A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
This chapter examines Norwegian film director Nils Gaup, who made several international productions, starting with the adventure film Shipwrecked (Håkon Håkonson, 1990), co-produced by Disney. Gaup’s international films are rich examples of the circulation and appropriation of ideas in inter- and tr...
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Online Access: | http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0012 |
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credinunivpr:10.3366/edinburgh/9781474438056.003.0012 2024-09-15T18:16:22+00:00 A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations Iversen, Gunnar 2019 http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0012 en eng Edinburgh University Press Nordic Film Cultures and Cinemas of Elsewhere page 157-168 ISBN 9781474438056 9781474476591 book-chapter 2019 credinunivpr https://doi.org/10.3366/edinburgh/9781474438056.003.0012 2024-08-15T04:09:41Z This chapter examines Norwegian film director Nils Gaup, who made several international productions, starting with the adventure film Shipwrecked (Håkon Håkonson, 1990), co-produced by Disney. Gaup’s international films are rich examples of the circulation and appropriation of ideas in inter- and transnational genre films. Shipwrecked and Tashunga/North Star (1996) constitute attempts to create a Euro-Hollywood production that reimagines the adventure film or the western genre. The genre elements of the Western were honed by Gaup in his Oscar-winning film about an ancient Sámi legend Ofelaš (Pathfinder, 1987); Gaup has since made several feature length films set in Sápmi that evoke well-known Hollywood genre stipulations, such as the historical epic Kautokeino-Oppøret (The Kautokeino Rebellion, 2008) and Glassdukkene (Glass Dolls, 2014). Shipwrecked and Tashunga are Gaup’s most ambitious attempts to negotiate between international genre elements and aspects of Sámi or Norwegian culture. Book Part Kautokeino Edinburgh University Press 157 168 |
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Edinburgh University Press |
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credinunivpr |
language |
English |
description |
This chapter examines Norwegian film director Nils Gaup, who made several international productions, starting with the adventure film Shipwrecked (Håkon Håkonson, 1990), co-produced by Disney. Gaup’s international films are rich examples of the circulation and appropriation of ideas in inter- and transnational genre films. Shipwrecked and Tashunga/North Star (1996) constitute attempts to create a Euro-Hollywood production that reimagines the adventure film or the western genre. The genre elements of the Western were honed by Gaup in his Oscar-winning film about an ancient Sámi legend Ofelaš (Pathfinder, 1987); Gaup has since made several feature length films set in Sápmi that evoke well-known Hollywood genre stipulations, such as the historical epic Kautokeino-Oppøret (The Kautokeino Rebellion, 2008) and Glassdukkene (Glass Dolls, 2014). Shipwrecked and Tashunga are Gaup’s most ambitious attempts to negotiate between international genre elements and aspects of Sámi or Norwegian culture. |
format |
Book Part |
author |
Iversen, Gunnar |
spellingShingle |
Iversen, Gunnar A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations |
author_facet |
Iversen, Gunnar |
author_sort |
Iversen, Gunnar |
title |
A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations |
title_short |
A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations |
title_full |
A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations |
title_fullStr |
A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations |
title_full_unstemmed |
A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations |
title_sort |
sámi in hollywood: nils gaup’s transnational and generic negotiations |
publisher |
Edinburgh University Press |
publishDate |
2019 |
url |
http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0012 |
genre |
Kautokeino |
genre_facet |
Kautokeino |
op_source |
Nordic Film Cultures and Cinemas of Elsewhere page 157-168 ISBN 9781474438056 9781474476591 |
op_doi |
https://doi.org/10.3366/edinburgh/9781474438056.003.0012 |
container_start_page |
157 |
op_container_end_page |
168 |
_version_ |
1810454375068336128 |