuries
title_full The Twelfth and Thirteenth Centuries
title_fullStr The Twelfth and Thirteenth Centuries
title_full_unstemmed The Twelfth and Thirteenth Centuries
title_sort twelfth and thirteenth centuries
publisher Oxford University Press
publishDate 2019
url http://dx.doi.org/10.1093/oso/9780198833154.003.0009
genre Iceland
genre_facet Iceland
op_source The Experience of Poetry
page 177-205
op_doi https://doi.org/10.1093/oso/9780198833154.003.0009
container_start_page 177
op_container_end_page 205
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