Cosmopolitan Inuit: New Perspectives on Greenlandic Film
This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in t...
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Online Access: | http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007 |
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credinunivpr:10.3366/edinburgh/9780748694174.003.0007 2024-06-23T07:53:12+00:00 Cosmopolitan Inuit: New Perspectives on Greenlandic Film Thisted, Kirsten 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007 en eng Edinburgh University Press Films on Ice ISBN 9780748694174 9781474408561 book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0007 2024-06-06T04:11:27Z This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in twenty-first century fiction feature films made in and about Nuuk, Greenland is situated as part of a global network of multicultural practices and representational techniques. Thisted examines Otto Rosing’s and Torben Bech’s Sundance-screened Nuummioq (2009), which is considered the first feature film produced in Greenland, and Angajo Lennert Sandgreen’s Hinnarik Sinnattunilu (2009). The chapter discusses these films as indications of an emerging cinematic autonomy, while Nuummioq ’s international release was hampered by the fact that it had not been financed by the Danish Film Institute. Book Part Greenland greenlandic inuit Nuuk Edinburgh University Press Greenland Nuuk ENVELOPE(-52.150,-52.150,68.717,68.717) |
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Open Polar |
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Edinburgh University Press |
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credinunivpr |
language |
English |
description |
This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in twenty-first century fiction feature films made in and about Nuuk, Greenland is situated as part of a global network of multicultural practices and representational techniques. Thisted examines Otto Rosing’s and Torben Bech’s Sundance-screened Nuummioq (2009), which is considered the first feature film produced in Greenland, and Angajo Lennert Sandgreen’s Hinnarik Sinnattunilu (2009). The chapter discusses these films as indications of an emerging cinematic autonomy, while Nuummioq ’s international release was hampered by the fact that it had not been financed by the Danish Film Institute. |
format |
Book Part |
author |
Thisted, Kirsten |
spellingShingle |
Thisted, Kirsten Cosmopolitan Inuit: New Perspectives on Greenlandic Film |
author_facet |
Thisted, Kirsten |
author_sort |
Thisted, Kirsten |
title |
Cosmopolitan Inuit: New Perspectives on Greenlandic Film |
title_short |
Cosmopolitan Inuit: New Perspectives on Greenlandic Film |
title_full |
Cosmopolitan Inuit: New Perspectives on Greenlandic Film |
title_fullStr |
Cosmopolitan Inuit: New Perspectives on Greenlandic Film |
title_full_unstemmed |
Cosmopolitan Inuit: New Perspectives on Greenlandic Film |
title_sort |
cosmopolitan inuit: new perspectives on greenlandic film |
publisher |
Edinburgh University Press |
publishDate |
2015 |
url |
http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007 |
long_lat |
ENVELOPE(-52.150,-52.150,68.717,68.717) |
geographic |
Greenland Nuuk |
geographic_facet |
Greenland Nuuk |
genre |
Greenland greenlandic inuit Nuuk |
genre_facet |
Greenland greenlandic inuit Nuuk |
op_source |
Films on Ice ISBN 9780748694174 9781474408561 |
op_doi |
https://doi.org/10.3366/edinburgh/9780748694174.003.0007 |
_version_ |
1802644746675421184 |