Elizabeth Robins's Alaskan Fiction and the Global New South

ABSTRACT: In the summer of 1900, at the height of the Nome gold rush, actress and soon-to-be suffragist Elizabeth Robins traveled to Alaska. Following her return, Robins published two novels and several stories set in the region. Yet even as she capitalized on the popularity of gold rush settings an...

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Published in:The Global South
Main Author: Charlton, Ryan
Format: Article in Journal/Newspaper
Language:English
Published: Indiana University Press 2023
Subjects:
Online Access:http://dx.doi.org/10.2979/globalsouth.16.2.03
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spelling crindianaup:10.2979/globalsouth.16.2.03 2023-11-12T04:21:26+01:00 Elizabeth Robins's Alaskan Fiction and the Global New South Charlton, Ryan 2023 http://dx.doi.org/10.2979/globalsouth.16.2.03 en eng Indiana University Press The Global South volume 16, issue 2, page 31-48 ISSN 1932-8656 General Medicine journal-article 2023 crindianaup https://doi.org/10.2979/globalsouth.16.2.03 2023-10-18T14:20:48Z ABSTRACT: In the summer of 1900, at the height of the Nome gold rush, actress and soon-to-be suffragist Elizabeth Robins traveled to Alaska. Following her return, Robins published two novels and several stories set in the region. Yet even as she capitalized on the popularity of gold rush settings and tropes, Robins's Alaskan fiction consistently undermines the romantic mythology that typically characterizes gold rush narratives, highlighting instead the environmental and human degradation that gold mining entailed. Focusing primarily on her novel The Magnetic North (1904) and the connected story "Monica's Village" (1905), this essay explores how Robins's Alaskan fiction recycles US Southern plantation mythology in order to imagine an alternative form of Alaskan development, one that would transform Alaska's Indigenous population into a racialized labor force to be exploited in ways comparable to African Americans under Jim Crow. Though the environmental conditions of Alaska foreclosed the possibility of traditional plantation agriculture, Robins's fiction maps plantation dynamics onto the forms of mineral extraction transforming the region. In doing so, these texts reveal the pliability of the plantation imaginary as well as the global scope of plantation modernity. This essay argues that the Plantationocene offers a useful framework for reconsidering the intertwined histories of plantation agriculture and mineral extraction. Robins's vision of Alaska as a New South ultimately highlights the ways in which mineral extraction in the Far North follows a pattern established by plantation agriculture throughout the Global South. Article in Journal/Newspaper Nome Alaska Indiana University Press (via Crossref) The Global South 16 2 31 48
institution Open Polar
collection Indiana University Press (via Crossref)
op_collection_id crindianaup
language English
topic General Medicine
spellingShingle General Medicine
Charlton, Ryan
Elizabeth Robins's Alaskan Fiction and the Global New South
topic_facet General Medicine
description ABSTRACT: In the summer of 1900, at the height of the Nome gold rush, actress and soon-to-be suffragist Elizabeth Robins traveled to Alaska. Following her return, Robins published two novels and several stories set in the region. Yet even as she capitalized on the popularity of gold rush settings and tropes, Robins's Alaskan fiction consistently undermines the romantic mythology that typically characterizes gold rush narratives, highlighting instead the environmental and human degradation that gold mining entailed. Focusing primarily on her novel The Magnetic North (1904) and the connected story "Monica's Village" (1905), this essay explores how Robins's Alaskan fiction recycles US Southern plantation mythology in order to imagine an alternative form of Alaskan development, one that would transform Alaska's Indigenous population into a racialized labor force to be exploited in ways comparable to African Americans under Jim Crow. Though the environmental conditions of Alaska foreclosed the possibility of traditional plantation agriculture, Robins's fiction maps plantation dynamics onto the forms of mineral extraction transforming the region. In doing so, these texts reveal the pliability of the plantation imaginary as well as the global scope of plantation modernity. This essay argues that the Plantationocene offers a useful framework for reconsidering the intertwined histories of plantation agriculture and mineral extraction. Robins's vision of Alaska as a New South ultimately highlights the ways in which mineral extraction in the Far North follows a pattern established by plantation agriculture throughout the Global South.
format Article in Journal/Newspaper
author Charlton, Ryan
author_facet Charlton, Ryan
author_sort Charlton, Ryan
title Elizabeth Robins's Alaskan Fiction and the Global New South
title_short Elizabeth Robins's Alaskan Fiction and the Global New South
title_full Elizabeth Robins's Alaskan Fiction and the Global New South
title_fullStr Elizabeth Robins's Alaskan Fiction and the Global New South
title_full_unstemmed Elizabeth Robins's Alaskan Fiction and the Global New South
title_sort elizabeth robins's alaskan fiction and the global new south
publisher Indiana University Press
publishDate 2023
url http://dx.doi.org/10.2979/globalsouth.16.2.03
genre Nome
Alaska
genre_facet Nome
Alaska
op_source The Global South
volume 16, issue 2, page 31-48
ISSN 1932-8656
op_doi https://doi.org/10.2979/globalsouth.16.2.03
container_title The Global South
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container_start_page 31
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