Border Crossings: The First Twenty-Five Years
Michael Walling here looks back over the first twenty-five years of Border Crossings, the company he founded in 1995. The article explores the company’s intercultural remit, placing it within the wider context of multicultural and intercultural performance and policy, and the relationship between in...
Published in: | New Theatre Quarterly |
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Language: | English |
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Cambridge University Press (CUP)
2021
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Online Access: | http://dx.doi.org/10.1017/s0266464x21000038 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0266464X21000038 |
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crcambridgeupr:10.1017/s0266464x21000038 2024-03-03T08:44:25+00:00 Border Crossings: The First Twenty-Five Years Walling, Michael 2021 http://dx.doi.org/10.1017/s0266464x21000038 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0266464X21000038 en eng Cambridge University Press (CUP) https://www.cambridge.org/core/terms New Theatre Quarterly volume 37, issue 2, page 137-158 ISSN 0266-464X 1474-0613 Visual Arts and Performing Arts journal-article 2021 crcambridgeupr https://doi.org/10.1017/s0266464x21000038 2024-02-08T08:30:38Z Michael Walling here looks back over the first twenty-five years of Border Crossings, the company he founded in 1995. The article explores the company’s intercultural remit, placing it within the wider context of multicultural and intercultural performance and policy, and the relationship between intercultural theory and practice. Structural questions around finance and organization are juxtaposed with an assessment of the dynamics of cross-cultural devising and the ethics of these collaborations. This article also explores Border Crossings’ text-based work, its curation of the ORIGINS Festival of First Nations and related ceremonies, and the company’s direct engagement with policy in the European Union. It is accompanied by a comprehensive chronology of the company’s productions. Michael Walling is Artistic Director of Border Crossings and Visiting Professor at Rose Bruford College. He has directed numerous productions across four continents, including opera as well as theatre. Article in Journal/Newspaper First Nations Cambridge University Press New Theatre Quarterly 37 2 137 158 |
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Open Polar |
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Cambridge University Press |
op_collection_id |
crcambridgeupr |
language |
English |
topic |
Visual Arts and Performing Arts |
spellingShingle |
Visual Arts and Performing Arts Walling, Michael Border Crossings: The First Twenty-Five Years |
topic_facet |
Visual Arts and Performing Arts |
description |
Michael Walling here looks back over the first twenty-five years of Border Crossings, the company he founded in 1995. The article explores the company’s intercultural remit, placing it within the wider context of multicultural and intercultural performance and policy, and the relationship between intercultural theory and practice. Structural questions around finance and organization are juxtaposed with an assessment of the dynamics of cross-cultural devising and the ethics of these collaborations. This article also explores Border Crossings’ text-based work, its curation of the ORIGINS Festival of First Nations and related ceremonies, and the company’s direct engagement with policy in the European Union. It is accompanied by a comprehensive chronology of the company’s productions. Michael Walling is Artistic Director of Border Crossings and Visiting Professor at Rose Bruford College. He has directed numerous productions across four continents, including opera as well as theatre. |
format |
Article in Journal/Newspaper |
author |
Walling, Michael |
author_facet |
Walling, Michael |
author_sort |
Walling, Michael |
title |
Border Crossings: The First Twenty-Five Years |
title_short |
Border Crossings: The First Twenty-Five Years |
title_full |
Border Crossings: The First Twenty-Five Years |
title_fullStr |
Border Crossings: The First Twenty-Five Years |
title_full_unstemmed |
Border Crossings: The First Twenty-Five Years |
title_sort |
border crossings: the first twenty-five years |
publisher |
Cambridge University Press (CUP) |
publishDate |
2021 |
url |
http://dx.doi.org/10.1017/s0266464x21000038 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0266464X21000038 |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
New Theatre Quarterly volume 37, issue 2, page 137-158 ISSN 0266-464X 1474-0613 |
op_rights |
https://www.cambridge.org/core/terms |
op_doi |
https://doi.org/10.1017/s0266464x21000038 |
container_title |
New Theatre Quarterly |
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37 |
container_issue |
2 |
container_start_page |
137 |
op_container_end_page |
158 |
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1792499907599269888 |