Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah
This chapter examines the aesthetic strategies and political impetus of contemporary film artists who challenge the notion of an Arctic explorer as a heroic white male, striding forth on his own to conquer the white sublime. Focusing on Isaac Julien’s video and art installation True North (2004) and...
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2015
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Online Access: | http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0026 |
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credinunivpr:10.3366/edinburgh/9780748694174.003.0026 2023-05-15T14:42:44+02:00 Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah Lúthersdóttir, Helga Hlaðgerður 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0026 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0026 2022-08-18T13:40:34Z This chapter examines the aesthetic strategies and political impetus of contemporary film artists who challenge the notion of an Arctic explorer as a heroic white male, striding forth on his own to conquer the white sublime. Focusing on Isaac Julien’s video and art installation True North (2004) and John Akomfrah’s The Nine Muses (2010). Luthersdottir foregrounds the myriad ways in which these films and art works partake in a creolisation of the white Arctic. The chapter thereby foregrounds an overlooked and complementary historical and cinematic record, which is explicit about the significance of identity politics and colonial legacies in the north, rather than reifying established representational norms. Book Part Arctic Edinburgh University Press (via Crossref) Arctic |
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Open Polar |
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Edinburgh University Press (via Crossref) |
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credinunivpr |
language |
unknown |
description |
This chapter examines the aesthetic strategies and political impetus of contemporary film artists who challenge the notion of an Arctic explorer as a heroic white male, striding forth on his own to conquer the white sublime. Focusing on Isaac Julien’s video and art installation True North (2004) and John Akomfrah’s The Nine Muses (2010). Luthersdottir foregrounds the myriad ways in which these films and art works partake in a creolisation of the white Arctic. The chapter thereby foregrounds an overlooked and complementary historical and cinematic record, which is explicit about the significance of identity politics and colonial legacies in the north, rather than reifying established representational norms. |
format |
Book Part |
author |
Lúthersdóttir, Helga Hlaðgerður |
spellingShingle |
Lúthersdóttir, Helga Hlaðgerður Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah |
author_facet |
Lúthersdóttir, Helga Hlaðgerður |
author_sort |
Lúthersdóttir, Helga Hlaðgerður |
title |
Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah |
title_short |
Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah |
title_full |
Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah |
title_fullStr |
Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah |
title_full_unstemmed |
Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah |
title_sort |
transcending the sublime: arctic creolisation in the works of isaac julien and john akomfrah |
publisher |
Edinburgh University Press |
publishDate |
2015 |
url |
http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0026 |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic |
genre_facet |
Arctic |
op_source |
Films on Ice |
op_doi |
https://doi.org/10.3366/edinburgh/9780748694174.003.0026 |
_version_ |
1766314467292872704 |