Reclaiming archives: guest editorial

Abstract Highlighting perspectives from First Nations peoples whose cultural heritage is held in archives of various types, this article sets the scene for this special edition on “Reclaiming Archives.” Emerging protocols for Indigenous community engagement with archiving institutions have been driv...

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Published in:Preservation, Digital Technology & Culture
Main Authors: Barwick, Linda, Huebner, Sharon, Ormond-Parker, Lyndon, Treloyn, Sally
Format: Article in Journal/Newspaper
Language:English
Published: Walter de Gruyter GmbH 2021
Subjects:
Online Access:http://dx.doi.org/10.1515/pdtc-2022-0008
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spelling crdegruyter:10.1515/pdtc-2022-0008 2024-10-20T14:08:43+00:00 Reclaiming archives: guest editorial Barwick, Linda Huebner, Sharon Ormond-Parker, Lyndon Treloyn, Sally 2021 http://dx.doi.org/10.1515/pdtc-2022-0008 https://www.degruyter.com/document/doi/10.1515/pdtc-2022-0008/xml https://www.degruyter.com/document/doi/10.1515/pdtc-2022-0008/pdf en eng Walter de Gruyter GmbH http://creativecommons.org/licenses/by/4.0 Preservation, Digital Technology & Culture volume 50, issue 3-4, page 99-104 ISSN 2195-2965 2195-2957 journal-article 2021 crdegruyter https://doi.org/10.1515/pdtc-2022-0008 2024-09-30T04:08:07Z Abstract Highlighting perspectives from First Nations peoples whose cultural heritage is held in archives of various types, this article sets the scene for this special edition on “Reclaiming Archives.” Emerging protocols for Indigenous community engagement with archiving institutions have been driven by community demands for access, digitisation and return of archival cultural heritage records, and supported by various peak professional organisations such as the International Council on Archives, the International Council of Museums and the Indigenous Archives Collective. A complex history of exploitation, resistance and trauma surrounds First Nations cultural records created during Australia“s “Assimilation Era“ (roughly 1935-1975), and several contributions to the volume explore the implications of this colonial past for management and reclamation of such archival records today. Indeed, the authors contend that institutions today have much to learn from engagement with community members seeking to reappropriate their cultural records. The essay finishes by relating the issues outlined above to the articles presented in this issue, which provide perspectives from Australia and internationally regarding Indigenous cultural collections, with special reference to research-based collections of Indigenous music and dance. Article in Journal/Newspaper First Nations De Gruyter Preservation, Digital Technology & Culture 50 3-4 99 104
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collection De Gruyter
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language English
description Abstract Highlighting perspectives from First Nations peoples whose cultural heritage is held in archives of various types, this article sets the scene for this special edition on “Reclaiming Archives.” Emerging protocols for Indigenous community engagement with archiving institutions have been driven by community demands for access, digitisation and return of archival cultural heritage records, and supported by various peak professional organisations such as the International Council on Archives, the International Council of Museums and the Indigenous Archives Collective. A complex history of exploitation, resistance and trauma surrounds First Nations cultural records created during Australia“s “Assimilation Era“ (roughly 1935-1975), and several contributions to the volume explore the implications of this colonial past for management and reclamation of such archival records today. Indeed, the authors contend that institutions today have much to learn from engagement with community members seeking to reappropriate their cultural records. The essay finishes by relating the issues outlined above to the articles presented in this issue, which provide perspectives from Australia and internationally regarding Indigenous cultural collections, with special reference to research-based collections of Indigenous music and dance.
format Article in Journal/Newspaper
author Barwick, Linda
Huebner, Sharon
Ormond-Parker, Lyndon
Treloyn, Sally
spellingShingle Barwick, Linda
Huebner, Sharon
Ormond-Parker, Lyndon
Treloyn, Sally
Reclaiming archives: guest editorial
author_facet Barwick, Linda
Huebner, Sharon
Ormond-Parker, Lyndon
Treloyn, Sally
author_sort Barwick, Linda
title Reclaiming archives: guest editorial
title_short Reclaiming archives: guest editorial
title_full Reclaiming archives: guest editorial
title_fullStr Reclaiming archives: guest editorial
title_full_unstemmed Reclaiming archives: guest editorial
title_sort reclaiming archives: guest editorial
publisher Walter de Gruyter GmbH
publishDate 2021
url http://dx.doi.org/10.1515/pdtc-2022-0008
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https://www.degruyter.com/document/doi/10.1515/pdtc-2022-0008/pdf
genre First Nations
genre_facet First Nations
op_source Preservation, Digital Technology & Culture
volume 50, issue 3-4, page 99-104
ISSN 2195-2965 2195-2957
op_rights http://creativecommons.org/licenses/by/4.0
op_doi https://doi.org/10.1515/pdtc-2022-0008
container_title Preservation, Digital Technology & Culture
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container_start_page 99
op_container_end_page 104
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