Capitalism and Orientalism: Gomorrah at Cannes
Through the case study of Gomorrah ’s (Matteo Garrone, 2008) presentation at Cannes, this chapter re-assesses film festivals’ claims to both artistic and political universality through the lenses of capitalism and Orientalism. I argue that European A festivals disavow their reproduction of oppressiv...
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Amsterdam University Press
2023
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Online Access: | http://dx.doi.org/10.5117/9789463720366_ch06 https://scienceopen.com/book?vid=e8988deb-e99c-4fdb-b115-5880de8a6144 |
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cramsterunivpr:10.5117/9789463720366_ch06 2024-05-19T07:44:54+00:00 Capitalism and Orientalism: Gomorrah at Cannes 2023 http://dx.doi.org/10.5117/9789463720366_ch06 https://scienceopen.com/book?vid=e8988deb-e99c-4fdb-b115-5880de8a6144 en eng Amsterdam University Press Film Festivals, Ideology and Italian Art Cinema ISBN 9789048554201 9789048554201 9789463720366 book-chapter 2023 cramsterunivpr https://doi.org/10.5117/9789463720366_ch06 2024-04-30T06:40:15Z Through the case study of Gomorrah ’s (Matteo Garrone, 2008) presentation at Cannes, this chapter re-assesses film festivals’ claims to both artistic and political universality through the lenses of capitalism and Orientalism. I argue that European A festivals disavow their reproduction of oppressive power structures by displacing the excesses of global capitalism onto a fantasmatic, orientalised South. I investigate the dynamics of transnationalism and “uneven development” in competitive film festivals’ programming of films produced and/or set “outside” the North Atlantic. I show that, while Cannes’ presentation of Gomorrah effectively localises its critique to Southern Italy, the film itself makes manifest the imbrication of the Global North—and even European film festivals—in the ecological and commercial corruption it depicts. Book Part North Atlantic Amsterdam University Press (AUP) Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland |
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Open Polar |
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Amsterdam University Press (AUP) |
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cramsterunivpr |
language |
English |
description |
Through the case study of Gomorrah ’s (Matteo Garrone, 2008) presentation at Cannes, this chapter re-assesses film festivals’ claims to both artistic and political universality through the lenses of capitalism and Orientalism. I argue that European A festivals disavow their reproduction of oppressive power structures by displacing the excesses of global capitalism onto a fantasmatic, orientalised South. I investigate the dynamics of transnationalism and “uneven development” in competitive film festivals’ programming of films produced and/or set “outside” the North Atlantic. I show that, while Cannes’ presentation of Gomorrah effectively localises its critique to Southern Italy, the film itself makes manifest the imbrication of the Global North—and even European film festivals—in the ecological and commercial corruption it depicts. |
format |
Book Part |
title |
Capitalism and Orientalism: Gomorrah at Cannes |
spellingShingle |
Capitalism and Orientalism: Gomorrah at Cannes |
title_short |
Capitalism and Orientalism: Gomorrah at Cannes |
title_full |
Capitalism and Orientalism: Gomorrah at Cannes |
title_fullStr |
Capitalism and Orientalism: Gomorrah at Cannes |
title_full_unstemmed |
Capitalism and Orientalism: Gomorrah at Cannes |
title_sort |
capitalism and orientalism: gomorrah at cannes |
publisher |
Amsterdam University Press |
publishDate |
2023 |
url |
http://dx.doi.org/10.5117/9789463720366_ch06 https://scienceopen.com/book?vid=e8988deb-e99c-4fdb-b115-5880de8a6144 |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
Film Festivals, Ideology and Italian Art Cinema ISBN 9789048554201 9789048554201 9789463720366 |
op_doi |
https://doi.org/10.5117/9789463720366_ch06 |
op_publisher_place |
Nieuwe Prinsengracht 89
1018 VR
Amsterdam
Nederland |
_version_ |
1799484803522756608 |