Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah

This chapter examines the aesthetic strategies and political impetus of contemporary film artists who challenge the notion of an Arctic explorer as a heroic white male, striding forth on his own to conquer the white sublime. Focusing on Isaac Julien’s video and art installation True North (2004) and...

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Main Author: Lúthersdóttir, Helga Hlaðgerður
Format: Book Part
Language:unknown
Published: Edinburgh University Press 2015
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0026
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spelling credinunivpr:10.3366/edinburgh/9780748694174.003.0026 2023-05-15T14:42:44+02:00 Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah Lúthersdóttir, Helga Hlaðgerður 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0026 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0026 2022-08-18T13:40:34Z This chapter examines the aesthetic strategies and political impetus of contemporary film artists who challenge the notion of an Arctic explorer as a heroic white male, striding forth on his own to conquer the white sublime. Focusing on Isaac Julien’s video and art installation True North (2004) and John Akomfrah’s The Nine Muses (2010). Luthersdottir foregrounds the myriad ways in which these films and art works partake in a creolisation of the white Arctic. The chapter thereby foregrounds an overlooked and complementary historical and cinematic record, which is explicit about the significance of identity politics and colonial legacies in the north, rather than reifying established representational norms. Book Part Arctic Edinburgh University Press (via Crossref) Arctic
institution Open Polar
collection Edinburgh University Press (via Crossref)
op_collection_id credinunivpr
language unknown
description This chapter examines the aesthetic strategies and political impetus of contemporary film artists who challenge the notion of an Arctic explorer as a heroic white male, striding forth on his own to conquer the white sublime. Focusing on Isaac Julien’s video and art installation True North (2004) and John Akomfrah’s The Nine Muses (2010). Luthersdottir foregrounds the myriad ways in which these films and art works partake in a creolisation of the white Arctic. The chapter thereby foregrounds an overlooked and complementary historical and cinematic record, which is explicit about the significance of identity politics and colonial legacies in the north, rather than reifying established representational norms.
format Book Part
author Lúthersdóttir, Helga Hlaðgerður
spellingShingle Lúthersdóttir, Helga Hlaðgerður
Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
author_facet Lúthersdóttir, Helga Hlaðgerður
author_sort Lúthersdóttir, Helga Hlaðgerður
title Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
title_short Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
title_full Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
title_fullStr Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
title_full_unstemmed Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
title_sort transcending the sublime: arctic creolisation in the works of isaac julien and john akomfrah
publisher Edinburgh University Press
publishDate 2015
url http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0026
geographic Arctic
geographic_facet Arctic
genre Arctic
genre_facet Arctic
op_source Films on Ice
op_doi https://doi.org/10.3366/edinburgh/9780748694174.003.0026
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