Capitalism and Orientalism: Gomorrah at Cannes

Through the case study of Gomorrah ’s (Matteo Garrone, 2008) presentation at Cannes, this chapter re-assesses film festivals’ claims to both artistic and political universality through the lenses of capitalism and Orientalism. I argue that European A festivals disavow their reproduction of oppressiv...

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Format: Book Part
Language:English
Published: Amsterdam University Press 2023
Subjects:
Online Access:http://dx.doi.org/10.5117/9789463720366_ch06
https://scienceopen.com/book?vid=e8988deb-e99c-4fdb-b115-5880de8a6144
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spelling cramsterunivpr:10.5117/9789463720366_ch06 2024-05-19T07:44:54+00:00 Capitalism and Orientalism: Gomorrah at Cannes 2023 http://dx.doi.org/10.5117/9789463720366_ch06 https://scienceopen.com/book?vid=e8988deb-e99c-4fdb-b115-5880de8a6144 en eng Amsterdam University Press Film Festivals, Ideology and Italian Art Cinema ISBN 9789048554201 9789048554201 9789463720366 book-chapter 2023 cramsterunivpr https://doi.org/10.5117/9789463720366_ch06 2024-04-30T06:40:15Z Through the case study of Gomorrah ’s (Matteo Garrone, 2008) presentation at Cannes, this chapter re-assesses film festivals’ claims to both artistic and political universality through the lenses of capitalism and Orientalism. I argue that European A festivals disavow their reproduction of oppressive power structures by displacing the excesses of global capitalism onto a fantasmatic, orientalised South. I investigate the dynamics of transnationalism and “uneven development” in competitive film festivals’ programming of films produced and/or set “outside” the North Atlantic. I show that, while Cannes’ presentation of Gomorrah effectively localises its critique to Southern Italy, the film itself makes manifest the imbrication of the Global North—and even European film festivals—in the ecological and commercial corruption it depicts. Book Part North Atlantic Amsterdam University Press (AUP) Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland
institution Open Polar
collection Amsterdam University Press (AUP)
op_collection_id cramsterunivpr
language English
description Through the case study of Gomorrah ’s (Matteo Garrone, 2008) presentation at Cannes, this chapter re-assesses film festivals’ claims to both artistic and political universality through the lenses of capitalism and Orientalism. I argue that European A festivals disavow their reproduction of oppressive power structures by displacing the excesses of global capitalism onto a fantasmatic, orientalised South. I investigate the dynamics of transnationalism and “uneven development” in competitive film festivals’ programming of films produced and/or set “outside” the North Atlantic. I show that, while Cannes’ presentation of Gomorrah effectively localises its critique to Southern Italy, the film itself makes manifest the imbrication of the Global North—and even European film festivals—in the ecological and commercial corruption it depicts.
format Book Part
title Capitalism and Orientalism: Gomorrah at Cannes
spellingShingle Capitalism and Orientalism: Gomorrah at Cannes
title_short Capitalism and Orientalism: Gomorrah at Cannes
title_full Capitalism and Orientalism: Gomorrah at Cannes
title_fullStr Capitalism and Orientalism: Gomorrah at Cannes
title_full_unstemmed Capitalism and Orientalism: Gomorrah at Cannes
title_sort capitalism and orientalism: gomorrah at cannes
publisher Amsterdam University Press
publishDate 2023
url http://dx.doi.org/10.5117/9789463720366_ch06
https://scienceopen.com/book?vid=e8988deb-e99c-4fdb-b115-5880de8a6144
genre North Atlantic
genre_facet North Atlantic
op_source Film Festivals, Ideology and Italian Art Cinema
ISBN 9789048554201 9789048554201 9789463720366
op_doi https://doi.org/10.5117/9789463720366_ch06
op_publisher_place Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland
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