On the Faroese Reworking of Paradise Lost

Abstract When Paradise Lost was retold in Faroese around 1820, Danish had been the language of religion in the Faroe Islands since the Reformation. The Faroese version of Paradise Lost was composed by the ballad poet Jens Christian Djurhuus, a central figure in the revival of the Faroese ballad in t...

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Main Author: Sigurðardóttir, Turið
Format: Book Part
Language:unknown
Published: Oxford University PressOxford 2023
Subjects:
Online Access:http://dx.doi.org/10.1093/oso/9780192844743.003.0007
https://academic.oup.com/book/chapter-pdf/56620241/oso-9780192844743-chapter-7.pdf
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spelling croxfordunivpr:10.1093/oso/9780192844743.003.0007 2024-04-07T07:52:21+00:00 On the Faroese Reworking of Paradise Lost Sigurðardóttir, Turið 2023 http://dx.doi.org/10.1093/oso/9780192844743.003.0007 https://academic.oup.com/book/chapter-pdf/56620241/oso-9780192844743-chapter-7.pdf unknown Oxford University PressOxford Milton Across Borders and Media page 105-120 ISBN 0192844741 9780192844743 9780191933318 book-chapter 2023 croxfordunivpr https://doi.org/10.1093/oso/9780192844743.003.0007 2024-03-08T03:10:01Z Abstract When Paradise Lost was retold in Faroese around 1820, Danish had been the language of religion in the Faroe Islands since the Reformation. The Faroese version of Paradise Lost was composed by the ballad poet Jens Christian Djurhuus, a central figure in the revival of the Faroese ballad in the early nineteenth century. Djurhuus’s rendering of Paradise Lost is exceptional not only in his body of work but in Faroese literature on the whole since the Faroese language had been out of use in religious matters for centuries. Having no tradition at hand, Djurhuus forges his version with the tools available: the language and poetics of the ballad, Danish religious language, and last but not least, the metre of a banned Catholic hymn, in which he boldly composes his poem Púkaljómur [Devil’s Tones]. Book Part Faroe Islands Oxford University Press Faroe Islands 105 120
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collection Oxford University Press
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description Abstract When Paradise Lost was retold in Faroese around 1820, Danish had been the language of religion in the Faroe Islands since the Reformation. The Faroese version of Paradise Lost was composed by the ballad poet Jens Christian Djurhuus, a central figure in the revival of the Faroese ballad in the early nineteenth century. Djurhuus’s rendering of Paradise Lost is exceptional not only in his body of work but in Faroese literature on the whole since the Faroese language had been out of use in religious matters for centuries. Having no tradition at hand, Djurhuus forges his version with the tools available: the language and poetics of the ballad, Danish religious language, and last but not least, the metre of a banned Catholic hymn, in which he boldly composes his poem Púkaljómur [Devil’s Tones].
format Book Part
author Sigurðardóttir, Turið
spellingShingle Sigurðardóttir, Turið
On the Faroese Reworking of Paradise Lost
author_facet Sigurðardóttir, Turið
author_sort Sigurðardóttir, Turið
title On the Faroese Reworking of Paradise Lost
title_short On the Faroese Reworking of Paradise Lost
title_full On the Faroese Reworking of Paradise Lost
title_fullStr On the Faroese Reworking of Paradise Lost
title_full_unstemmed On the Faroese Reworking of Paradise Lost
title_sort on the faroese reworking of paradise lost
publisher Oxford University PressOxford
publishDate 2023
url http://dx.doi.org/10.1093/oso/9780192844743.003.0007
https://academic.oup.com/book/chapter-pdf/56620241/oso-9780192844743-chapter-7.pdf
geographic Faroe Islands
geographic_facet Faroe Islands
genre Faroe Islands
genre_facet Faroe Islands
op_source Milton Across Borders and Media
page 105-120
ISBN 0192844741 9780192844743 9780191933318
op_doi https://doi.org/10.1093/oso/9780192844743.003.0007
container_start_page 105
op_container_end_page 120
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