The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland

This cultural analysis reconsiders the modernist narrative about the politics of whales and whale hunting in order to explore Icelandic responses to the return of the killer whale Keiko (star of the Free Willy movies) to Icelandic waters in 1998. Ambivalence about Keiko's plight required cultur...

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Published in:Anthropological Quarterly
Main Author: Brydon, Anne
Format: Article in Journal/Newspaper
Language:English
Published: Project MUSE 2006
Subjects:
Online Access:http://dx.doi.org/10.1353/anq.2006.0016
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spelling crjohnshopkinsun:10.1353/anq.2006.0016 2024-10-20T14:09:39+00:00 The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland Brydon, Anne 2006 http://dx.doi.org/10.1353/anq.2006.0016 en eng Project MUSE Anthropological Quarterly volume 79, issue 2, page 225-260 ISSN 1534-1518 journal-article 2006 crjohnshopkinsun https://doi.org/10.1353/anq.2006.0016 2024-09-27T04:12:03Z This cultural analysis reconsiders the modernist narrative about the politics of whales and whale hunting in order to explore Icelandic responses to the return of the killer whale Keiko (star of the Free Willy movies) to Icelandic waters in 1998. Ambivalence about Keiko's plight required cultural creativity to block identification with the whale since in Icelandic hegemonic discourse such feelings have been associated with the supposed irrationality of foreign protests against whale hunting. This essay draws on Bruno Latour's writings about the politics of nature to argue for abandoning nature in a step toward the ethnographic study of human-nonhuman relations. Article in Journal/Newspaper Iceland Killer Whale Killer whale Johns Hopkins University Press Anthropological Quarterly 79 2 225 260
institution Open Polar
collection Johns Hopkins University Press
op_collection_id crjohnshopkinsun
language English
description This cultural analysis reconsiders the modernist narrative about the politics of whales and whale hunting in order to explore Icelandic responses to the return of the killer whale Keiko (star of the Free Willy movies) to Icelandic waters in 1998. Ambivalence about Keiko's plight required cultural creativity to block identification with the whale since in Icelandic hegemonic discourse such feelings have been associated with the supposed irrationality of foreign protests against whale hunting. This essay draws on Bruno Latour's writings about the politics of nature to argue for abandoning nature in a step toward the ethnographic study of human-nonhuman relations.
format Article in Journal/Newspaper
author Brydon, Anne
spellingShingle Brydon, Anne
The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
author_facet Brydon, Anne
author_sort Brydon, Anne
title The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
title_short The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
title_full The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
title_fullStr The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
title_full_unstemmed The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
title_sort predicament of nature: keiko the whale and the cultural politics of whaling in iceland
publisher Project MUSE
publishDate 2006
url http://dx.doi.org/10.1353/anq.2006.0016
genre Iceland
Killer Whale
Killer whale
genre_facet Iceland
Killer Whale
Killer whale
op_source Anthropological Quarterly
volume 79, issue 2, page 225-260
ISSN 1534-1518
op_doi https://doi.org/10.1353/anq.2006.0016
container_title Anthropological Quarterly
container_volume 79
container_issue 2
container_start_page 225
op_container_end_page 260
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