Bodyminds Reimagined

In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstr...

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Main Author: Schalk, Sami
Format: Book
Language:English
Published: Duke University Press 2018
Subjects:
Online Access:http://dx.doi.org/10.1215/9780822371830
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spelling crdukeunivpr:10.1215/9780822371830 2024-06-23T07:56:33+00:00 Bodyminds Reimagined (Dis)ability, Race, and Gender in Black Women's Speculative Fiction Schalk, Sami 2018 http://dx.doi.org/10.1215/9780822371830 en eng Duke University Press ISBN 9780822371830 edited-book 2018 crdukeunivpr https://doi.org/10.1215/9780822371830 2024-06-10T04:08:31Z In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts. Book sami Duke University Press
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collection Duke University Press
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language English
description In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.
format Book
author Schalk, Sami
spellingShingle Schalk, Sami
Bodyminds Reimagined
author_facet Schalk, Sami
author_sort Schalk, Sami
title Bodyminds Reimagined
title_short Bodyminds Reimagined
title_full Bodyminds Reimagined
title_fullStr Bodyminds Reimagined
title_full_unstemmed Bodyminds Reimagined
title_sort bodyminds reimagined
publisher Duke University Press
publishDate 2018
url http://dx.doi.org/10.1215/9780822371830
genre sami
genre_facet sami
op_source ISBN 9780822371830
op_doi https://doi.org/10.1215/9780822371830
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