California’s Yukon as Comic Space

Addressing location substitution in early silent comedies such as Mack Sennett’s Homemade Movies (1922) and Yukon Jake (1924) Buster Keaton’s The Frozen North (1922) and Charlie Chaplin’s The Gold Rush (1925), along with examples of lesser known films, Mark Sandberg examines the ways in which Hollyw...

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Bibliographic Details
Main Author: Sandberg, Mark
Format: Book Part
Language:unknown
Published: Edinburgh University Press 2015
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0010
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spelling credinunivpr:10.3366/edinburgh/9780748694174.003.0010 2023-05-15T15:00:24+02:00 California’s Yukon as Comic Space Sandberg, Mark 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0010 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0010 2022-08-04T17:10:19Z Addressing location substitution in early silent comedies such as Mack Sennett’s Homemade Movies (1922) and Yukon Jake (1924) Buster Keaton’s The Frozen North (1922) and Charlie Chaplin’s The Gold Rush (1925), along with examples of lesser known films, Mark Sandberg examines the ways in which Hollywood was able to build a simulacrum of the entire world, and the Arctic in particular, on its backlots. Sandberg delineates the claims for authenticity made by these films and the publicity machines that surrounded them, despite their artificiality. Based on extensive research at the Margaret Herrick Library, Sandberg also examines in detail para-material such scenarios, adverts, and Paramount Studios’ location map, to delineate how various world geographies were delineated across the map of California. Book Part Arctic Yukon Edinburgh University Press (via Crossref) Arctic Yukon Sandberg ENVELOPE(19.884,19.884,69.779,69.779)
institution Open Polar
collection Edinburgh University Press (via Crossref)
op_collection_id credinunivpr
language unknown
description Addressing location substitution in early silent comedies such as Mack Sennett’s Homemade Movies (1922) and Yukon Jake (1924) Buster Keaton’s The Frozen North (1922) and Charlie Chaplin’s The Gold Rush (1925), along with examples of lesser known films, Mark Sandberg examines the ways in which Hollywood was able to build a simulacrum of the entire world, and the Arctic in particular, on its backlots. Sandberg delineates the claims for authenticity made by these films and the publicity machines that surrounded them, despite their artificiality. Based on extensive research at the Margaret Herrick Library, Sandberg also examines in detail para-material such scenarios, adverts, and Paramount Studios’ location map, to delineate how various world geographies were delineated across the map of California.
format Book Part
author Sandberg, Mark
spellingShingle Sandberg, Mark
California’s Yukon as Comic Space
author_facet Sandberg, Mark
author_sort Sandberg, Mark
title California’s Yukon as Comic Space
title_short California’s Yukon as Comic Space
title_full California’s Yukon as Comic Space
title_fullStr California’s Yukon as Comic Space
title_full_unstemmed California’s Yukon as Comic Space
title_sort california’s yukon as comic space
publisher Edinburgh University Press
publishDate 2015
url http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0010
long_lat ENVELOPE(19.884,19.884,69.779,69.779)
geographic Arctic
Yukon
Sandberg
geographic_facet Arctic
Yukon
Sandberg
genre Arctic
Yukon
genre_facet Arctic
Yukon
op_source Films on Ice
op_doi https://doi.org/10.3366/edinburgh/9780748694174.003.0010
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