Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic

ABSTRACT For centuries the Arctic has served as a stage of imagination and has inspired countless artists in different ways. Also the music genre of heavy metal frequently utilises the ‘north’ and the Arctic. This paper briefly explores how two heavy metal subgenres, black metal and Viking metal, ap...

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Published in:Polar Record
Main Author: Sellheim, Nikolas
Format: Article in Journal/Newspaper
Language:English
Published: Cambridge University Press (CUP) 2016
Subjects:
Online Access:http://dx.doi.org/10.1017/s0032247416000280
https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0032247416000280
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spelling crcambridgeupr:10.1017/s0032247416000280 2024-10-06T13:45:42+00:00 Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic Sellheim, Nikolas 2016 http://dx.doi.org/10.1017/s0032247416000280 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0032247416000280 en eng Cambridge University Press (CUP) https://www.cambridge.org/core/terms Polar Record volume 52, issue 5, page 509-517 ISSN 0032-2474 1475-3057 journal-article 2016 crcambridgeupr https://doi.org/10.1017/s0032247416000280 2024-09-11T04:05:00Z ABSTRACT For centuries the Arctic has served as a stage of imagination and has inspired countless artists in different ways. Also the music genre of heavy metal frequently utilises the ‘north’ and the Arctic. This paper briefly explores how two heavy metal subgenres, black metal and Viking metal, approach and utilise narratives associated with the ‘north’. By using lyrics of black and Viking metal bands, different forms of utilisation come to the fore, ranging from narratives of death to the raging Northman. Also polar exploration finds musical expression and is a source for generating extreme conceptual settings. Article in Journal/Newspaper Arctic Polar Record Cambridge University Press Arctic Polar Record 52 5 509 517
institution Open Polar
collection Cambridge University Press
op_collection_id crcambridgeupr
language English
description ABSTRACT For centuries the Arctic has served as a stage of imagination and has inspired countless artists in different ways. Also the music genre of heavy metal frequently utilises the ‘north’ and the Arctic. This paper briefly explores how two heavy metal subgenres, black metal and Viking metal, approach and utilise narratives associated with the ‘north’. By using lyrics of black and Viking metal bands, different forms of utilisation come to the fore, ranging from narratives of death to the raging Northman. Also polar exploration finds musical expression and is a source for generating extreme conceptual settings.
format Article in Journal/Newspaper
author Sellheim, Nikolas
spellingShingle Sellheim, Nikolas
Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic
author_facet Sellheim, Nikolas
author_sort Sellheim, Nikolas
title Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic
title_short Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic
title_full Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic
title_fullStr Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic
title_full_unstemmed Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic
title_sort black and viking metal: how two extreme music genres depict, construct and transfigure the (sub-)arctic
publisher Cambridge University Press (CUP)
publishDate 2016
url http://dx.doi.org/10.1017/s0032247416000280
https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0032247416000280
geographic Arctic
geographic_facet Arctic
genre Arctic
Polar Record
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Polar Record
op_source Polar Record
volume 52, issue 5, page 509-517
ISSN 0032-2474 1475-3057
op_rights https://www.cambridge.org/core/terms
op_doi https://doi.org/10.1017/s0032247416000280
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