Wumingshi and the Wartime Romances

Wumingshi wrote several bestselling novels in the 1940s and these are covered in this chapter, including The Woman in the Tower ( Tali de nüren ) and North Pole Landscape Painting ( Beiji fengqinghua ). Both works are principally tragic love stories between stunningly beautiful women and accomplishe...

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Main Author: Rosenmeier, Christopher
Format: Book Part
Language:unknown
Published: Edinburgh University Press 2017
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9780748696369.003.0005
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spelling credinunivpr:10.3366/edinburgh/9780748696369.003.0005 2023-05-15T17:39:50+02:00 Wumingshi and the Wartime Romances Rosenmeier, Christopher 2017 http://dx.doi.org/10.3366/edinburgh/9780748696369.003.0005 unknown Edinburgh University Press On the Margins of Modernism book-chapter 2017 credinunivpr https://doi.org/10.3366/edinburgh/9780748696369.003.0005 2022-08-04T17:00:29Z Wumingshi wrote several bestselling novels in the 1940s and these are covered in this chapter, including The Woman in the Tower ( Tali de nüren ) and North Pole Landscape Painting ( Beiji fengqinghua ). Both works are principally tragic love stories between stunningly beautiful women and accomplished, patriotic, intellectual men, but they also feature distinctive narrative styles and story frameworks that cross the boundaries between the real and the imagined. Wumingshi worked for the anti-Japanese Korean resistance movement in China, and this influenced several of his works. It is shown that, much like Xu Xu, Wumingshi’s work was initially modernist and highly concerned with narrative style, but it eventually transitioned to the popular romances that became hugely popular. Wumingshi’s multivolume grand opus, The Nameless Book ( Wumingshu ) is also considered here. In this work, he rejected nationalism and ideology and showed a return to narrative experimentation. The early volumes of this were his last published writings before the founding of the People’s Republic in 1949. Book Part North Pole Edinburgh University Press (via Crossref) North Pole
institution Open Polar
collection Edinburgh University Press (via Crossref)
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language unknown
description Wumingshi wrote several bestselling novels in the 1940s and these are covered in this chapter, including The Woman in the Tower ( Tali de nüren ) and North Pole Landscape Painting ( Beiji fengqinghua ). Both works are principally tragic love stories between stunningly beautiful women and accomplished, patriotic, intellectual men, but they also feature distinctive narrative styles and story frameworks that cross the boundaries between the real and the imagined. Wumingshi worked for the anti-Japanese Korean resistance movement in China, and this influenced several of his works. It is shown that, much like Xu Xu, Wumingshi’s work was initially modernist and highly concerned with narrative style, but it eventually transitioned to the popular romances that became hugely popular. Wumingshi’s multivolume grand opus, The Nameless Book ( Wumingshu ) is also considered here. In this work, he rejected nationalism and ideology and showed a return to narrative experimentation. The early volumes of this were his last published writings before the founding of the People’s Republic in 1949.
format Book Part
author Rosenmeier, Christopher
spellingShingle Rosenmeier, Christopher
Wumingshi and the Wartime Romances
author_facet Rosenmeier, Christopher
author_sort Rosenmeier, Christopher
title Wumingshi and the Wartime Romances
title_short Wumingshi and the Wartime Romances
title_full Wumingshi and the Wartime Romances
title_fullStr Wumingshi and the Wartime Romances
title_full_unstemmed Wumingshi and the Wartime Romances
title_sort wumingshi and the wartime romances
publisher Edinburgh University Press
publishDate 2017
url http://dx.doi.org/10.3366/edinburgh/9780748696369.003.0005
geographic North Pole
geographic_facet North Pole
genre North Pole
genre_facet North Pole
op_source On the Margins of Modernism
op_doi https://doi.org/10.3366/edinburgh/9780748696369.003.0005
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