Shaping an Ear for Climate Change

Abstract How does contemporary music cultivate ecological thinking and climate-change awareness in our era of global warming? This essay investigates how the music of Pulitzer Prize–winning Alaskan composer John Luther Adams incites ecological listening and shapes an ear for climate change. It exami...

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Published in:Environmental Humanities
Main Author: Chisholm, Dianne
Format: Article in Journal/Newspaper
Language:English
Published: Duke University Press 2016
Subjects:
Online Access:http://dx.doi.org/10.1215/22011919-3664211
https://read.dukeupress.edu/environmental-humanities/article-pdf/8/2/172/409070/172Chisholm.pdf
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spelling crdukeunivpr:10.1215/22011919-3664211 2024-06-02T08:09:33+00:00 Shaping an Ear for Climate Change Chisholm, Dianne 2016 http://dx.doi.org/10.1215/22011919-3664211 https://read.dukeupress.edu/environmental-humanities/article-pdf/8/2/172/409070/172Chisholm.pdf en eng Duke University Press Environmental Humanities volume 8, issue 2, page 172-195 ISSN 2201-1919 2201-1919 journal-article 2016 crdukeunivpr https://doi.org/10.1215/22011919-3664211 2024-05-07T13:16:55Z Abstract How does contemporary music cultivate ecological thinking and climate-change awareness in our era of global warming? This essay investigates how the music of Pulitzer Prize–winning Alaskan composer John Luther Adams incites ecological listening and shapes an ear for climate change. It examines Adams’s evolving signature style of composing and/or performing with climatic elements and natural forces, and it further examines how this style effectively attunes audiences to ongoing environmental events that weather the world outside the concert hall. In other words, it investigates the idea and play of “Sila” in Adams’s work, Sila being a concept that Adams derives from the Inuit to signify in the largest possible sense the weather, its cosmic and chaotic modalities, and the wisdom that attends to them. Article in Journal/Newspaper inuit Duke University Press Pulitzer ENVELOPE(-154.267,-154.267,-85.817,-85.817) Sila ENVELOPE(13.133,13.133,66.320,66.320) Environmental Humanities 8 2 172 195
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language English
description Abstract How does contemporary music cultivate ecological thinking and climate-change awareness in our era of global warming? This essay investigates how the music of Pulitzer Prize–winning Alaskan composer John Luther Adams incites ecological listening and shapes an ear for climate change. It examines Adams’s evolving signature style of composing and/or performing with climatic elements and natural forces, and it further examines how this style effectively attunes audiences to ongoing environmental events that weather the world outside the concert hall. In other words, it investigates the idea and play of “Sila” in Adams’s work, Sila being a concept that Adams derives from the Inuit to signify in the largest possible sense the weather, its cosmic and chaotic modalities, and the wisdom that attends to them.
format Article in Journal/Newspaper
author Chisholm, Dianne
spellingShingle Chisholm, Dianne
Shaping an Ear for Climate Change
author_facet Chisholm, Dianne
author_sort Chisholm, Dianne
title Shaping an Ear for Climate Change
title_short Shaping an Ear for Climate Change
title_full Shaping an Ear for Climate Change
title_fullStr Shaping an Ear for Climate Change
title_full_unstemmed Shaping an Ear for Climate Change
title_sort shaping an ear for climate change
publisher Duke University Press
publishDate 2016
url http://dx.doi.org/10.1215/22011919-3664211
https://read.dukeupress.edu/environmental-humanities/article-pdf/8/2/172/409070/172Chisholm.pdf
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op_source Environmental Humanities
volume 8, issue 2, page 172-195
ISSN 2201-1919 2201-1919
op_doi https://doi.org/10.1215/22011919-3664211
container_title Environmental Humanities
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container_start_page 172
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