“Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation

This chapter attempts to explain the role of “human zoos” in the emergence of scientific ethnography and its display in museums by examining the case of the private portfolio of the first director of the Natural History Museum Vienna, Ferdinand von Hochstetter. This vast portfolio includes photograp...

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Main Author: Jovanovic-Kruspel, Stefanie
Format: Book Part
Language:unknown
Published: Amsterdam University Press 2021
Subjects:
Online Access:http://dx.doi.org/10.5117/9789463720908_ch08
https://scienceopen.com/book?vid=544ec881-421b-485d-9ae5-18181e840c2d
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spelling cramsterunivpr:10.5117/9789463720908_ch08 2024-05-19T07:41:17+00:00 “Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation Jovanovic-Kruspel, Stefanie 2021 http://dx.doi.org/10.5117/9789463720908_ch08 https://scienceopen.com/book?vid=544ec881-421b-485d-9ae5-18181e840c2d unknown Amsterdam University Press Ephemeral Spectacles, Exhibition Spaces and Museums ISBN 9789048542932 9789048542932 9789463720908 book-chapter 2021 cramsterunivpr https://doi.org/10.5117/9789463720908_ch08 2024-04-30T06:40:16Z This chapter attempts to explain the role of “human zoos” in the emergence of scientific ethnography and its display in museums by examining the case of the private portfolio of the first director of the Natural History Museum Vienna, Ferdinand von Hochstetter. This vast portfolio includes photographs of the first Völkerschauen (“peoples’ exhibitions”) by Carl Hagenbeck (1844–1913). Some of the pictures of the Greenland Inuit appear to have been the templates for at least two sculptures of “native types” that the Austrian sculptor Viktor Tilgner used for his Inuit caryatids in the exhibition hall. This discovery sheds new light on the complex relation between “human zoos” and early ethnographic science. Book Part Greenland inuit Amsterdam University Press (AUP)
institution Open Polar
collection Amsterdam University Press (AUP)
op_collection_id cramsterunivpr
language unknown
description This chapter attempts to explain the role of “human zoos” in the emergence of scientific ethnography and its display in museums by examining the case of the private portfolio of the first director of the Natural History Museum Vienna, Ferdinand von Hochstetter. This vast portfolio includes photographs of the first Völkerschauen (“peoples’ exhibitions”) by Carl Hagenbeck (1844–1913). Some of the pictures of the Greenland Inuit appear to have been the templates for at least two sculptures of “native types” that the Austrian sculptor Viktor Tilgner used for his Inuit caryatids in the exhibition hall. This discovery sheds new light on the complex relation between “human zoos” and early ethnographic science.
format Book Part
author Jovanovic-Kruspel, Stefanie
spellingShingle Jovanovic-Kruspel, Stefanie
“Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation
author_facet Jovanovic-Kruspel, Stefanie
author_sort Jovanovic-Kruspel, Stefanie
title “Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation
title_short “Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation
title_full “Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation
title_fullStr “Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation
title_full_unstemmed “Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation
title_sort “show meets science:” how hagenbeck’s “human zoos” inspired ethnographic science and its museum presentation
publisher Amsterdam University Press
publishDate 2021
url http://dx.doi.org/10.5117/9789463720908_ch08
https://scienceopen.com/book?vid=544ec881-421b-485d-9ae5-18181e840c2d
genre Greenland
inuit
genre_facet Greenland
inuit
op_source Ephemeral Spectacles, Exhibition Spaces and Museums
ISBN 9789048542932 9789048542932 9789463720908
op_doi https://doi.org/10.5117/9789463720908_ch08
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