Saamskie teatry
Abstract Institutional theatres in Sapmi have a relatively brief history but they are based upon traditional cultural heritage (the yoik, the art of storytelling, shamanistic seances). At the same time they are open to impulses from other cultures and theatrical traditions (European and non-European...
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2016
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Online Access: | http://dx.doi.org/10.1515/fsp-2016-0016 http://content.sciendo.com/view/journals/fsp/19/1/article-p233.xml https://www.sciendo.com/article/10.1515/fsp-2016-0016 |
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crdegruyter:10.1515/fsp-2016-0016 2023-05-15T18:12:03+02:00 Saamskie teatry Między lokalnością a obcością? Sibińska, Maria 2016 http://dx.doi.org/10.1515/fsp-2016-0016 http://content.sciendo.com/view/journals/fsp/19/1/article-p233.xml https://www.sciendo.com/article/10.1515/fsp-2016-0016 en eng Walter de Gruyter GmbH http://creativecommons.org/licenses/by-nc-nd/4.0 CC-BY-NC-ND Folia Scandinavica Posnaniensia volume 19, issue 1, page 233-250 ISSN 2299-6885 journal-article 2016 crdegruyter https://doi.org/10.1515/fsp-2016-0016 2022-04-14T05:10:47Z Abstract Institutional theatres in Sapmi have a relatively brief history but they are based upon traditional cultural heritage (the yoik, the art of storytelling, shamanistic seances). At the same time they are open to impulses from other cultures and theatrical traditions (European and non-European) that contribute to the distinct features of Samic theatrical performance when it comes to texts, the aesthetics of performance, and acting traditions. The article outlines the Samic theatre landscape in general and then proceeds to focus on the multicultural aspects of "Ridn'oaivi ja nieguid oaidni", a performance by the Beaivváš Sami Teáhter. The article also calls attention to the problematic nature of the concept "cultural dialogue" in a situation when the borderlines between individual cultures are no longer obvious, and when it is no longer easy to identify the partners in a dialogue unequivocally. Article in Journal/Newspaper sami sami Sapmi De Gruyter (via Crossref) Folia Scandinavica Posnaniensia 19 1 233 250 |
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English |
description |
Abstract Institutional theatres in Sapmi have a relatively brief history but they are based upon traditional cultural heritage (the yoik, the art of storytelling, shamanistic seances). At the same time they are open to impulses from other cultures and theatrical traditions (European and non-European) that contribute to the distinct features of Samic theatrical performance when it comes to texts, the aesthetics of performance, and acting traditions. The article outlines the Samic theatre landscape in general and then proceeds to focus on the multicultural aspects of "Ridn'oaivi ja nieguid oaidni", a performance by the Beaivváš Sami Teáhter. The article also calls attention to the problematic nature of the concept "cultural dialogue" in a situation when the borderlines between individual cultures are no longer obvious, and when it is no longer easy to identify the partners in a dialogue unequivocally. |
format |
Article in Journal/Newspaper |
author |
Sibińska, Maria |
spellingShingle |
Sibińska, Maria Saamskie teatry |
author_facet |
Sibińska, Maria |
author_sort |
Sibińska, Maria |
title |
Saamskie teatry |
title_short |
Saamskie teatry |
title_full |
Saamskie teatry |
title_fullStr |
Saamskie teatry |
title_full_unstemmed |
Saamskie teatry |
title_sort |
saamskie teatry |
publisher |
Walter de Gruyter GmbH |
publishDate |
2016 |
url |
http://dx.doi.org/10.1515/fsp-2016-0016 http://content.sciendo.com/view/journals/fsp/19/1/article-p233.xml https://www.sciendo.com/article/10.1515/fsp-2016-0016 |
genre |
sami sami Sapmi |
genre_facet |
sami sami Sapmi |
op_source |
Folia Scandinavica Posnaniensia volume 19, issue 1, page 233-250 ISSN 2299-6885 |
op_rights |
http://creativecommons.org/licenses/by-nc-nd/4.0 |
op_rightsnorm |
CC-BY-NC-ND |
op_doi |
https://doi.org/10.1515/fsp-2016-0016 |
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Folia Scandinavica Posnaniensia |
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19 |
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233 |
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250 |
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