‘First goddamn week of winter’
This chapter discusses isolation as the main theme of The Thing. It discusses how The Thing was able to achieve an emphasised sense of internalization and isolation throughout the film, starting with the juxtaposition of contrasting colors across scenes. It discusses why it was necessary for The Thi...
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crliverpoolup:10.3828/liverpool/9781906733773.003.0003 2024-04-07T07:55:55+00:00 ‘First goddamn week of winter’ Conolly, Jez 2014 http://dx.doi.org/10.3828/liverpool/9781906733773.003.0003 unknown Liverpool University Press The Thing page 23-32 ISBN 9781906733773 9781800342132 book-chapter 2014 crliverpoolup https://doi.org/10.3828/liverpool/9781906733773.003.0003 2024-03-08T02:46:29Z This chapter discusses isolation as the main theme of The Thing. It discusses how The Thing was able to achieve an emphasised sense of internalization and isolation throughout the film, starting with the juxtaposition of contrasting colors across scenes. It discusses why it was necessary for The Thing to be situated in the harsh white wilderness of the south pole region. It compares certain elements of The Thing to John Campbell's novella Who Goes There? The chapter discusses the science behind The Thing and how anything Thing-influenced is apt to disobey the laws of physics. It describes how its bronze-like qualities binds all of the characters together in a state of physical and psychological homogeneity, while Macready, its main character, seems much less affected by the magnetic or gravitational pull that the Thing exerts, creating an atmosphere of isolation. The chapyter then discusses 'The Thing Effect' as the feeling of polarization. Book Part South pole Liverpool University Press South Pole 23 32 |
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Liverpool University Press |
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description |
This chapter discusses isolation as the main theme of The Thing. It discusses how The Thing was able to achieve an emphasised sense of internalization and isolation throughout the film, starting with the juxtaposition of contrasting colors across scenes. It discusses why it was necessary for The Thing to be situated in the harsh white wilderness of the south pole region. It compares certain elements of The Thing to John Campbell's novella Who Goes There? The chapter discusses the science behind The Thing and how anything Thing-influenced is apt to disobey the laws of physics. It describes how its bronze-like qualities binds all of the characters together in a state of physical and psychological homogeneity, while Macready, its main character, seems much less affected by the magnetic or gravitational pull that the Thing exerts, creating an atmosphere of isolation. The chapyter then discusses 'The Thing Effect' as the feeling of polarization. |
format |
Book Part |
author |
Conolly, Jez |
spellingShingle |
Conolly, Jez ‘First goddamn week of winter’ |
author_facet |
Conolly, Jez |
author_sort |
Conolly, Jez |
title |
‘First goddamn week of winter’ |
title_short |
‘First goddamn week of winter’ |
title_full |
‘First goddamn week of winter’ |
title_fullStr |
‘First goddamn week of winter’ |
title_full_unstemmed |
‘First goddamn week of winter’ |
title_sort |
‘first goddamn week of winter’ |
publisher |
Liverpool University Press |
publishDate |
2014 |
url |
http://dx.doi.org/10.3828/liverpool/9781906733773.003.0003 |
geographic |
South Pole |
geographic_facet |
South Pole |
genre |
South pole |
genre_facet |
South pole |
op_source |
The Thing page 23-32 ISBN 9781906733773 9781800342132 |
op_doi |
https://doi.org/10.3828/liverpool/9781906733773.003.0003 |
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23 |
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32 |
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