Icelandic hip hop
This article presents a history of rap and hip hop in Iceland from its beginnings in English language hip hop in the mid 1990s to the present day. From beginnings which imitated US rap in English, to a growing concern with Icelandic subjects in the late 1990s, to a “boom year” in Icelandic language...
Published in: | Journal of World Popular Music |
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Equinox Publishing
2015
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Online Access: | http://dx.doi.org/10.1558/jwpm.v2i2.25724 https://journal.equinoxpub.com/JWPM/article/download/283/235 https://journal.equinoxpub.com/JWPM/article/download/283/642 |
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crequinoxpubl:10.1558/jwpm.v2i2.25724 2024-09-09T19:46:49+00:00 Icelandic hip hop From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) Mitchell, Tony 2015 http://dx.doi.org/10.1558/jwpm.v2i2.25724 https://journal.equinoxpub.com/JWPM/article/download/283/235 https://journal.equinoxpub.com/JWPM/article/download/283/642 unknown Equinox Publishing Journal of World Popular Music volume 2, issue 2, page 240-261 ISSN 2052-4919 2052-4900 journal-article 2015 crequinoxpubl https://doi.org/10.1558/jwpm.v2i2.25724 2024-07-04T04:10:13Z This article presents a history of rap and hip hop in Iceland from its beginnings in English language hip hop in the mid 1990s to the present day. From beginnings which imitated US rap in English, to a growing concern with Icelandic subjects in the late 1990s, to a “boom year” in Icelandic language hip hop in 2002, when it became completely indigenized, and was influenced by the native genre of rímur, a ritual form of versification with roots back into medieval times, it has undergone a dramatic feminization with the emergence of Reykjavíkurdætur (Reykjavík Daughters), a 22-member female collective which made its presence strongly felt in 2014. Article in Journal/Newspaper Iceland Reykjavík Reykjavík Equinox Publishing Reykjavík Journal of World Popular Music 2 2 240 261 |
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Open Polar |
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Equinox Publishing |
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crequinoxpubl |
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unknown |
description |
This article presents a history of rap and hip hop in Iceland from its beginnings in English language hip hop in the mid 1990s to the present day. From beginnings which imitated US rap in English, to a growing concern with Icelandic subjects in the late 1990s, to a “boom year” in Icelandic language hip hop in 2002, when it became completely indigenized, and was influenced by the native genre of rímur, a ritual form of versification with roots back into medieval times, it has undergone a dramatic feminization with the emergence of Reykjavíkurdætur (Reykjavík Daughters), a 22-member female collective which made its presence strongly felt in 2014. |
format |
Article in Journal/Newspaper |
author |
Mitchell, Tony |
spellingShingle |
Mitchell, Tony Icelandic hip hop |
author_facet |
Mitchell, Tony |
author_sort |
Mitchell, Tony |
title |
Icelandic hip hop |
title_short |
Icelandic hip hop |
title_full |
Icelandic hip hop |
title_fullStr |
Icelandic hip hop |
title_full_unstemmed |
Icelandic hip hop |
title_sort |
icelandic hip hop |
publisher |
Equinox Publishing |
publishDate |
2015 |
url |
http://dx.doi.org/10.1558/jwpm.v2i2.25724 https://journal.equinoxpub.com/JWPM/article/download/283/235 https://journal.equinoxpub.com/JWPM/article/download/283/642 |
geographic |
Reykjavík |
geographic_facet |
Reykjavík |
genre |
Iceland Reykjavík Reykjavík |
genre_facet |
Iceland Reykjavík Reykjavík |
op_source |
Journal of World Popular Music volume 2, issue 2, page 240-261 ISSN 2052-4919 2052-4900 |
op_doi |
https://doi.org/10.1558/jwpm.v2i2.25724 |
container_title |
Journal of World Popular Music |
container_volume |
2 |
container_issue |
2 |
container_start_page |
240 |
op_container_end_page |
261 |
_version_ |
1809916321095221248 |