To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland
ABSTRACT Research undertaken between 1960 to 1990 into what was once a rock painting tradition in Finland, lacked a clear understanding of parallels between the painted figures found at rock painting locations in the southern and central areas of the country, and the motifs painted on the heads of S...
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Cambridge University Press (CUP)
2013
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Online Access: | http://dx.doi.org/10.1017/s0032247413000351 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0032247413000351 |
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crcambridgeupr:10.1017/s0032247413000351 2024-03-03T08:48:05+00:00 To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland Joy, Francis 2013 http://dx.doi.org/10.1017/s0032247413000351 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0032247413000351 en eng Cambridge University Press (CUP) https://www.cambridge.org/core/terms Polar Record volume 50, issue 1, page 108-111 ISSN 0032-2474 1475-3057 General Earth and Planetary Sciences Ecology Geography, Planning and Development journal-article 2013 crcambridgeupr https://doi.org/10.1017/s0032247413000351 2024-02-08T08:32:56Z ABSTRACT Research undertaken between 1960 to 1990 into what was once a rock painting tradition in Finland, lacked a clear understanding of parallels between the painted figures found at rock painting locations in the southern and central areas of the country, and the motifs painted on the heads of Sámi shaman divination drums from Lapland. However, due to the discovery and analysis of the content of more rock painting sites in Finland from 1990 up to the present, a more comprehensive framework has emerged in which scholars from across different academic disciplines have discovered many more similar characteristics linking the rock paintings and drum symbolism. These recent findings point towards the survival of a nature based sacrificial religion from the Stone Age era in Finland. The source of this was shamanistic in its essence, and is seen portrayed on rock and boulder formations by hunters similarly to how figures were illustrated on drum heads by the Sámi shamans from the nomadic era of the 17th and 18th centuries in Lapland. This more recent recognition strengthens the argument for Sámi involvement in the creation of rock paintings in Finland. Article in Journal/Newspaper Polar Record Lapland Cambridge University Press Polar Record 50 1 108 111 |
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Open Polar |
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Cambridge University Press |
op_collection_id |
crcambridgeupr |
language |
English |
topic |
General Earth and Planetary Sciences Ecology Geography, Planning and Development |
spellingShingle |
General Earth and Planetary Sciences Ecology Geography, Planning and Development Joy, Francis To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland |
topic_facet |
General Earth and Planetary Sciences Ecology Geography, Planning and Development |
description |
ABSTRACT Research undertaken between 1960 to 1990 into what was once a rock painting tradition in Finland, lacked a clear understanding of parallels between the painted figures found at rock painting locations in the southern and central areas of the country, and the motifs painted on the heads of Sámi shaman divination drums from Lapland. However, due to the discovery and analysis of the content of more rock painting sites in Finland from 1990 up to the present, a more comprehensive framework has emerged in which scholars from across different academic disciplines have discovered many more similar characteristics linking the rock paintings and drum symbolism. These recent findings point towards the survival of a nature based sacrificial religion from the Stone Age era in Finland. The source of this was shamanistic in its essence, and is seen portrayed on rock and boulder formations by hunters similarly to how figures were illustrated on drum heads by the Sámi shamans from the nomadic era of the 17th and 18th centuries in Lapland. This more recent recognition strengthens the argument for Sámi involvement in the creation of rock paintings in Finland. |
format |
Article in Journal/Newspaper |
author |
Joy, Francis |
author_facet |
Joy, Francis |
author_sort |
Joy, Francis |
title |
To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland |
title_short |
To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland |
title_full |
To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland |
title_fullStr |
To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland |
title_full_unstemmed |
To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland |
title_sort |
to all our relations: evidence of sámi involvement in the creation of rock paintings in finland |
publisher |
Cambridge University Press (CUP) |
publishDate |
2013 |
url |
http://dx.doi.org/10.1017/s0032247413000351 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0032247413000351 |
genre |
Polar Record Lapland |
genre_facet |
Polar Record Lapland |
op_source |
Polar Record volume 50, issue 1, page 108-111 ISSN 0032-2474 1475-3057 |
op_rights |
https://www.cambridge.org/core/terms |
op_doi |
https://doi.org/10.1017/s0032247413000351 |
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Polar Record |
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50 |
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108 |
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111 |
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