A Comparative Study of Rock Art in Later Prehistoric Europe

The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal,...

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Main Author: Bradley, Richard
Format: Book
Language:unknown
Published: Cambridge University Press 2020
Subjects:
Online Access:http://dx.doi.org/10.1017/9781108885638
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spelling crcambridgeupr:10.1017/9781108885638 2024-06-09T07:45:53+00:00 A Comparative Study of Rock Art in Later Prehistoric Europe Bradley, Richard 2020 http://dx.doi.org/10.1017/9781108885638 unknown Cambridge University Press https://www.cambridge.org/core/terms ISBN 9781108885638 9781108794497 monograph 2020 crcambridgeupr https://doi.org/10.1017/9781108885638 2024-05-15T13:15:54Z The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies. Book Fennoscandia Cambridge University Press
institution Open Polar
collection Cambridge University Press
op_collection_id crcambridgeupr
language unknown
description The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
format Book
author Bradley, Richard
spellingShingle Bradley, Richard
A Comparative Study of Rock Art in Later Prehistoric Europe
author_facet Bradley, Richard
author_sort Bradley, Richard
title A Comparative Study of Rock Art in Later Prehistoric Europe
title_short A Comparative Study of Rock Art in Later Prehistoric Europe
title_full A Comparative Study of Rock Art in Later Prehistoric Europe
title_fullStr A Comparative Study of Rock Art in Later Prehistoric Europe
title_full_unstemmed A Comparative Study of Rock Art in Later Prehistoric Europe
title_sort comparative study of rock art in later prehistoric europe
publisher Cambridge University Press
publishDate 2020
url http://dx.doi.org/10.1017/9781108885638
genre Fennoscandia
genre_facet Fennoscandia
op_source ISBN 9781108885638 9781108794497
op_rights https://www.cambridge.org/core/terms
op_doi https://doi.org/10.1017/9781108885638
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