The Classical Dystopia in Climate Fiction
The chapter opens with a discussion of the distinction between ‘classical’ and ‘critical’ dystopias, as developed by Tom Moylan, Raffaella Baccolini and Lyman Tower Sargent. It then proceeds to an account of classical cli-fi dystopias that exhibit, by turn, each of five ideal-typical responses to cl...
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crliverpoolup:10.3828/liverpool/9781789621723.003.0004 2024-04-07T07:52:58+00:00 The Classical Dystopia in Climate Fiction Milner, Andrew Burgmann, J.R. 2020 http://dx.doi.org/10.3828/liverpool/9781789621723.003.0004 unknown Liverpool University Press Science Fiction and Climate Change page 75-98 ISBN 9781789621723 9781800341180 book-chapter 2020 crliverpoolup https://doi.org/10.3828/liverpool/9781789621723.003.0004 2024-03-08T02:46:28Z The chapter opens with a discussion of the distinction between ‘classical’ and ‘critical’ dystopias, as developed by Tom Moylan, Raffaella Baccolini and Lyman Tower Sargent. It then proceeds to an account of classical cli-fi dystopias that exhibit, by turn, each of five ideal-typical responses to climate change: denial, mitigation, negative adaptation, positive adaptation, and Gaian deep ecological anti-humanism. The texts analysed include Liu Cixin’s 地球往事 / Remembrance of Earth’s Past trilogy, Arthur Herzog’s Heat , Michel Houellebecq’s La Possibilité d’une île, Will Self’s The Book of Dave, Bernard Besson’s Groenland, Paolo Bacigalupi’s The Water Knife, Maggie Gee’s The Ice People and Jean-Marc Ligny’s Exodes and Semences . The Chapter concludes by explaining that the sixth substantive responsive to climate change, fatalism, presents peculiar problems for the kinds of fiction overwhelmingly intended as warning and postponing its discussion until a later chapter. Book Part Groenland Liverpool University Press 75 98 |
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The chapter opens with a discussion of the distinction between ‘classical’ and ‘critical’ dystopias, as developed by Tom Moylan, Raffaella Baccolini and Lyman Tower Sargent. It then proceeds to an account of classical cli-fi dystopias that exhibit, by turn, each of five ideal-typical responses to climate change: denial, mitigation, negative adaptation, positive adaptation, and Gaian deep ecological anti-humanism. The texts analysed include Liu Cixin’s 地球往事 / Remembrance of Earth’s Past trilogy, Arthur Herzog’s Heat , Michel Houellebecq’s La Possibilité d’une île, Will Self’s The Book of Dave, Bernard Besson’s Groenland, Paolo Bacigalupi’s The Water Knife, Maggie Gee’s The Ice People and Jean-Marc Ligny’s Exodes and Semences . The Chapter concludes by explaining that the sixth substantive responsive to climate change, fatalism, presents peculiar problems for the kinds of fiction overwhelmingly intended as warning and postponing its discussion until a later chapter. |
format |
Book Part |
author |
Milner, Andrew Burgmann, J.R. |
spellingShingle |
Milner, Andrew Burgmann, J.R. The Classical Dystopia in Climate Fiction |
author_facet |
Milner, Andrew Burgmann, J.R. |
author_sort |
Milner, Andrew |
title |
The Classical Dystopia in Climate Fiction |
title_short |
The Classical Dystopia in Climate Fiction |
title_full |
The Classical Dystopia in Climate Fiction |
title_fullStr |
The Classical Dystopia in Climate Fiction |
title_full_unstemmed |
The Classical Dystopia in Climate Fiction |
title_sort |
classical dystopia in climate fiction |
publisher |
Liverpool University Press |
publishDate |
2020 |
url |
http://dx.doi.org/10.3828/liverpool/9781789621723.003.0004 |
genre |
Groenland |
genre_facet |
Groenland |
op_source |
Science Fiction and Climate Change page 75-98 ISBN 9781789621723 9781800341180 |
op_doi |
https://doi.org/10.3828/liverpool/9781789621723.003.0004 |
container_start_page |
75 |
op_container_end_page |
98 |
_version_ |
1795668512261275648 |