Ivens, Joris (1898–1989)

Joris Ivens (Georg Henri Anton Ivens), nicknamed "The Flying Dutchman" for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use of montage helped to shape documentary practice as he recorded and championed generally leftist political causes on eve...

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Main Author: Leskosky, Richard J.
Format: Book Part
Language:unknown
Published: Routledge 2018
Subjects:
Online Access:http://dx.doi.org/10.4324/9781135000356-rem321-1
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spelling crinformauk:10.4324/9781135000356-rem321-1 2024-10-06T13:44:14+00:00 Ivens, Joris (1898–1989) Leskosky, Richard J. 2018-09-10T18:11:00Z http://dx.doi.org/10.4324/9781135000356-rem321-1 unknown Routledge Routledge Encyclopedia of Modernism ISBN 9781135000356 book-chapter 2018 crinformauk https://doi.org/10.4324/9781135000356-rem321-1 2024-09-12T04:51:38Z Joris Ivens (Georg Henri Anton Ivens), nicknamed "The Flying Dutchman" for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use of montage helped to shape documentary practice as he recorded and championed generally leftist political causes on every continent but Antarctica. Ivens was born in Nijmegen, Holland, to a prosperous Catholic family who ran a photographic supplies business. While studying to take charge of the family business, Ivens became both politically active and fascinated with film culture. In 1927 he helped to found the Amsterdam Filmliga [Film League], which brought him into contact with avant-garde films of the day and with visiting filmmakers, including Sergei Eisenstein and Vsevolod Pudovkin. A Filmliga visit to Berlin experimental abstract animator Walter Ruttmann (1887–1941) allowed Ivens to see Ruttmann’s new documentary feature, Berlin, die Sinfonie der Grosstadt [Berlin, Symphony of a Great City] (1927), one of the first films to attempt to portray a city solely through edited shots of urban life and physical details. The film’s influence on Ivens persisted throughout his career. Book Part Antarc* Antarctica Informa London
institution Open Polar
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op_collection_id crinformauk
language unknown
description Joris Ivens (Georg Henri Anton Ivens), nicknamed "The Flying Dutchman" for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use of montage helped to shape documentary practice as he recorded and championed generally leftist political causes on every continent but Antarctica. Ivens was born in Nijmegen, Holland, to a prosperous Catholic family who ran a photographic supplies business. While studying to take charge of the family business, Ivens became both politically active and fascinated with film culture. In 1927 he helped to found the Amsterdam Filmliga [Film League], which brought him into contact with avant-garde films of the day and with visiting filmmakers, including Sergei Eisenstein and Vsevolod Pudovkin. A Filmliga visit to Berlin experimental abstract animator Walter Ruttmann (1887–1941) allowed Ivens to see Ruttmann’s new documentary feature, Berlin, die Sinfonie der Grosstadt [Berlin, Symphony of a Great City] (1927), one of the first films to attempt to portray a city solely through edited shots of urban life and physical details. The film’s influence on Ivens persisted throughout his career.
format Book Part
author Leskosky, Richard J.
spellingShingle Leskosky, Richard J.
Ivens, Joris (1898–1989)
author_facet Leskosky, Richard J.
author_sort Leskosky, Richard J.
title Ivens, Joris (1898–1989)
title_short Ivens, Joris (1898–1989)
title_full Ivens, Joris (1898–1989)
title_fullStr Ivens, Joris (1898–1989)
title_full_unstemmed Ivens, Joris (1898–1989)
title_sort ivens, joris (1898–1989)
publisher Routledge
publishDate 2018
url http://dx.doi.org/10.4324/9781135000356-rem321-1
genre Antarc*
Antarctica
genre_facet Antarc*
Antarctica
op_source Routledge Encyclopedia of Modernism
ISBN 9781135000356
op_doi https://doi.org/10.4324/9781135000356-rem321-1
op_publisher_place London
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