Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice

This chapter addresses church-state collaboration in the context of ‘spiritual national defence’; it compares different views represented in cultural productions on the tragedy of the submarine Kursk, that which sank in the Barents Sea, on 12 August 2000. It suggests that the Russian secular leaders...

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Main Author: Kahla, Elina
Format: Book Part
Language:unknown
Published: Helsinki University Press 2021
Subjects:
Online Access:http://dx.doi.org/10.33134/hup-9-10
https://hup.fi/site/chapters/10.33134/HUP-9-10/download/4749/
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spelling crhelsinkiunivpr:10.33134/hup-9-10 2024-05-19T07:38:10+00:00 Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice Kahla, Elina 2021 http://dx.doi.org/10.33134/hup-9-10 https://hup.fi/site/chapters/10.33134/HUP-9-10/download/4749/ unknown Helsinki University Press Nexus of Patriotism and Militarism in Russia: A Quest for Internal Cohesion page 285-311 book-chapter 2021 crhelsinkiunivpr https://doi.org/10.33134/hup-9-10 2024-05-01T06:51:54Z This chapter addresses church-state collaboration in the context of ‘spiritual national defence’; it compares different views represented in cultural productions on the tragedy of the submarine Kursk, that which sank in the Barents Sea, on 12 August 2000. It suggests that the Russian secular leadership’s reluctance to deal with the management of the past, especially concerning the punishment of Stalinist oppressors, is compensated by glorifying victims – here, the seamen of the Kursk – having died on duty, as martyrs. Тhe glorification of martyrs derives from Old Testament theology of blood sacrifice (2 Moses, 24:8), and makes it possible to commemorate Muslim martyrs together with Orthodox Christian ones. Some theologians have claimed that Russia had needed these sacrifices to spiritually wake up in the post-atheist vacuum of values, and that the Russian people had to repent for having abandoned their forefathers’ Christian faith. In this line of apologetics of blood sacrifices and need to repent, the New Testament’s promise of Jesus’s complete purgation and redemption of sin through perfect sacrifice (Matt. 26:28) is not mentioned. My reading elaborates on the commemorative album Everlasting Lamp of Kursk by (then) Hegumen Mitrofan (Badanin) (2010), as well as on the drama film Kursk by Danish director Thomas Vinterberg (2018), whose film illustrates pan-European visions, based implicitly on the New Testament promise. Book Part Barents Sea Helsinki University Press (HUP) 285 311
institution Open Polar
collection Helsinki University Press (HUP)
op_collection_id crhelsinkiunivpr
language unknown
description This chapter addresses church-state collaboration in the context of ‘spiritual national defence’; it compares different views represented in cultural productions on the tragedy of the submarine Kursk, that which sank in the Barents Sea, on 12 August 2000. It suggests that the Russian secular leadership’s reluctance to deal with the management of the past, especially concerning the punishment of Stalinist oppressors, is compensated by glorifying victims – here, the seamen of the Kursk – having died on duty, as martyrs. Тhe glorification of martyrs derives from Old Testament theology of blood sacrifice (2 Moses, 24:8), and makes it possible to commemorate Muslim martyrs together with Orthodox Christian ones. Some theologians have claimed that Russia had needed these sacrifices to spiritually wake up in the post-atheist vacuum of values, and that the Russian people had to repent for having abandoned their forefathers’ Christian faith. In this line of apologetics of blood sacrifices and need to repent, the New Testament’s promise of Jesus’s complete purgation and redemption of sin through perfect sacrifice (Matt. 26:28) is not mentioned. My reading elaborates on the commemorative album Everlasting Lamp of Kursk by (then) Hegumen Mitrofan (Badanin) (2010), as well as on the drama film Kursk by Danish director Thomas Vinterberg (2018), whose film illustrates pan-European visions, based implicitly on the New Testament promise.
format Book Part
author Kahla, Elina
spellingShingle Kahla, Elina
Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
author_facet Kahla, Elina
author_sort Kahla, Elina
title Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
title_short Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
title_full Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
title_fullStr Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
title_full_unstemmed Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
title_sort why did the seamen have to die? the kursk tragedy and the evoking of old testament blood sacrifice
publisher Helsinki University Press
publishDate 2021
url http://dx.doi.org/10.33134/hup-9-10
https://hup.fi/site/chapters/10.33134/HUP-9-10/download/4749/
genre Barents Sea
genre_facet Barents Sea
op_source Nexus of Patriotism and Militarism in Russia: A Quest for Internal Cohesion
page 285-311
op_doi https://doi.org/10.33134/hup-9-10
container_start_page 285
op_container_end_page 311
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