California’s Yukon as Comic Space
Addressing location substitution in early silent comedies such as Mack Sennett’s Homemade Movies (1922) and Yukon Jake (1924) Buster Keaton’s The Frozen North (1922) and Charlie Chaplin’s The Gold Rush (1925), along with examples of lesser known films, Mark Sandberg examines the ways in which Hollyw...
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2015
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Online Access: | http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0010 |
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credinunivpr:10.3366/edinburgh/9780748694174.003.0010 2023-05-15T15:00:24+02:00 California’s Yukon as Comic Space Sandberg, Mark 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0010 unknown Edinburgh University Press Films on Ice book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0010 2022-08-04T17:10:19Z Addressing location substitution in early silent comedies such as Mack Sennett’s Homemade Movies (1922) and Yukon Jake (1924) Buster Keaton’s The Frozen North (1922) and Charlie Chaplin’s The Gold Rush (1925), along with examples of lesser known films, Mark Sandberg examines the ways in which Hollywood was able to build a simulacrum of the entire world, and the Arctic in particular, on its backlots. Sandberg delineates the claims for authenticity made by these films and the publicity machines that surrounded them, despite their artificiality. Based on extensive research at the Margaret Herrick Library, Sandberg also examines in detail para-material such scenarios, adverts, and Paramount Studios’ location map, to delineate how various world geographies were delineated across the map of California. Book Part Arctic Yukon Edinburgh University Press (via Crossref) Arctic Yukon Sandberg ENVELOPE(19.884,19.884,69.779,69.779) |
institution |
Open Polar |
collection |
Edinburgh University Press (via Crossref) |
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credinunivpr |
language |
unknown |
description |
Addressing location substitution in early silent comedies such as Mack Sennett’s Homemade Movies (1922) and Yukon Jake (1924) Buster Keaton’s The Frozen North (1922) and Charlie Chaplin’s The Gold Rush (1925), along with examples of lesser known films, Mark Sandberg examines the ways in which Hollywood was able to build a simulacrum of the entire world, and the Arctic in particular, on its backlots. Sandberg delineates the claims for authenticity made by these films and the publicity machines that surrounded them, despite their artificiality. Based on extensive research at the Margaret Herrick Library, Sandberg also examines in detail para-material such scenarios, adverts, and Paramount Studios’ location map, to delineate how various world geographies were delineated across the map of California. |
format |
Book Part |
author |
Sandberg, Mark |
spellingShingle |
Sandberg, Mark California’s Yukon as Comic Space |
author_facet |
Sandberg, Mark |
author_sort |
Sandberg, Mark |
title |
California’s Yukon as Comic Space |
title_short |
California’s Yukon as Comic Space |
title_full |
California’s Yukon as Comic Space |
title_fullStr |
California’s Yukon as Comic Space |
title_full_unstemmed |
California’s Yukon as Comic Space |
title_sort |
california’s yukon as comic space |
publisher |
Edinburgh University Press |
publishDate |
2015 |
url |
http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0010 |
long_lat |
ENVELOPE(19.884,19.884,69.779,69.779) |
geographic |
Arctic Yukon Sandberg |
geographic_facet |
Arctic Yukon Sandberg |
genre |
Arctic Yukon |
genre_facet |
Arctic Yukon |
op_source |
Films on Ice |
op_doi |
https://doi.org/10.3366/edinburgh/9780748694174.003.0010 |
_version_ |
1766332508210724864 |