Cinema of Emancipation and Zacharias Kunuk’s Atanarjuat: The Fast Runner
This chapter offers stylistic and thematic analyses of the cinematography and strategies of visual storytelling of Zacharias Kunuk’s Atanarjuat: The Fast Runner (2001). Bohr provides an alternate reading of the Igloolik-based group Isuma’s best-known and Cannes award winning film. Bohr identifies di...
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| Format: | Book Part |
| Language: | unknown |
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Edinburgh University Press
2015
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| Online Access: | http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0006 |