The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland
This cultural analysis reconsiders the modernist narrative about the politics of whales and whale hunting in order to explore Icelandic responses to the return of the killer whale Keiko (star of the Free Willy movies) to Icelandic waters in 1998. Ambivalence about Keiko's plight required cultur...
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Online Access: | http://dx.doi.org/10.1353/anq.2006.0016 |
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crjohnshopkinsun:10.1353/anq.2006.0016 2024-10-20T14:09:39+00:00 The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland Brydon, Anne 2006 http://dx.doi.org/10.1353/anq.2006.0016 en eng Project MUSE Anthropological Quarterly volume 79, issue 2, page 225-260 ISSN 1534-1518 journal-article 2006 crjohnshopkinsun https://doi.org/10.1353/anq.2006.0016 2024-09-27T04:12:03Z This cultural analysis reconsiders the modernist narrative about the politics of whales and whale hunting in order to explore Icelandic responses to the return of the killer whale Keiko (star of the Free Willy movies) to Icelandic waters in 1998. Ambivalence about Keiko's plight required cultural creativity to block identification with the whale since in Icelandic hegemonic discourse such feelings have been associated with the supposed irrationality of foreign protests against whale hunting. This essay draws on Bruno Latour's writings about the politics of nature to argue for abandoning nature in a step toward the ethnographic study of human-nonhuman relations. Article in Journal/Newspaper Iceland Killer Whale Killer whale Johns Hopkins University Press Anthropological Quarterly 79 2 225 260 |
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Open Polar |
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Johns Hopkins University Press |
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crjohnshopkinsun |
language |
English |
description |
This cultural analysis reconsiders the modernist narrative about the politics of whales and whale hunting in order to explore Icelandic responses to the return of the killer whale Keiko (star of the Free Willy movies) to Icelandic waters in 1998. Ambivalence about Keiko's plight required cultural creativity to block identification with the whale since in Icelandic hegemonic discourse such feelings have been associated with the supposed irrationality of foreign protests against whale hunting. This essay draws on Bruno Latour's writings about the politics of nature to argue for abandoning nature in a step toward the ethnographic study of human-nonhuman relations. |
format |
Article in Journal/Newspaper |
author |
Brydon, Anne |
spellingShingle |
Brydon, Anne The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland |
author_facet |
Brydon, Anne |
author_sort |
Brydon, Anne |
title |
The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland |
title_short |
The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland |
title_full |
The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland |
title_fullStr |
The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland |
title_full_unstemmed |
The Predicament of Nature: Keiko the Whale and The Cultural Politics of Whaling in Iceland |
title_sort |
predicament of nature: keiko the whale and the cultural politics of whaling in iceland |
publisher |
Project MUSE |
publishDate |
2006 |
url |
http://dx.doi.org/10.1353/anq.2006.0016 |
genre |
Iceland Killer Whale Killer whale |
genre_facet |
Iceland Killer Whale Killer whale |
op_source |
Anthropological Quarterly volume 79, issue 2, page 225-260 ISSN 1534-1518 |
op_doi |
https://doi.org/10.1353/anq.2006.0016 |
container_title |
Anthropological Quarterly |
container_volume |
79 |
container_issue |
2 |
container_start_page |
225 |
op_container_end_page |
260 |
_version_ |
1813449254801244160 |