Border Crossings: The First Twenty-Five Years

Michael Walling here looks back over the first twenty-five years of Border Crossings, the company he founded in 1995. The article explores the company’s intercultural remit, placing it within the wider context of multicultural and intercultural performance and policy, and the relationship between in...

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Bibliographic Details
Published in:New Theatre Quarterly
Main Author: Walling, Michael
Format: Article in Journal/Newspaper
Language:English
Published: Cambridge University Press (CUP) 2021
Subjects:
Online Access:http://dx.doi.org/10.1017/s0266464x21000038
https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0266464X21000038
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spelling crcambridgeupr:10.1017/s0266464x21000038 2024-03-03T08:44:25+00:00 Border Crossings: The First Twenty-Five Years Walling, Michael 2021 http://dx.doi.org/10.1017/s0266464x21000038 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0266464X21000038 en eng Cambridge University Press (CUP) https://www.cambridge.org/core/terms New Theatre Quarterly volume 37, issue 2, page 137-158 ISSN 0266-464X 1474-0613 Visual Arts and Performing Arts journal-article 2021 crcambridgeupr https://doi.org/10.1017/s0266464x21000038 2024-02-08T08:30:38Z Michael Walling here looks back over the first twenty-five years of Border Crossings, the company he founded in 1995. The article explores the company’s intercultural remit, placing it within the wider context of multicultural and intercultural performance and policy, and the relationship between intercultural theory and practice. Structural questions around finance and organization are juxtaposed with an assessment of the dynamics of cross-cultural devising and the ethics of these collaborations. This article also explores Border Crossings’ text-based work, its curation of the ORIGINS Festival of First Nations and related ceremonies, and the company’s direct engagement with policy in the European Union. It is accompanied by a comprehensive chronology of the company’s productions. Michael Walling is Artistic Director of Border Crossings and Visiting Professor at Rose Bruford College. He has directed numerous productions across four continents, including opera as well as theatre. Article in Journal/Newspaper First Nations Cambridge University Press New Theatre Quarterly 37 2 137 158
institution Open Polar
collection Cambridge University Press
op_collection_id crcambridgeupr
language English
topic Visual Arts and Performing Arts
spellingShingle Visual Arts and Performing Arts
Walling, Michael
Border Crossings: The First Twenty-Five Years
topic_facet Visual Arts and Performing Arts
description Michael Walling here looks back over the first twenty-five years of Border Crossings, the company he founded in 1995. The article explores the company’s intercultural remit, placing it within the wider context of multicultural and intercultural performance and policy, and the relationship between intercultural theory and practice. Structural questions around finance and organization are juxtaposed with an assessment of the dynamics of cross-cultural devising and the ethics of these collaborations. This article also explores Border Crossings’ text-based work, its curation of the ORIGINS Festival of First Nations and related ceremonies, and the company’s direct engagement with policy in the European Union. It is accompanied by a comprehensive chronology of the company’s productions. Michael Walling is Artistic Director of Border Crossings and Visiting Professor at Rose Bruford College. He has directed numerous productions across four continents, including opera as well as theatre.
format Article in Journal/Newspaper
author Walling, Michael
author_facet Walling, Michael
author_sort Walling, Michael
title Border Crossings: The First Twenty-Five Years
title_short Border Crossings: The First Twenty-Five Years
title_full Border Crossings: The First Twenty-Five Years
title_fullStr Border Crossings: The First Twenty-Five Years
title_full_unstemmed Border Crossings: The First Twenty-Five Years
title_sort border crossings: the first twenty-five years
publisher Cambridge University Press (CUP)
publishDate 2021
url http://dx.doi.org/10.1017/s0266464x21000038
https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0266464X21000038
genre First Nations
genre_facet First Nations
op_source New Theatre Quarterly
volume 37, issue 2, page 137-158
ISSN 0266-464X 1474-0613
op_rights https://www.cambridge.org/core/terms
op_doi https://doi.org/10.1017/s0266464x21000038
container_title New Theatre Quarterly
container_volume 37
container_issue 2
container_start_page 137
op_container_end_page 158
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