A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations

This chapter examines Norwegian film director Nils Gaup, who made several international productions, starting with the adventure film Shipwrecked (Håkon Håkonson, 1990), co-produced by Disney. Gaup’s international films are rich examples of the circulation and appropriation of ideas in inter- and tr...

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Main Author: Iversen, Gunnar
Format: Book Part
Language:English
Published: Edinburgh University Press 2019
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0012
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spelling credinunivpr:10.3366/edinburgh/9781474438056.003.0012 2024-09-15T18:16:22+00:00 A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations Iversen, Gunnar 2019 http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0012 en eng Edinburgh University Press Nordic Film Cultures and Cinemas of Elsewhere page 157-168 ISBN 9781474438056 9781474476591 book-chapter 2019 credinunivpr https://doi.org/10.3366/edinburgh/9781474438056.003.0012 2024-08-15T04:09:41Z This chapter examines Norwegian film director Nils Gaup, who made several international productions, starting with the adventure film Shipwrecked (Håkon Håkonson, 1990), co-produced by Disney. Gaup’s international films are rich examples of the circulation and appropriation of ideas in inter- and transnational genre films. Shipwrecked and Tashunga/North Star (1996) constitute attempts to create a Euro-Hollywood production that reimagines the adventure film or the western genre. The genre elements of the Western were honed by Gaup in his Oscar-winning film about an ancient Sámi legend Ofelaš (Pathfinder, 1987); Gaup has since made several feature length films set in Sápmi that evoke well-known Hollywood genre stipulations, such as the historical epic Kautokeino-Oppøret (The Kautokeino Rebellion, 2008) and Glassdukkene (Glass Dolls, 2014). Shipwrecked and Tashunga are Gaup’s most ambitious attempts to negotiate between international genre elements and aspects of Sámi or Norwegian culture. Book Part Kautokeino Edinburgh University Press 157 168
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op_collection_id credinunivpr
language English
description This chapter examines Norwegian film director Nils Gaup, who made several international productions, starting with the adventure film Shipwrecked (Håkon Håkonson, 1990), co-produced by Disney. Gaup’s international films are rich examples of the circulation and appropriation of ideas in inter- and transnational genre films. Shipwrecked and Tashunga/North Star (1996) constitute attempts to create a Euro-Hollywood production that reimagines the adventure film or the western genre. The genre elements of the Western were honed by Gaup in his Oscar-winning film about an ancient Sámi legend Ofelaš (Pathfinder, 1987); Gaup has since made several feature length films set in Sápmi that evoke well-known Hollywood genre stipulations, such as the historical epic Kautokeino-Oppøret (The Kautokeino Rebellion, 2008) and Glassdukkene (Glass Dolls, 2014). Shipwrecked and Tashunga are Gaup’s most ambitious attempts to negotiate between international genre elements and aspects of Sámi or Norwegian culture.
format Book Part
author Iversen, Gunnar
spellingShingle Iversen, Gunnar
A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
author_facet Iversen, Gunnar
author_sort Iversen, Gunnar
title A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
title_short A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
title_full A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
title_fullStr A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
title_full_unstemmed A Sámi in Hollywood: Nils Gaup’s Transnational and Generic Negotiations
title_sort sámi in hollywood: nils gaup’s transnational and generic negotiations
publisher Edinburgh University Press
publishDate 2019
url http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0012
genre Kautokeino
genre_facet Kautokeino
op_source Nordic Film Cultures and Cinemas of Elsewhere
page 157-168
ISBN 9781474438056 9781474476591
op_doi https://doi.org/10.3366/edinburgh/9781474438056.003.0012
container_start_page 157
op_container_end_page 168
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