The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production
Abstract This paper reads the Isuma ‘Fast Runner’ trilogy – Atanarjuat, The Fast Runner (2001), The Journals of Knud Rasmussen (2006), Before Tomorrow (2008) – as contemporary digital video instantiations of Inuit cultural memory and knowledge (re-)production; as fixed audiovisual texts ironically d...
Published in: | Zeitschrift für Anglistik und Amerikanistik |
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Walter de Gruyter GmbH
2020
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Online Access: | http://dx.doi.org/10.1515/zaa-2020-0019 https://www.degruyter.com/view/journals/zaa/68/2/article-p191.xml https://www.degruyter.com/document/doi/10.1515/zaa-2020-0019/xml https://www.degruyter.com/document/doi/10.1515/zaa-2020-0019/pdf |
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crdegruyter:10.1515/zaa-2020-0019 2023-05-15T16:54:52+02:00 The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production Kilbourn, Russell J.A. 2020 http://dx.doi.org/10.1515/zaa-2020-0019 https://www.degruyter.com/view/journals/zaa/68/2/article-p191.xml https://www.degruyter.com/document/doi/10.1515/zaa-2020-0019/xml https://www.degruyter.com/document/doi/10.1515/zaa-2020-0019/pdf en eng Walter de Gruyter GmbH Zeitschrift für Anglistik und Amerikanistik volume 68, issue 2, page 191-208 ISSN 2196-4726 0044-2305 Literature and Literary Theory Linguistics and Language Language and Linguistics journal-article 2020 crdegruyter https://doi.org/10.1515/zaa-2020-0019 2022-04-14T05:09:52Z Abstract This paper reads the Isuma ‘Fast Runner’ trilogy – Atanarjuat, The Fast Runner (2001), The Journals of Knud Rasmussen (2006), Before Tomorrow (2008) – as contemporary digital video instantiations of Inuit cultural memory and knowledge (re-)production; as fixed audiovisual texts ironically documenting and archiving a repertoire of traditional cultural folkways, reinscribing them in the present as still-living cultural practices. This is achieved in the films through Isuma’s unique approach to cinematic style, combining long takes and natural light with the freedom and unpredictability afforded by the digital format. In the end, Isuma’s openness to post-literate media forms emerges as an ideal approach to the representation of specific posthuman Indigenous identities. Article in Journal/Newspaper inuit De Gruyter (via Crossref) Rasmussen ENVELOPE(-64.084,-64.084,-65.248,-65.248) Zeitschrift für Anglistik und Amerikanistik 68 2 191 208 |
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Open Polar |
collection |
De Gruyter (via Crossref) |
op_collection_id |
crdegruyter |
language |
English |
topic |
Literature and Literary Theory Linguistics and Language Language and Linguistics |
spellingShingle |
Literature and Literary Theory Linguistics and Language Language and Linguistics Kilbourn, Russell J.A. The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production |
topic_facet |
Literature and Literary Theory Linguistics and Language Language and Linguistics |
description |
Abstract This paper reads the Isuma ‘Fast Runner’ trilogy – Atanarjuat, The Fast Runner (2001), The Journals of Knud Rasmussen (2006), Before Tomorrow (2008) – as contemporary digital video instantiations of Inuit cultural memory and knowledge (re-)production; as fixed audiovisual texts ironically documenting and archiving a repertoire of traditional cultural folkways, reinscribing them in the present as still-living cultural practices. This is achieved in the films through Isuma’s unique approach to cinematic style, combining long takes and natural light with the freedom and unpredictability afforded by the digital format. In the end, Isuma’s openness to post-literate media forms emerges as an ideal approach to the representation of specific posthuman Indigenous identities. |
format |
Article in Journal/Newspaper |
author |
Kilbourn, Russell J.A. |
author_facet |
Kilbourn, Russell J.A. |
author_sort |
Kilbourn, Russell J.A. |
title |
The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production |
title_short |
The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production |
title_full |
The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production |
title_fullStr |
The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production |
title_full_unstemmed |
The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production |
title_sort |
‘fast runner’ trilogy, inuit cultural memory, and knowledge (re-)production |
publisher |
Walter de Gruyter GmbH |
publishDate |
2020 |
url |
http://dx.doi.org/10.1515/zaa-2020-0019 https://www.degruyter.com/view/journals/zaa/68/2/article-p191.xml https://www.degruyter.com/document/doi/10.1515/zaa-2020-0019/xml https://www.degruyter.com/document/doi/10.1515/zaa-2020-0019/pdf |
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ENVELOPE(-64.084,-64.084,-65.248,-65.248) |
geographic |
Rasmussen |
geographic_facet |
Rasmussen |
genre |
inuit |
genre_facet |
inuit |
op_source |
Zeitschrift für Anglistik und Amerikanistik volume 68, issue 2, page 191-208 ISSN 2196-4726 0044-2305 |
op_doi |
https://doi.org/10.1515/zaa-2020-0019 |
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Zeitschrift für Anglistik und Amerikanistik |
container_volume |
68 |
container_issue |
2 |
container_start_page |
191 |
op_container_end_page |
208 |
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1766045792905199616 |