Cosmopolitan Inuit: New Perspectives on Greenlandic Film

This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in t...

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Main Author: Thisted, Kirsten
Format: Book Part
Language:English
Published: Edinburgh University Press 2015
Subjects:
Online Access:http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007
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spelling credinunivpr:10.3366/edinburgh/9780748694174.003.0007 2024-06-23T07:53:12+00:00 Cosmopolitan Inuit: New Perspectives on Greenlandic Film Thisted, Kirsten 2015 http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007 en eng Edinburgh University Press Films on Ice ISBN 9780748694174 9781474408561 book-chapter 2015 credinunivpr https://doi.org/10.3366/edinburgh/9780748694174.003.0007 2024-06-06T04:11:27Z This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in twenty-first century fiction feature films made in and about Nuuk, Greenland is situated as part of a global network of multicultural practices and representational techniques. Thisted examines Otto Rosing’s and Torben Bech’s Sundance-screened Nuummioq (2009), which is considered the first feature film produced in Greenland, and Angajo Lennert Sandgreen’s Hinnarik Sinnattunilu (2009). The chapter discusses these films as indications of an emerging cinematic autonomy, while Nuummioq ’s international release was hampered by the fact that it had not been financed by the Danish Film Institute. Book Part Greenland greenlandic inuit Nuuk Edinburgh University Press Greenland Nuuk ENVELOPE(-52.150,-52.150,68.717,68.717)
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collection Edinburgh University Press
op_collection_id credinunivpr
language English
description This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in twenty-first century fiction feature films made in and about Nuuk, Greenland is situated as part of a global network of multicultural practices and representational techniques. Thisted examines Otto Rosing’s and Torben Bech’s Sundance-screened Nuummioq (2009), which is considered the first feature film produced in Greenland, and Angajo Lennert Sandgreen’s Hinnarik Sinnattunilu (2009). The chapter discusses these films as indications of an emerging cinematic autonomy, while Nuummioq ’s international release was hampered by the fact that it had not been financed by the Danish Film Institute.
format Book Part
author Thisted, Kirsten
spellingShingle Thisted, Kirsten
Cosmopolitan Inuit: New Perspectives on Greenlandic Film
author_facet Thisted, Kirsten
author_sort Thisted, Kirsten
title Cosmopolitan Inuit: New Perspectives on Greenlandic Film
title_short Cosmopolitan Inuit: New Perspectives on Greenlandic Film
title_full Cosmopolitan Inuit: New Perspectives on Greenlandic Film
title_fullStr Cosmopolitan Inuit: New Perspectives on Greenlandic Film
title_full_unstemmed Cosmopolitan Inuit: New Perspectives on Greenlandic Film
title_sort cosmopolitan inuit: new perspectives on greenlandic film
publisher Edinburgh University Press
publishDate 2015
url http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007
long_lat ENVELOPE(-52.150,-52.150,68.717,68.717)
geographic Greenland
Nuuk
geographic_facet Greenland
Nuuk
genre Greenland
greenlandic
inuit
Nuuk
genre_facet Greenland
greenlandic
inuit
Nuuk
op_source Films on Ice
ISBN 9780748694174 9781474408561
op_doi https://doi.org/10.3366/edinburgh/9780748694174.003.0007
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