WATCHING WOMAN AND WATER
I am being haunted by a dance I saw more than a year ago. Ever since it was performed as part of the Actions of Transfer: Women's Performance in the Americas conference at UCLA in November 2008, I have been reviewing it in my mind every few weeks. I am unsettled by its seeming simplicity and by...
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Language: | English |
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Cambridge University Press (CUP)
2010
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Online Access: | http://dx.doi.org/10.1017/s0040557410000256 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0040557410000256 |
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crcambridgeupr:10.1017/s0040557410000256 2024-03-03T08:36:32+00:00 WATCHING WOMAN AND WATER Foster, Susan Leigh 2010 http://dx.doi.org/10.1017/s0040557410000256 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0040557410000256 en eng Cambridge University Press (CUP) https://www.cambridge.org/core/terms Theatre Survey volume 51, issue 1, page 121-125 ISSN 0040-5574 1475-4533 Visual Arts and Performing Arts journal-article 2010 crcambridgeupr https://doi.org/10.1017/s0040557410000256 2024-02-08T08:26:54Z I am being haunted by a dance I saw more than a year ago. Ever since it was performed as part of the Actions of Transfer: Women's Performance in the Americas conference at UCLA in November 2008, I have been reviewing it in my mind every few weeks. I am unsettled by its seeming simplicity and by the integrity and power that this simplicity conveys. Therefore I am writing not about a work I have just seen, but rather one I have been rewatching for several months. The dance, titled Woman and Water , was created and performed by Alutiiq artist Tanya Lukin Linklater. It premiered on 22 May at Visualeyez 2006, Canada's seventh annual festival of performance art, produced by Latitude 53 Contemporary Visual Culture; the festival's theme was “Domesticity,” and it was curated by founder Todd Janes in Edmonton, Alberta. When she was invited to UCLA, Lukin Linklater inquired about the availability of water near the conference where the piece might be performed, and, upon seeing the site, determined to stage the work in the plaza in front of Royce Hall, which is adjacent to a large fountain. This is what I remember watching: Article in Journal/Newspaper alutiiq Cambridge University Press Todd ENVELOPE(-85.933,-85.933,-78.050,-78.050) Royce ENVELOPE(-118.836,-118.836,56.217,56.217) Theatre Survey 51 1 121 125 |
institution |
Open Polar |
collection |
Cambridge University Press |
op_collection_id |
crcambridgeupr |
language |
English |
topic |
Visual Arts and Performing Arts |
spellingShingle |
Visual Arts and Performing Arts Foster, Susan Leigh WATCHING WOMAN AND WATER |
topic_facet |
Visual Arts and Performing Arts |
description |
I am being haunted by a dance I saw more than a year ago. Ever since it was performed as part of the Actions of Transfer: Women's Performance in the Americas conference at UCLA in November 2008, I have been reviewing it in my mind every few weeks. I am unsettled by its seeming simplicity and by the integrity and power that this simplicity conveys. Therefore I am writing not about a work I have just seen, but rather one I have been rewatching for several months. The dance, titled Woman and Water , was created and performed by Alutiiq artist Tanya Lukin Linklater. It premiered on 22 May at Visualeyez 2006, Canada's seventh annual festival of performance art, produced by Latitude 53 Contemporary Visual Culture; the festival's theme was “Domesticity,” and it was curated by founder Todd Janes in Edmonton, Alberta. When she was invited to UCLA, Lukin Linklater inquired about the availability of water near the conference where the piece might be performed, and, upon seeing the site, determined to stage the work in the plaza in front of Royce Hall, which is adjacent to a large fountain. This is what I remember watching: |
format |
Article in Journal/Newspaper |
author |
Foster, Susan Leigh |
author_facet |
Foster, Susan Leigh |
author_sort |
Foster, Susan Leigh |
title |
WATCHING WOMAN AND WATER |
title_short |
WATCHING WOMAN AND WATER |
title_full |
WATCHING WOMAN AND WATER |
title_fullStr |
WATCHING WOMAN AND WATER |
title_full_unstemmed |
WATCHING WOMAN AND WATER |
title_sort |
watching woman and water |
publisher |
Cambridge University Press (CUP) |
publishDate |
2010 |
url |
http://dx.doi.org/10.1017/s0040557410000256 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0040557410000256 |
long_lat |
ENVELOPE(-85.933,-85.933,-78.050,-78.050) ENVELOPE(-118.836,-118.836,56.217,56.217) |
geographic |
Todd Royce |
geographic_facet |
Todd Royce |
genre |
alutiiq |
genre_facet |
alutiiq |
op_source |
Theatre Survey volume 51, issue 1, page 121-125 ISSN 0040-5574 1475-4533 |
op_rights |
https://www.cambridge.org/core/terms |
op_doi |
https://doi.org/10.1017/s0040557410000256 |
container_title |
Theatre Survey |
container_volume |
51 |
container_issue |
1 |
container_start_page |
121 |
op_container_end_page |
125 |
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1792507225158189056 |