Treaty obligations: science and art in Antarctica

In this chapter Mike Pearson takes us to Antarctica. This continent is a vital record of past climate patterns, and our future depends on the fate of its covering of ice. Pearson considers how international treaties have imposed strict environmental controls on what is permissible on the continent,...

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Main Author: Pearson, Mike
Format: Book Part
Language:unknown
Published: Manchester University Press 2017
Subjects:
Online Access:http://dx.doi.org/10.7228/manchester/9781784994396.003.0012
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spelling crmanchestupr:10.7228/manchester/9781784994396.003.0012 2024-06-02T07:57:33+00:00 Treaty obligations: science and art in Antarctica Pearson, Mike 2017 http://dx.doi.org/10.7228/manchester/9781784994396.003.0012 unknown Manchester University Press Extending Ecocriticism book-chapter 2017 crmanchestupr https://doi.org/10.7228/manchester/9781784994396.003.0012 2024-05-07T14:07:50Z In this chapter Mike Pearson takes us to Antarctica. This continent is a vital record of past climate patterns, and our future depends on the fate of its covering of ice. Pearson considers how international treaties have imposed strict environmental controls on what is permissible on the continent, and discusses its unique status as an area where military activity is banned. These controls cover the scientists who are stationed there and the relatively small number of visitors that will arrive in cruise ships. He notes that science holds an unchallenged hegemonic position and that the Treaty makes no acknowledgement of the arts and that the advent of tourism was unforeseen. In this context, he considers how more recent programmes have aimed to promote understanding and appreciation of the values of Antarctica through the contribution of writers, artists and musicians. He considers how such initiatives as the Antarctica Pavilion at the 56 th Venice Art Biennale have challenged the scientific domination of the continent by claiming Antarctica as a cultural space. Book Part Antarc* Antarctica Manchester University Press
institution Open Polar
collection Manchester University Press
op_collection_id crmanchestupr
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description In this chapter Mike Pearson takes us to Antarctica. This continent is a vital record of past climate patterns, and our future depends on the fate of its covering of ice. Pearson considers how international treaties have imposed strict environmental controls on what is permissible on the continent, and discusses its unique status as an area where military activity is banned. These controls cover the scientists who are stationed there and the relatively small number of visitors that will arrive in cruise ships. He notes that science holds an unchallenged hegemonic position and that the Treaty makes no acknowledgement of the arts and that the advent of tourism was unforeseen. In this context, he considers how more recent programmes have aimed to promote understanding and appreciation of the values of Antarctica through the contribution of writers, artists and musicians. He considers how such initiatives as the Antarctica Pavilion at the 56 th Venice Art Biennale have challenged the scientific domination of the continent by claiming Antarctica as a cultural space.
format Book Part
author Pearson, Mike
spellingShingle Pearson, Mike
Treaty obligations: science and art in Antarctica
author_facet Pearson, Mike
author_sort Pearson, Mike
title Treaty obligations: science and art in Antarctica
title_short Treaty obligations: science and art in Antarctica
title_full Treaty obligations: science and art in Antarctica
title_fullStr Treaty obligations: science and art in Antarctica
title_full_unstemmed Treaty obligations: science and art in Antarctica
title_sort treaty obligations: science and art in antarctica
publisher Manchester University Press
publishDate 2017
url http://dx.doi.org/10.7228/manchester/9781784994396.003.0012
genre Antarc*
Antarctica
genre_facet Antarc*
Antarctica
op_source Extending Ecocriticism
op_doi https://doi.org/10.7228/manchester/9781784994396.003.0012
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