Arctic Carnivalesque: Ethnicity, Gender and Transnationality in the Films of Tommy Wirkola
This chapter examines the way in which Sámi filmmaker Tommy Wirkola ironically appropriates contemporary Hollywood films such as The Blair Witch Project (1999) and Quentin Tarantino’s Kill Bill (2003-4) to create ironic, postmodern genres films that address questions of ethnicity and gender. Iversen...
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| Format: | Book Part |
| Language: | unknown |
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Edinburgh University Press
2015
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| Online Access: | http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0008 |