The Creative Treatment of Alterity: Nanook as the North
This chapter examines the many re-iterations of Robert Flaherty’s influential film Nanook of the North (1922) to show how this key documentary film has been re-imagined and re-articulated in documentaries such as Claude Massot’s Nanook Revisited (1990), feature length fictional accounts of Flaherty’...
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credinunivpr:10.3366/edinburgh/9780748694174.003.0015 2023-05-15T14:51:32+02:00 The Creative Treatment of Alterity: Nanook as the North MacKenzie, Scott 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0015 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0015 2022-08-04T18:00:48Z This chapter examines the many re-iterations of Robert Flaherty’s influential film Nanook of the North (1922) to show how this key documentary film has been re-imagined and re-articulated in documentaries such as Claude Massot’s Nanook Revisited (1990), feature length fictional accounts of Flaherty’s journey north such as Massot’s Kabloonak (1994), indigenous media such as the National Film Board of Canada’s Netsilik series (1967), IMAX films like To the Arctic (2012) and experimental cinema such as Philip Hoffman and Sami van Ingen’s Sweep (1995). Through the analysis of these varied works, MacKenzie delineates how the continual re-iterations of Nanook of the North play and complex and conflicted role in the popular imagination of the Arctic. Book Part Arctic Netsilik sami Edinburgh University Press (via Crossref) Arctic |
institution |
Open Polar |
collection |
Edinburgh University Press (via Crossref) |
op_collection_id |
credinunivpr |
language |
unknown |
description |
This chapter examines the many re-iterations of Robert Flaherty’s influential film Nanook of the North (1922) to show how this key documentary film has been re-imagined and re-articulated in documentaries such as Claude Massot’s Nanook Revisited (1990), feature length fictional accounts of Flaherty’s journey north such as Massot’s Kabloonak (1994), indigenous media such as the National Film Board of Canada’s Netsilik series (1967), IMAX films like To the Arctic (2012) and experimental cinema such as Philip Hoffman and Sami van Ingen’s Sweep (1995). Through the analysis of these varied works, MacKenzie delineates how the continual re-iterations of Nanook of the North play and complex and conflicted role in the popular imagination of the Arctic. |
format |
Book Part |
author |
MacKenzie, Scott |
spellingShingle |
MacKenzie, Scott The Creative Treatment of Alterity: Nanook as the North |
author_facet |
MacKenzie, Scott |
author_sort |
MacKenzie, Scott |
title |
The Creative Treatment of Alterity: Nanook as the North |
title_short |
The Creative Treatment of Alterity: Nanook as the North |
title_full |
The Creative Treatment of Alterity: Nanook as the North |
title_fullStr |
The Creative Treatment of Alterity: Nanook as the North |
title_full_unstemmed |
The Creative Treatment of Alterity: Nanook as the North |
title_sort |
creative treatment of alterity: nanook as the north |
publisher |
Edinburgh University Press |
publishDate |
2015 |
url |
http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0015 |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic Netsilik sami |
genre_facet |
Arctic Netsilik sami |
op_source |
Films on Ice |
op_doi |
https://doi.org/10.3366/edinburgh/9780748694174.003.0015 |
_version_ |
1766322680433213440 |