The Creative Treatment of Alterity: Nanook as the North

This chapter examines the many re-iterations of Robert Flaherty’s influential film Nanook of the North (1922) to show how this key documentary film has been re-imagined and re-articulated in documentaries such as Claude Massot’s Nanook Revisited (1990), feature length fictional accounts of Flaherty’...

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Main Author: MacKenzie, Scott
Format: Book Part
Language:unknown
Published: Edinburgh University Press 2015
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0015
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spelling credinunivpr:10.3366/edinburgh/9780748694174.003.0015 2023-05-15T14:51:32+02:00 The Creative Treatment of Alterity: Nanook as the North MacKenzie, Scott 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0015 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0015 2022-08-04T18:00:48Z This chapter examines the many re-iterations of Robert Flaherty’s influential film Nanook of the North (1922) to show how this key documentary film has been re-imagined and re-articulated in documentaries such as Claude Massot’s Nanook Revisited (1990), feature length fictional accounts of Flaherty’s journey north such as Massot’s Kabloonak (1994), indigenous media such as the National Film Board of Canada’s Netsilik series (1967), IMAX films like To the Arctic (2012) and experimental cinema such as Philip Hoffman and Sami van Ingen’s Sweep (1995). Through the analysis of these varied works, MacKenzie delineates how the continual re-iterations of Nanook of the North play and complex and conflicted role in the popular imagination of the Arctic. Book Part Arctic Netsilik sami Edinburgh University Press (via Crossref) Arctic
institution Open Polar
collection Edinburgh University Press (via Crossref)
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language unknown
description This chapter examines the many re-iterations of Robert Flaherty’s influential film Nanook of the North (1922) to show how this key documentary film has been re-imagined and re-articulated in documentaries such as Claude Massot’s Nanook Revisited (1990), feature length fictional accounts of Flaherty’s journey north such as Massot’s Kabloonak (1994), indigenous media such as the National Film Board of Canada’s Netsilik series (1967), IMAX films like To the Arctic (2012) and experimental cinema such as Philip Hoffman and Sami van Ingen’s Sweep (1995). Through the analysis of these varied works, MacKenzie delineates how the continual re-iterations of Nanook of the North play and complex and conflicted role in the popular imagination of the Arctic.
format Book Part
author MacKenzie, Scott
spellingShingle MacKenzie, Scott
The Creative Treatment of Alterity: Nanook as the North
author_facet MacKenzie, Scott
author_sort MacKenzie, Scott
title The Creative Treatment of Alterity: Nanook as the North
title_short The Creative Treatment of Alterity: Nanook as the North
title_full The Creative Treatment of Alterity: Nanook as the North
title_fullStr The Creative Treatment of Alterity: Nanook as the North
title_full_unstemmed The Creative Treatment of Alterity: Nanook as the North
title_sort creative treatment of alterity: nanook as the north
publisher Edinburgh University Press
publishDate 2015
url http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0015
geographic Arctic
geographic_facet Arctic
genre Arctic
Netsilik
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genre_facet Arctic
Netsilik
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op_source Films on Ice
op_doi https://doi.org/10.3366/edinburgh/9780748694174.003.0015
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