“The Only Almost Germ-Free Continent Left”

Abstract This article examines the role of pandemics and viruses in cultural perceptions of Antarctica over the past century. In the popular imagination, Antarctica has often been framed as a place of purity, refuge, and isolation. In a series of fiction and screen texts from the nineteenth century...

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Published in:Environmental Humanities
Main Authors: Leane, Elizabeth, Lavery, Charne, Nash, Meredith
Format: Article in Journal/Newspaper
Language:English
Published: Duke University Press 2023
Subjects:
Online Access:http://dx.doi.org/10.1215/22011919-10216184
https://read.dukeupress.edu/environmental-humanities/article-pdf/15/1/109/1805010/109leane.pdf
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spelling crdukeunivpr:10.1215/22011919-10216184 2024-06-02T07:58:36+00:00 “The Only Almost Germ-Free Continent Left” Leane, Elizabeth Lavery, Charne Nash, Meredith 2023 http://dx.doi.org/10.1215/22011919-10216184 https://read.dukeupress.edu/environmental-humanities/article-pdf/15/1/109/1805010/109leane.pdf en eng Duke University Press Environmental Humanities volume 15, issue 1, page 109-127 ISSN 2201-1919 2201-1919 journal-article 2023 crdukeunivpr https://doi.org/10.1215/22011919-10216184 2024-05-07T13:16:56Z Abstract This article examines the role of pandemics and viruses in cultural perceptions of Antarctica over the past century. In the popular imagination, Antarctica has often been framed as a place of purity, refuge, and isolation. In a series of fiction and screen texts from the nineteenth century to the present, viruses feature prominently. The texts fall into two categories: narratives in which Antarctica is the sole source of safety in a pandemic-ravaged world and those in which a virus (or another form of contagion) is discovered within the continent itself and needs to be contained. Viruses in these texts are not only literal but also metaphorical, taking the form of any kind of threatening infection, and as such are linked to texts in which Antarctic purity is discursively connected to racial and gendered exclusivity. Based on this comparison, the article argues that ideas of containment and contagion can have political connotations in an Antarctic context, to the extent that they are applied to particular groups of people in order to position them as “alien” to the Antarctic environment. The authors show that the recent media construction of Antarctica during COVID-19 needs to be understood against this disturbing aspect of the Antarctic imaginary, and also that narratives of Antarctic purity are imaginatively linked to both geopolitical exclusions and the melting of Antarctic ice. Article in Journal/Newspaper Antarc* Antarctic Antarctica Duke University Press Antarctic The Antarctic Environmental Humanities 15 1 109 127
institution Open Polar
collection Duke University Press
op_collection_id crdukeunivpr
language English
description Abstract This article examines the role of pandemics and viruses in cultural perceptions of Antarctica over the past century. In the popular imagination, Antarctica has often been framed as a place of purity, refuge, and isolation. In a series of fiction and screen texts from the nineteenth century to the present, viruses feature prominently. The texts fall into two categories: narratives in which Antarctica is the sole source of safety in a pandemic-ravaged world and those in which a virus (or another form of contagion) is discovered within the continent itself and needs to be contained. Viruses in these texts are not only literal but also metaphorical, taking the form of any kind of threatening infection, and as such are linked to texts in which Antarctic purity is discursively connected to racial and gendered exclusivity. Based on this comparison, the article argues that ideas of containment and contagion can have political connotations in an Antarctic context, to the extent that they are applied to particular groups of people in order to position them as “alien” to the Antarctic environment. The authors show that the recent media construction of Antarctica during COVID-19 needs to be understood against this disturbing aspect of the Antarctic imaginary, and also that narratives of Antarctic purity are imaginatively linked to both geopolitical exclusions and the melting of Antarctic ice.
format Article in Journal/Newspaper
author Leane, Elizabeth
Lavery, Charne
Nash, Meredith
spellingShingle Leane, Elizabeth
Lavery, Charne
Nash, Meredith
“The Only Almost Germ-Free Continent Left”
author_facet Leane, Elizabeth
Lavery, Charne
Nash, Meredith
author_sort Leane, Elizabeth
title “The Only Almost Germ-Free Continent Left”
title_short “The Only Almost Germ-Free Continent Left”
title_full “The Only Almost Germ-Free Continent Left”
title_fullStr “The Only Almost Germ-Free Continent Left”
title_full_unstemmed “The Only Almost Germ-Free Continent Left”
title_sort “the only almost germ-free continent left”
publisher Duke University Press
publishDate 2023
url http://dx.doi.org/10.1215/22011919-10216184
https://read.dukeupress.edu/environmental-humanities/article-pdf/15/1/109/1805010/109leane.pdf
geographic Antarctic
The Antarctic
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The Antarctic
genre Antarc*
Antarctic
Antarctica
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Antarctic
Antarctica
op_source Environmental Humanities
volume 15, issue 1, page 109-127
ISSN 2201-1919 2201-1919
op_doi https://doi.org/10.1215/22011919-10216184
container_title Environmental Humanities
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container_start_page 109
op_container_end_page 127
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