‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site

The trope of Arctic exploration has been used for political purposes all over the world, and the Soviet Union was no exception. In this chapter Lyubov Bugaeva examines the construction of the ‘Soviet man’ in Soviet Arctic filmmaking in the Stalinist era. Moreover, she examines how Stalinist doctrine...

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Bibliographic Details
Main Author: Bugaeva, Lyubov
Format: Book Part
Language:unknown
Published: Edinburgh University Press 2015
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0025
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spelling credinunivpr:10.3366/edinburgh/9780748694174.003.0025 2023-05-15T14:34:02+02:00 ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site Bugaeva, Lyubov 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0025 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0025 2022-08-04T17:10:19Z The trope of Arctic exploration has been used for political purposes all over the world, and the Soviet Union was no exception. In this chapter Lyubov Bugaeva examines the construction of the ‘Soviet man’ in Soviet Arctic filmmaking in the Stalinist era. Moreover, she examines how Stalinist doctrines in Soviet cinema of the 1930s was reconfigured in films about Arctic expeditions by later generations of filmmakers in the 1970s. Bugaeva offers detailed accounts of how this process of construction played itself out in a range of Stalinist and post-Stalinist films, including Sergei Gersimov’s The Seven Bold Ones (1937), City of Youth (1938), and The Love of Mankind (1972). By way of contrast, Bugaeva also considers the work of including Alexei Simonov’s The Ordinary Arctic (1974). Book Part Arctic Edinburgh University Press (via Crossref) Arctic Bugaeva ENVELOPE(51.933,51.933,-67.500,-67.500)
institution Open Polar
collection Edinburgh University Press (via Crossref)
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language unknown
description The trope of Arctic exploration has been used for political purposes all over the world, and the Soviet Union was no exception. In this chapter Lyubov Bugaeva examines the construction of the ‘Soviet man’ in Soviet Arctic filmmaking in the Stalinist era. Moreover, she examines how Stalinist doctrines in Soviet cinema of the 1930s was reconfigured in films about Arctic expeditions by later generations of filmmakers in the 1970s. Bugaeva offers detailed accounts of how this process of construction played itself out in a range of Stalinist and post-Stalinist films, including Sergei Gersimov’s The Seven Bold Ones (1937), City of Youth (1938), and The Love of Mankind (1972). By way of contrast, Bugaeva also considers the work of including Alexei Simonov’s The Ordinary Arctic (1974).
format Book Part
author Bugaeva, Lyubov
spellingShingle Bugaeva, Lyubov
‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site
author_facet Bugaeva, Lyubov
author_sort Bugaeva, Lyubov
title ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site
title_short ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site
title_full ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site
title_fullStr ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site
title_full_unstemmed ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site
title_sort ‘here will be a garden-city’: soviet man on an arctic construction site
publisher Edinburgh University Press
publishDate 2015
url http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0025
long_lat ENVELOPE(51.933,51.933,-67.500,-67.500)
geographic Arctic
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geographic_facet Arctic
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genre Arctic
genre_facet Arctic
op_source Films on Ice
op_doi https://doi.org/10.3366/edinburgh/9780748694174.003.0025
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